Demimonde
From Wikipedia, the free encyclopedia
Demimonde is a polite 19th century term that was often used the same way we use the term "mistress" today. In the 19th century, however, it primarily referred to a class of women on the fringes of respectable society supported by wealthy lovers (usually each had several). The term is also used to refer to these women as a group, and the social circles they moved in, which were at the fringes of respectable society. As a group, the demimonde did not form a 'society', per-se, any more than modern prostitutes form a society. However, they did represent a specific class of women in the latter half of the 19th century and into the early 20th century who, though not respectable, were commonplace fixtures in the upper class) of French, English and, to some extent, American society. In the United States and Britain, they were (and still are) also often referred to as courtesans, though the term courtesan in the 19th century applied to a profession (as the term "prostitute" describes a profession), whereas Demimonde/Demimondaine was used to describe a broader social class of persons. The term is French, and means literally "half-world", implying those who existed on the fringes of the "real world."
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[edit] Fictional Demimonde
Descriptions of the demimonde can be found in Vanity Fair, a novel which satirizes 19th century society written by William Makepeace Thackeray. Although the terms 'demimonde' and 'demimondaine' do not appear in the work (the term had not been coined at the time of the writing), the term was used by reviewers and other authors following the release of the novel in reference to three characters within it. The characters of Lady Crackenbury and Mrs. Washington White are demimonde characters, both of whom Captain Rawdon Crawley lusts after in his younger days. Prior to her presentation in court, Becky Sharp is perceived as being a demimondaine, and she later becomes one in fact during her travels through Europe following her abandonment by her husband. Colette's Gigi also describes the demimonde and their lifestyle. Gigi is schooled from childhood to be a kept woman, to stifle her feelings in return for a life of ease. "We never marry in our family", says Gigi's mother. But Gigi finds herself a misfit in the demimonde of Paris in the 'Gay Nineties', as she desires true romance with Gaston.
[edit] Real Demimonde
Externally, the defining aspects of the demimonde were an extravagant lifestyle of fine food and fine clothes, easily surpassing that of most other wealthy women of their day, simply because of the steady income they made in both cash and gifts from their various lovers. Internally, however, their lifestyle was an eclectic mixture of sharp business acumen, social skills, and simple hedonism. Smart demimondaine, like the fictional Gigi's grandmother, invested their wealth for the day when their beauty would finally fade. Others ended up penniless and starving when age finally took its toll on their beauty unless they managed to marry one of their lovers. Of real-life demimonde, the most famous was arguably Cora Pearl. Cora Pearl, during her life, was the acknowledged Queen of the Paris courtesans. Cora's lovers, all wealthy noblemen, she called her 'chain of gold' - and included such notables as the Duc de Rivoli and even (she claimed) Prince Napoleon. Cora was so successful with her 'chain of gold' she literally made and spent millions of francs during her life. But, she was not a simple hedonist - during the Siege of Paris, Cora turned her mansion into a hospital for wounded soldiers. Cora's memoirs were discovered in 1982 in the hands of a German collector, and released by Granada Publishing Ltd in 1983, under the title The Memoirs of Cora Pearl: The Erotic Reminiscences of a Flamboyant 19th Century Courtesan. Her memoirs are, as the title declares, erotic reminiscences where she discusses in the most graphic detail the sexual prowess and tastes of her lovers, both famous and humble. Possibly the most titillating (and telling) scene describes her presentation at dinner, naked and decked in cream, as a final dish.
[edit] Decline of the Demimonde
As the 20th century dawned, evolving social mores regarding women's place in society (particularly the suffragette and flapper movements) caused the demimonde to fade. The term then became commonly used to refer to the class of 'starving artists' - painters, authors, poets and other pseudo-bohemian types - who were marginalized by their failure to succeed financially.
[edit] Other uses of the Term in Fiction
In Kim Stanley Robinson's Mars novels, the "demimonde" refers to a semi-tolerated, "off the net" society of commerce and education.
[edit] Citations
- The Memoirs of Cora Pearl: The Erotic Reminiscences of a Flamboyant 19th Century Courtesan edited by William Blatchford (1983). London; New York: Granada. ISBN 0-246-11915-2.
- Courtesans : Money, Sex and Fame in the Nineteenth Century by Katie Hickman (2003). New York: Morrow. ISBN 0-06-620955-2.
