Ching-Thang Khomba
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Ching-Thang Khomba | |
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Bishnupriya Manipuri | ভাগ্য চন্দ্র |
Transliteration: | Bhagyaa Chandra |
Bengali | ভ্হগো ছন্দ্রো |
Transliteration: | Bhôgo Chôndro |
Hindi | भाग्या चन्द्र |
Transliteration: | Bhagyaa Chandra |
Ningthou Ching-Thang Khomba (also Rajarshi Bhagya Chandra, Jai Singh Maharaja) (1748–1799) was a Manipuri monarch of the 18th century CE. The inventor of the Ras Lila dance, he is a legendary figure in Manipur,[1] and much of his actions as King had been mythologized. He is also credited with spreading Vaishnavism in Manipur after his grandfather Pamheiba made Hinduism the official religion and for creating a unified Manipur.[2]
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[edit] Early Years
Maharaja Bhagya Chandra ascended to the throne of Manipur in 1759, a few years after the death of his grandfather Pamheiba and his father Samjai Khurai-Lakpa at the hands of his uncle Chitsai.[3] In 1762, Manipur was attacked by the Burmese, assisted by the Chitsai. He, along with the Rani and a few loyal attendants fled to Assam, where they lived under the protection of the Ahom ruler, King Rajeshvara.
[edit] Life in Assam
Bhagya Chandra’s crafty uncle wrote a letter to King Rajeshvara saying that the person taking refuge at his court was not the true Bhagya Chandra. The uncle advised Rajeshvara to get rid of the refugee (Bhagya Chandra). King Rajeshvara was somewhat persuaded by this letter and began treating Bhagyachandra with suspicion.[4]
In Manipuri legends, the real Bhagyachandra was said to have supernatural powers. To see whether the usurper was correct, King Rajeshvara designed a test at the behest of his court. In a public arena, Bhagyachandra while unarmed, was to catch and tame a wild elephant.
[edit] First Epiphany
Confronted with insurmountable odds, King Bhagyachandra prayed to Lord Govinda for guidance. Krishna appeared to him in a dream and instructed him to enter the arena donning a garland while holding japa beads. At the end of the instructions, Govinda assured him of victory.[4]
The dream also stated that Bhagya Chandra would be the sole king of Manipur. Upon regaining the kingdom, he should install a Krishna murti. The Deity, Govinda, should be carved from a certain old jackfruit tree growing on the slopes of Kaina hill.
After installing the Deity, the Lord said, the king should arrange for the performance of a Rasa-Lila, in which Krishna would be worshiped with song and dance. Bhagya Chandra also received in this vision a complete, plan on how to execute the Ras Lila (dance) .[4]
[edit] The Test of Power
Bhagya Chandra entered the arena, donning the garland and japa he was instructed to in the vision. In the ensuing fight, the spectators noted that the elephant seemed to recoil as if it was being struck by a ghost. King Bhagya Chandra said that he saw "Lord Krishna as the mahout".[4]
[edit] The Retaking of Manipur
[edit] First Expedition
After the duel, Bhagya Chandra appealed to King Rajeshvara for military assistance. King Rajeshvara agreed to send an army to overthrow Chitsai and reinstate Bhagya Chandra. The expedition hit many snags in Nagaland where they were attacked by Naga tribesmen and poisonous snakes. King Rajeshvara called off the unsuccessful venture in 1767.
[edit] Second Expedition
In November of 1768, Bhagya Chandra and King Rajeshvara decided to make another attempt to invade Manipur. This time Bhagya Chandra led 10,000 Ahom troops across the Kachari kingdom to the Mirap river. Many battles ensued between the Ahoms and Manipuris on one side, and the Naga, Chitsai and the Burmese on the other. In 1773 C.E. Bhagya Chandra was reinstated as Ningthou of Manipur[5]
[edit] Dealings with the East India Company
In 1762 AD., the British and Manipur signed a bilateral treaty with Gaurisiam, which spelled that the British and Manipuris will encourage trade and commerce. The British gave necessary help for protection against the Burmese and Nagas. Manipur gave up a village for an East India Company post. The name "Manipur" (assigned by the British for Ching-Thang's kingdom) for what was called "Meitrabak" came into being in 1774 C.E. in which the Governor General of India Mr. Rendel, surveyed the area westward from Ningthi to Cachar and Northward from Chittagong to the Brahmaputra and renamed it.[3]
[edit] Reign
In 1775 he established his capital at Bishenpur and carved the Govinda murti at the hill of Kaina. On January 11, 1779 he was "re-coronated" amid many performances of his now-popular Rasa Lila.[3]
During his reign, the Manipuris repelled the Burmese from Manipur. Though his exploits, did not equal Pamheiba's, his reign was characterized by security. He was a great patron of the arts and religion, and his strong Vaishnavism reflected on the Manipuris. He was an ardent devotee of Chaitanya Mahaprabhu and during his reign a statue of Nityananda was created.
In 1796 C.E. he moved his capital to Kangla and a year later he abdicated the throne to his eldest son Labeinyachandra. His last few years were on pilgrimage top various Vaisnavite holy sites, including Nabadwip. He died in 1798 C.E. in Murshidabad.[3]
[edit] Family
Ching-Thang Khomba was son to Samjai Khurai-Lakpa, who had two brothers Mantri Ananda Shai and Chitsai. Ching-Thang had many siblings, the most famous of whom was Gaurisiam, King of Manipur until his untimely death in 1763.[3]
[edit] Cultural Works
The tradition of Rasa Lila in Manipur is attributed to Ching-Thang. The first Manipur Maha Rasleela was performed in 1777 C.E.[3].[6] Under the influence of Bengali missionaries, he also started the tradition of Sankirtan in Manipur[7]
[edit] Literary Works
[edit] References
- ^ Manipuri, The - Banglapedia
- ^ Manipur — Culturalpursuits.com
- ^ a b c d e f History of Manipur — The Medieval Period — IIT Guwahati
- ^ a b c d A Land of Krishna Conscious Culture — ISKCON
- ^ A History of Assam by Edward Gait Geographical Journal, Vol. 69, No. 3 (Mar., 1927), pp. 271-272
- ^ Manipuri Dance: Both ritualistic and recreational - Manipuri Dance
- ^ a b Snippets - Narthaki
- ^ books on dance - Thakita
Preceded by Chitsai |
King of Manipur 1769–1798 |
Succeeded by Labeinya Chandra |