Jon Vickers

From Wikipedia, the free encyclopedia

See also: John Vickers, a British economist.

Jon S. Vickers, CC , D.Mus. (born October 29, 1926) is a Canadian tenor.

Born in Prince Albert, Saskatchewan, he was the sixth in a family of eight children. In 1950, he was awarded a scholarship to study opera at Toronto’s Royal Conservatory of Music. In 1957 Vickers joined London’s Royal Opera House, Covent Garden company. In 1960 he joined the Metropolitan Opera. He became world famous for singing a variety of roles, including both German and Italian. He was a wonderful "heldentenor" with a voice that matched the demands of the Wagnerian operas, although his personal philosophy gave him reservations about Richard Wagner's characters at times. Another of his famous roles, in Verdi's Aida, paired him on records with the famous American soprano, Leontyne Price.

In 1968 he was made a Companion of the Order of Canada.

[edit] Career

He studied at the Royal Conservatory in Toronto under George Lambert and made his professional debut (1956) in Stratford, Ontario as Don Jose in Carmen. He made his Covent Garden debut in 1957 as Riccardo in Verdi's Ballo in maschera and continued to appear in that house until 1969, putting his personal stamp on the roles of Aeneas in Les Troyens, Radames in Aida, Don Carlos, Handel's Samson (oratorio), Florestan in Fidelio and Peter Grimes.

He made his Bayreuth debut in 1958 as Siegmund in Die Walküre and sang Parsifal there in 1964. His debut role at the Metropolitan Opera was Canio in Pagliacci (1960). Vickers continued to sing at the Met for 20 subsequent seasons in more than 225 performances of 16 roles, including Don Jose, Herman in Tchaikovsky's Queen of Spades, the Samsons of both Handel and Saint-Saëns, Don Alvaro and Tristan. Vickers also had an international career that took him to Milan's La Scala as well as the major opera houses of Chicago, San Francisco and Salzburg.

Vickers's reputation rests on his exceptional grasp of characters in the grip of conflicting emotions. He was known to sacrifice vocal beauty for the sake of dramatic effect, but his musicianship and scrupulous preparation were never in doubt. His deeply committed portrayals of such tormented figures as Peter Grimes, Otello and Samson were the keystones of his artistic legacy. His recordings of these roles are justly prized, but can only give a hint of the powerful impact of his highly charged performances.

In 1953 he married Henrietta Outerbridge. They had five children.