Mark Sheinkman

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Mark Sheinkman (born 1963) is an American contemporary artist. His primary mediums are oil painting and drawing.

Sheinkman was born in New York City, where he currently lives and works. He received his Bachelor of Arts degree from Princeton University summa cum laude in 1985. His works are handled by Von Lintel Gallery.

1 Exhibitions
2 Art in Public Collections
3 Articles about Mark Sheinkman
4 External links

[edit] Exhibitions

2005: Galerie fruehsorge, Berlin
2003: New Acquisitions, Metropolitan Museum of Art, New York
2002: Von Lintel Gallery, New York
2001: Von Lintel & Nusser, New York
2000: Lannan Foundation, Santa Fe, New Mexico
1999: Galerie von Lintel & Nusser, Munich, Germany
1998: Thomas Healy Gallery, New York
1998: Ten Artists - Ten Drawings, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
1997: Four Americans, Mark Stone, Paul, Figure Gallery Turin, Italy
1997: Thomas von Lintel Munich, Germany
1996: Morris-Healy Gallery, New York
1996: An American Eye, Gallerie le Carré, Lille, France
1995: Works on Paper, The Berkshire Museum, Pittsfield, Massachusetts
1995: Gina Fiore Salon, New York
1994: The New York Collection, The Albright-Knox Art Gallery, Buffalo, New York
1993: Big Art, Billboard Installation, Atlanta, Georgia
1993: Information Gallery, New York
1989: Paula Allen Gallery, New York

[edit] Art in Public Collections

Museum of Modern Art, New York City
Metropolitan Museum of Art, New York City
National Gallery of Art, Washington, D.C.
Museum of Fine Arts, Houston, Texas
Fogg Art Museum, Harvard University, Cambridge, Massachusetts
Yale University Art Gallery, New Haven, Connecticut
Weatherspoon Art Gallery, Greensboro, North Carolina
Hood Museum of Art, Dartmouth College, Hanover, New Hampshire
Ackland Art Museum, Chapel Hill, North Carolina
Davison Art Center, Wesleyan University, Middletown, Connecticut
Old Jail Art Center, Albany, Texas
Bibliotheque Nationale, Paris, France

[edit] Articles about Mark Sheinkman

Keller, Maximilian, "Aus den Galerien- Galerie Fruehsorge, Mark Sheinkman," Die Welt, May 23, 2005
Kaufman, Gina, "On Your Mark, The Kemper gets physical," The Pitch, March 16, 2005
Thorson, Alice, "Sheinkman’s abstracts embrace both logic and enigma," Kansas City Star, February 13, 2005
Williamson, Lisha, "Mark Sheinkman’s Way," [1] University News, February 7, 2005
Edelman, Robert, "Mark Sheinkman: Between Gesture and Void," Kemper Museum Catalog, January, 2005
Haber, John, "Gallery-Going: Chelsea in Spring 2004"[2]
Miller, Andrew, "Line 'Em Up: Mark Sheinkman works to the point of abstraction," The Pitch, January 14, 2005
Sweet, Kimberly, "Black & White," Kansas City Star, January 12, 2005
Cullum, Jerry, "Intriguing interjections in a century-long dialogue," Atlanta Journal-Constitution, May 30, 2004
Renzi, Jen, "Blue Chip," Interior Design, August, 2003
Sherman, Mary, "Open Studio Press tries new 'Line' of work," Boston Herald, January 12, 2003
McQuaide, Cate, "Meticulous Meditations on the Abstract," Boston Globe, January 3, 2003
Johnson, Ken, "Art Guide, Zenroxy," New York Times, December 20, 2002
Gonzales, Manuel and Forde, J.A., "Unframed: Artists Respond to AIDS," 2002
Johnson, Ken, "Art Guide: Mark Sheinkman," New York Times, March 23, 2001
Sauerbier, S.D. "Zeichnen-Zeichen zeigen," minimal-concept Zeichenhafte Sprachen im Raum, 2001
Landi, Ann, "Drawing Is Another Kind of Language," ARTnews, December 1999
Sheets, Hillarie, "The Syntax of Drawing, From Old and New Alike," Newsday, October 1, 1999
Amy, Michael, "Mark Sheinkman at Thomas Healy," Art in America, December 1998
Turner, Grady T., "Up Now, Mark Sheinkman," ARTnews, April, 1998
“Goings On About Town”, The New Yorker, April 20, 1998
Glueck, Grace, "Art Guide, Mark Sheinkman," New York Times, March 27, 1998
Nahas, Dominique, "Mark Sheinkman," Review, March 15, 1998, Volume 3, Number 12
Ebony, David, "Mark Sheinkman at Morris Healy," Artnet, March, 1998
Zimmer, William, "Matters of Scale, and of Nostalgia Too," New York Times, March 8, 1998
Glueck, Grace, "Large Scale Drawings from the Collection of Wynn Kramarsky," New York Times, April 24, 1998
Landi, Ann, "On the Edge, Mark Sheinkman, The Eraser," ARTnews, September 1997
Trione, Vincenzo, "Sheinkman, poetic obsession," Il Mattino, July 26, 1997
Landi, Ann, "Site Specifics," ARTnews, April 1997, p.118
Athineos, Doris, "When Kramarsky Talks, Collectors Listen: What kind of Art Does the Man Who Sold the World’s Most Expensive Painting Collect?" Forbes Magazine, November 18, 1997
Paparoni, Dimetrio, "Redefined Abstraction," Tema Celeste, Autumn 1997
Brennan, Michael, "Mark Sheinkman at Morris Healy," Artnet, Autumn 1996
Melrod, George, "Special Report: Contemporary Art - New York City," Art and Antiques, Summer 1996
Schmerler, Sarah, " Mark Sheinkman," Time Out New York, June 26, 1996
Shimony, Jonathan, "New York Art Scene II," Art Vision, Winter 1995