Chris Doty

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Chris Bourke Doty (September 8, 1966 – February 2, 2006) was a Canadian journalist, historian, award-winning documentary filmmaker, author and playwright, noted for his many contributions to the cultural life of his hometown of London, Ontario.

A graduate of Tecumseh Public School, South Secondary School and the journalism school at the University of Western Ontario in 1991, Doty grew up on tree-lined Lyndhurst Place in old south London, where he was a paper boy for The London Free Press during his formative years.

Contents 1 Historical documentary films and plays 2 Sudden suicide 3 Annual endowment fund 4 External links

[edit] Historical documentary films and plays

His writing included numerous articles in local and area publications such as The London Free Press, the Simcoe Reformer, the Strathroy Age-Dispatch and the UWO Gazette, as well as a book on hangings in London and Ontario.

His documentary films have covered such subjects as:

• Old Theatres: The Return, 1991 (while still a student at UWO)
• Marc Emery: Messing Up the System, 1992
• Slippery the Seal and Storybook Gardens in London (Slippery, 1995)
• London's great flood of 1937 (Lost April: The Flood of '37, 1997)
• the history of London (Vagabonds and Visionaries: The London Story, 1998)
• CBC-TV's Guy Lombardo: When We Danced, 1998
• a Guelph, Ontario, promotional video (Guelph: City of Opportunity, 2000)
• the British Royal visit of 1939 (A Great Day for London: The Royal Visit of 1939, 2000)
• the history of the Grand Theatre, (Let's Go to the Grand!, 2001)
• the history of the local TV station (Rewind: Fifty Years of Local Television), 2003)
• the first 40 years of the London Knights hockey team (Green and Gold: 40 Seasons of the London Knights, 2005)
• The Jack Chambers Film Project, 2005

Doty's historical documentary films earned his film company, Doty Docs, a total of six provincial and national awards.

He also wrote the commemmorative book, Fifty Years of Music: The Story of EMI Music Canada, 1999, and was active in film restoration, bringing forgotten Canadian films and documentaries back to the public's attention. These have included Here Will I Nest, 1942, The Turkey Point Witch Project, 1962, and Guy Lombardo: A Royal Canadian, 1977.

Doty restored the only known print of Canada's first feature-length colour movie, Here I Will Nest and produced a series of historical minutes/ videos for The New PL TV-station (now the A-Channel, originally CFPL-TV), Rogers Television the City of London, Museum London and the Banting House Museum.

In 2003, Doty was instrumental in convincing the City to name a park in honour of London-born Black actor, Richard B. Harrison (1864-1935), in south-central London, as well as having an interpretive historical plaque erected in Richard B. Harrison Park.

Doty was also involved in local theatre as a playwright and a producer, including a dramatized recreation of The Donnelly Trial -- the 1880 trial of alleged ringleader James Carroll for the mob killing of the notorious Black Donnellys of Biddulph Township north of London near Lucan, Ontario, on February 4, 1880 -- in the same courtroom in London's historic courthouse (now the Middlesex County building) where the trial occurred 126 years ago. The play had two possible endings that a jury, made up of 12 audience members, could determine depending on their verdict.

During Doors Open London, 2005, Doty (in conjunction with actor/ writer Jason Rip) played a key role in writing the scripts for the Lost Soul Stroll street theatre in downtown London regarding London's grisly past, ghosts and hauntings.

The second play that Doty co-wrote and produced was about political-marijuana activist, Marc Emery, called Citizen Marc, The Adventures of Marc Emery.

In addition, Doty co-founded the Brickenden Awards in 2002 to recognize excellence in theatre in London, which Doty last attended on Monday, January 30, 2006, with The Donnelly Trial winning a Brickenden for the "Ballyhoo Award" (best advance promotion) and also one for best costumes (made by Barbara Hunter).

[edit] Sudden suicide

The date of Doty's death is believed to be Thursday, February 2, 2006, although he wasn't found until a day later on Friday, February 3, 2006, still wearing his coat and a hat after apparently hanging himself in the attic of his home on Trevithen Street in south London -- 24 hours before the final performance of Citizen Marc, which was playing downtown at the London Arts Project on Dundas Street.

Doty was found at his home by actor/playwright/colleague Jason Rip and a former girlfriend, Patsy Morgan -- nearly 126 years to the day after the Donnelly massacre -- after he failed to keep appointments/ media interviews scheduled for the previous day.

The suicide mystified Londoners because as recently as January 31, 2006, Doty had talked about taking his play about Marc Emery on the road to Vancouver, British Columbia. Plans were also in the works to re-stage The Donnelly Trial, which first ran in the spring-summer of 2005 and was an artistic and box-office success.

After the completion of the play The Donnelly Trial in 2005, Doty was hospitalized for what is believed to be a bipolar disorder for which he was subsequently prescribed medication.

Doty's funeral home visitation at Donahue Funeral Home on February 6 and funeral service at Metropolitan United Church in London on February 7, 2006, were both attended by several hundred mourners, including members of London's media, arts-and-heritage communities.

In June of 2006, The Donnelly Trial was reprised by producer Grant Doty, Chris' younger brother, at the Old Middlesex County courthouse in memory of Chris Doty.

[edit] Annual endowment fund

Late in 2006, the London Arts Council established the Chris Doty Endowment Fund, a yearly cash award to be given to a local artist whose work involves local history.

[edit] External links

• Chris Doty's Web site
• Doty's interest in murder and mayhem
• Free Press article on Doty and his suicide
• Another Doty post-mortem in the London Free Press
• Doty post-mortem in The Londoner
• Chris Doty Endowment Fund article by James Reaney in The London Free Press