Talk:List of classical music styles

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Contents 1 Sheet Music in WikiCommons? 2 "Classical music" discussion from User Talk:Francis Schonken (October 2004) 2.1 I 2.2 II 2.3 III 2.4 IV 2.5 V 2.6 VI 2.7 VII 3 Introduction 4 Candidate for Cleanup 5 Redirect proposal 6 Where could I find more specific info about musicians? 7 Poor disambiguation 8 Requested move 9 Title of Article is poor and not NPOV

[edit] Sheet Music in WikiCommons?

I recently looked at Also sprach Zarathustra (Strauss) and saw an external link to a MIDI version thereof. Are there any organized efforts to collect every piece of classical sheet music as MIDI files into the WikiCommons under GFDL? This would do for music what Project Gutenberg does for literature; reading the entry for PG revealed to me the Mutopia project.

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Talk about "Classical music" has been moved to: Talk:European classical music

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Nonetheless, this morning I was cleaning up my User Talk page containing the talk that follows. Not wanting to add this old discussion to the ongoing new discussion, neither wanting to throw it away (since some of the old abuse has presently re-slipped into European classical music), I post it here, for the time being.

Reading the discussion at Talk:European classical music I get somehow convinced that for the Classical music page probably the only workable solution would be to make it a disambiguation page.

Further I think that Western classical music would not be a very bad idea either (at least that page should exist, and IMHO separate from European classical music), while that can make clear that at a certain point (late 19th century - early 20th century) there was a common tradition of classical music in what was then named as "the western world" - e.g. Dvorak, and the ofshoot of "European classical music" in the USA (and other American countries). Even "modern" classical music in the USA is (generally) still referring to this tradition (e.g. Cage and the like), while American composers in that tradition could not be called European classical composers. On the other hand every wave or genre or kind of music probably has its "classics", which is the other meaning of "classical music" that can be "disambiguated" at the "classical music" page, still IMHO of course.

What I suppose I think wrong with the present approach is that now the procedure is too much starting from a definition, and looking for the term one is defining afterwards. Probably, in my view, wikipedia should work the other way around: European classical music and Western classical music, which are both valid expressions one can find in literature, but are not the same - they only overlap to a certain degree - should BOTH be defined in wikipedia, each of them "as exact as possible" for what is understood when such term is used. Making Western classical music an undiscriminating redirect to European classical music as it is now, just will not do and never will - how ever much votes there are held over the ideal term for "art-music-you-know-what-I-mean".

--Francis Schonken 09:29, 5 Mar 2005 (UTC)

[edit] "Classical music" discussion from User Talk:Francis Schonken (October 2004)

Hi FS, thanks for your reply.

I think your point about classical music benefitting from having centuries to throw away the bad stuff is legitimate; I tried to polish prose a bit.

Concerning your comments about "The Nature of Classical Music", here are some quick replies:

[edit] I

Classical music is meant to be experienced for its own sake.

While the meaning of this sentence is somewhat vaguish, just ignore it. It is as true as saying that popular music is meant to be experienced for its own sake.

It is unlike other forms of music that serve as a vehicle for poetry or other lyrical content, or as an adjunct to other forms of entertainment.

Ever heard about Opera? Oratorio? Passions? Operetta? Melodrama? Soundtracks (many of these use classical music extensively)? Fantasia? Ballet? Sleeping Beauty?

I agree, this should be changed or deleted.

Of course there is this concept of "absolute" music in classical music (Kunst der Fuge and the like), but that applies to a very limited part of the classical music only. Note e.g. that "opera" was as much the top of the entertainment business in 19th century, as "Film" was that top in 20th century (in 19th century, it appears, that composers and public alike considered non-vocal orchestral music, especially symphonies, as a much more elevated and demanding kind of music than opera. Today perception sometimes seems the other way around: a symphony you easily can listen to in the background when working on something else - opera is perceived as much more demanding for the listener today).

[edit] II

Performances of classical music often take place in a relatively solemn atmosphere, with the audience expected to maintain silence and remain immobile during the performance, so that everyone can hear each note and nuance.

That's what you would do with any music that is a bit different from the music you grew up with, and that is performed for a life audience - e.g. you would do exactly the same in a concert of 15th century Villancicos, which is just the folk music of those days. Apart from the fact that some of the music that is now called classical, was distinctly intended to be talked through, and from the fact that who said the above apparently never attended an Opera in Italy, by the end of the 20th century more classical music is consumed as background music to other activities, than it is listened to as intensively as described above. When film music is performed separately from the film (e.g. Ennio Morricone), or when a musical with exclusively ABBA songs is performed, the behaviour of the public is not all that different than in concerts with exclusively classical music.

But surely the overall difference is there. A popular musician who never talked to the audience and expected a hushed silence would never get anywhere.

Yes, yes I agree with you: there is definitely some difference, but should be approached maybe a bit different. Don't know where you're from, but where I'm from (Belgium), fairly, I can't remember a classical concert I've been to the last years where there was no-one of the performers (or at least some speaker on the side of the performers) addressing the audience, and much more casual than it used to be some 10 years ago or so. Something that can be said is e.g. that when a work has several movements, it is not a habit to applaud between the movements, and that audiences to classical concerts normally are not informed about that every concert again, its just a convention they know about when they come to the concert. Of course, the recording of Concerto for Group and Orchestra shows other things (and this would be "classical" music to your definition - I, on the other hand, just added this work as example to the crossover (music) article).

And than you have still those Italians in opera: cheering so loudly after every aria they like, that it makes the polite "applauses" after the solo's in a Jazz concert look very pale indeed.

Also, your examples are in a way just further examples of classical music. The only people who perform centuries-old folk music are in fact classical musicians--early music groups. And when film scores get divorced from their films and played in concert halls, they essentially turn into classical music--think of Prokofiev's Lieutenant Kije and Alexander Nevsky, now securely in the classical canon.

Well, here you're in that difficult domain of film music: Prokofiev, yes, OK, but that was rather because this composer was in the classical music tradition (and not even of the most futuristic of his time: generally he tended to neoclassicism). But then you have Help!, and the other Beatles films: does that suddenly turn "classical", just because it has been in a film? (Note that I see some difference between "being a pop classic", and being "classical").

[edit] III

The performers usually dress formally, a practice which is often taken as a gesture of respect for the music, and performers normally do not engage in casual banter or other direct involvement with the audience.

Well that's the kind of FUD somebody who knows nothing about classical music might try to use to keep you out of a concert of classical music. In early 21st century classical music performances generally are a lot more casual (just don't go to the ones where it's still all stiffy-niffy), without losing a bit of respect and appreciation for the music.

Nobody says you have to like this fact about classical music, but our job is to report the facts. Perhaps worth adding a bit on snobbery?

Well, as I said, I don't know where you're from, but all this is so much more relaxed in Belgium these last years. Maybe Queen Elisabeth contest still has some of the old stiffness (and yes, of course that's the concerts that are the most likely to have any international radiation when speaking of Belgium...). So at least a bit pointing out that this is not the same everywhere in the world (and frankly, I suppose USA is still lagging behind a bit in this respect - sometimes it feels as if the "separation" between high and low culture is still very much held up over there, the Proms are definitely European in that respect).

[edit] IV

Written transmission, along with the veneration bestowed on classical works, has important implications for the performance of classical music.

Unclear sentence, makes it appear as if generally music that is exclusively transmitted in writing is object of veneration. Most classical music is absolutely forgotten (probably more than 99% of what is still available in libraries and archives). And the other less-than-1% that is still heard today is appreciated, liked, and what more, but stays far from idolatry-like veneration.

True, but I think there's a huge difference in how much veneration-behavior happens in classical music. Just look at the annoying veneration passages that editors are constantly inserting into the classical music articles in the Wikipedia!

Yes, yes, I see your point better now. The only thing I remarked so far is that there are some very active Opera-lovers, who with some excusable (in my eyes) slip of the tongue tend to get somewhat venerabilish sometimes (a bit out of order with wikipedia NPOV, and I tend to overwrite that when I happen to be working on such article).

[edit] V

To a fair degree, performers are expected to perform a work in a way that realizes the original intentions of the composer, which are often stated quite explicitly (down to the level of small, note-by-note details) in the musical score.

When performers try to render the music as faithfull to the composer's intentions as possible, that has less to do with veneration, than with making come to life something of the past, something like Walt Disney making a written fairy-tale come to life, e.g. without turning sleeping beauty in an ogre the moment she is kissed by the prince (that's a different fairytale, like you have so many different classical compositions).

Indeed, deviations from the composer's intentions are sometimes condemned as outright ethical lapses.

Ethical? When described in ethical terms, just buy another newspaper: the critic is no good: he/she should be talking about esthetical

Just as before, the article is supposed to report the truth, whether we like it or not. Read the reports on the recent productions at Bayreuth if you'd like a contempory example.

Belgian radio has every sunday afternoon a program where some people listen "blindly" to three performances of the same work and have to give their judgement on which is the best in their eyes. I never see that getting ethical (nor anything else when I discuss performance-related topics with others, or hear anything else on the radio) - whatever devastating the criticism might be. Not that there are no "ethical" discussions, e.g. on Wagner, and the anti-jewish pamphlet he wrote etc... but not ethical on performance practice. Indeed, it can be mentioned that some people get all ethical over it. But than at least accompanied by the question whether that is the way classical music should be listened at, and whether it is the way it is generally listened at.

[edit] VI

Yet the opposite trend - admiration of performers for new "interpretations" of the composer's work - can be seen, and it is not unknown for a composer to praise a performer for achieving a better realization of the composer's original intent than the composer was able to imagine. Thus, classical music performers often achieve very high reputations for their musicianship, even if they do not compose themselves.

This is, however, in no way exclusive to classical music, think e.g. Joe Cocker

Nor is it being claimed as such.

Well, if it's not at least "typical" for classical music, what is it doing here? I see only a naming difference: what is named an "interpretation" or "rendering" of a work in classical music is called "cover" or "remix" in pop music (with the same discussion of whether cover/remix X is better or worse than version Y or Z). And it could be put forward as a question whether DJ's do more a performer's job or a composer's job? Composer, yes, but certainly something that is comparable with interpreter/performer too.

[edit] VII

Another consequence of the veneration of the composer's written score is that improvisation plays a relatively minor role in classical music - in sharp contrast to traditions like jazz, where improvisation is central.

The contrast is not so sharp as one would be likely to think: in the music of the classical era, for instance, improvisation, e.g. in the form of cadenza's or musical contests, played a greater role than in most of the pop music of the second half of the 20th century.

Improvisation in classical music performance was far more common during the Baroque era, and recently the performance of such music by modern classical musicians has been enriched by a revival of the old improvisational practices.

"Revival" of improvisation is less linked to Baroque era, the 2nd movement of the 3rd Brandenburg concerto as a notable exception.

During the Classical period, Mozart and Beethoven sometimes improvised the cadenzas to their piano concertos--but tended to write out the cadenzas when other soloists were to perform them.

Mozart generally improvised his cadenzas, note also that Mozart only wrote cadenza's down reluctantly, under pression of demand by performers. In late 20th century, e.g. Jos Van Immerseel goes on stage improvising cadenza's of all of Mozarts 27 piano concerto's.

Well, the article mentions this, I don't think we need to give a particular example in such a general context.

Re. baroque music, I still forgot about Basso continuo, which of course too has some elements of "improvisation", but that's of course also improvisation at a completely different level as a Jazz solo - I don't know whether in pop music "drumming" and "playing the bass guitar" is experienced much as improvising, but if it is, than is the "basso continuo" likewise. But as you said I suppose it is covered elsewhere in the article.

Cheers, Opus33 15:36, 10 Oct 2004 (UTC)

And thanks to you too! F.

[edit] Introduction

The introduction currently says: "The term "classical" has many connotations." A lot of words have many connotations, why is this it important that "classical" is one?

(Also, the page says "The present page aims at distinguishing between the many meanings "classical" can have in the realm of music" and "This is a disambiguation page.")

Regardless of whether you agree with the classification, I think there is a succinct and unified definition of "classical music" we can provide at the beginning of the article. The current introduction pretends at a neutral point of view, but only succeeds in providing a explination all the more vague and still POV, and it makes the article seem scattered as if it stepped on a multiple-POV landmine.

I propose the following:

This article is about classical music as opposed to popular or folk musics. For articles on classical music of Western cultures, see: European-influenced classical music, For the period of European music in the late 18th century see Classical music era.

Classical music is produced in, or rooted in the traditions of art, ecclesiastical and concert music. A music is often considered classical if it includes some of the following features: a sense of tradition, support form the church or government, greater cultural capital, is "highbrow" (van der Merwe 1989, p.319), elite, sophisticated, or refined.

Hyacinth 09:33, 13 Mar 2005 (UTC)

Edward G. Nilges: IMO, the disambiguation of classical vs popular is incomplete without a discussion of Adorno.

[edit] Candidate for Cleanup

I have listed this article on the Wikipedia:Cleanup page. Anyone who logs on to Wikipedia with a simple question on classical music is going to be completely bewildered. This article should be replaced with a disambig page. --HK 14:23, 23 August 2005 (UTC)

I tried my hand at making this a disambig page. I'm not committed to the wording or number of the opening paragraph(s), if any, but I thought some explanation would be in order as many people will not be expecting a disambiguation page. (As my computer logs me out randomly, the massive edits may be credited to my work IP address.) -Acjelen 23:42, 23 August 2005 (UTC)

What is confusing? What is lacking? Hyacinth 21:04, 30 August 2005 (UTC)

Nothing, at this juncture. I found it to be confusing one week ago, when I listed it for cleanup, but I was happy with Acjelen's effort. I made one slight subsequent adjustment, and then removed the cleanup tag. --HK 00:38, 31 August 2005 (UTC)

[edit] Redirect proposal

Since this is the english language Wikipedia and (from this dab) "In the English language, the term "classical music" is a homophoric reference to European classical music", Classical music should redirect to European classical music.

• Support --Commander Keane 10:30, 10 October 2005 (UTC)
• Oppose -- Even in English, the use of "classical music" to refer to western art music is contested by people who feel it should only be used to refer to music of a particular time period. If this page became a redirect, the target would be changed back and forth by editors: better to have a disambiguation page. -Acjelen 12:46, 10 October 2005 (UTC)

This controversy has gone on and on. I am satisfied with the present disambig page at Classical music, which was a stupendous improvement over the god-awful mish-mash that preceded it. My main concern is that those readers who want an article on "Classical music," by which they will invariably mean what we are now calling "European classical music," will be able to find it, and at present I am satisfied that they will. --HK 15:32, 10 October 2005 (UTC)

• Oppose to counter systemic bias. This isn't really a dab page, though; we might consider removing the dab notice. —Wahoofive (talk) 17:18, 10 October 2005 (UTC)
• Oppose to preserve the present sensible redirect and acceptable title for classic music in the Western tradition. --Wetman 08:00, 11 October 2005 (UTC)
• Support - creting a specific Classical music (disambiguation) page and redirecting this page to European classical music would be the correct thing in most of the cases I suspect (by correct I mean that if you left it as it is and disambiguated all the pages comming here the end result would be people reaching the same articles). The only two of the links on this page would you realistically expect links to be ment for when they arrive here and one of them is very likley to be linked correctly to begin with. Leaving it like this will make this a very high maintence DAB page. Dalf Talk 03:31, 15 November 2005 (UTC)

How would users find your proposed Classical music (disambiguation)? Won't having users change the target of the redirect back and forth between European classical music and Classical music era result in higher maintence? -Acjelen 04:09, 15 November 2005 (UTC)

• Oppose But this page should not be a dab page. this should be an article on its own, as it used to be, before 23rd of august 2005 (check history). Robin klein 05:35, 15 November 2005 (UTC)

On August 23, 2005, most anything known as "classical music" already had a clear and more specific article. At the time this article consisted of some very wordy sections on ambiguity in the meaning of "classical music", a list of articles in Wikipedia on various traditions of classical music, and an essay. Since Wikipedia is not the place for original research and discussion is best on the talk page, it seemed that the vague and inexact "classical music" worked best in an encyclopedia as a diambiguation page to inform users of the various and more specific kinds of classical music and direct them there. -Acjelen 05:49, 15 November 2005 (UTC)

• Oppose as per Wahoofive. D-Rock 04:17, 29 November 2005 (UTC)
• Support It is crazy that this page does not refer directly to European classical music. As the article itself notes, in English, classical music refers specifically to European classical music. Since this is the English language wiki, we should be going with that approach. Having a page that is so out of line with the common usage of the term is not a "neutral point of view" but can only be seen as political correctness run amok. We can link this directly to European classical music, with a link to a disambiguation page for the 0.000001% of the people who type in "classical music" looking for Chinese classical music. I should also note that the whole concept of "classical music" is a western one, so to apply the term to non-Western traditions with very different conceptions of themselves is inappropriate in any case.
• Support per nomination. Rob 16:18, 24 May 2006 (UTC)
• Oppose as per Acjelen's first post. Though I would support the two most common English usages, European classical music and Classical music era being listed fist and separately before all the other world-wide usages. -MarkBuckles 19:35, 24 May 2006 (UTC)
• Support. Or, more specifically, in the English-speaking world, the dictionary definition of "classical music" is "a. Of or relating to European music during the latter half of the 18th and the early 19th centuries. b. Of or relating to music in the educated European tradition, such as symphony and opera, as opposed to popular or folk music," and the naming of our articles should, per the naming conventions, reflect the most common usage, not the most musicologically correct usage. Dpbsmith (talk) 20:25, 24 May 2006 (UTC)

It's the ambiguity between the two definitions you mentioned that troubles me. See my note above. -MarkBuckles 20:45, 24 May 2006 (UTC)

• Oppose, "classical music" can refer to many different genres. However, I don't think that a dab page is a good idea either, because it presents minimal information. Rather, why not just make this a general page on all forms of "classical" music, providing references for noteworthy sources that deem them "classical", and brief summaries in sections linking to the broader articles for more information? "Classical music" is a noteworthy, and commonplace, term in its own right, and deserves an article, distinct from European classical music. -Silence 08:57, 6 June 2006 (UTC)
• Oppose and I'm not sure any consensus is going to be accomplished on this particular proposal, since it goes back nine months. I propose making the page Classical music about so-called "European classical music", make the page Classical music (disambiguation) an actual disambig page and move all the stuff that's here now, to there. See my post below. Aguerriero (talk) 16:42, 21 June 2006 (UTC)
• Oppose And I also think its time to close the voting.

[edit] Where could I find more specific info about musicians?

Melbrooks

You have to check that out by looking at the proper entries. Karate Kid

[edit] Poor disambiguation

I was trying to work through pages linking here to disambiguate them, and it strikes me that this is a very poor disambiguation page. It actually creates ambiguation by telling people who "know" what classical music is that what they are actually thinking of is "European classical music", a term that I have never heard of until today. I contend that:

• This page should be about "European classical music" and should link to a page Classical music (disambiguation) (no redirect) that links to other articles.

My main reasons:

• No one will search for "European classical music". Almost anyone in the English-speaking world looking for information on "European classical music" will access this article. Making them go somewhere else is just adding another click.
• This is unmaintainable as a disambiguation page. People writing and editing articles who are referencing "European classical music" will write "classical music" and link to this article, creating constant work for ths disambiguation project.

Thoughts? Aguerriero (talk) 16:35, 21 June 2006 (UTC)

I agree but have some doubt about consensus. Maurreen 12:20, 30 June 2006 (UTC)

I think the simplest solution is just to remove the {{disambig}} notice at the bottom. As things stand this is really more of a useful introduction to a general subject (along the lines of the Top 40 article) than a disambiguation page. It already is an article in all but name, why not make it so (and help out the poor souls working on Disambiguation Link Repair in the process). --Daduzi ^talk 11:23, 8 July 2006 (UTC)

I agree that this should be the page for European classical music and could contain a link to Classical music (disambiguation)--Dcooper 19:35, 18 July 2006 (UTC)

I have found one or two articles that reference classical music in the broad sense given here. But because the primary meaning of classical music is "european classical music," the Wikipedia guidelines would indicate that there should be a separate classical music (disambiguation) page for anything other than european classical music.--Dcooper 20:04, 18 July 2006 (UTC)

My problem is that there was an insanely long and complicated discussion about this very issue about a year ago, on Talk:European classical music. It is almost mind-numbing to read through all of the arguments, but it appears that a loose consensus was reached that the term "classical music" was misleading and the article should therefore be moved to "European classical music". And so it was. Except, they didn't consider the problems with disambiguating, and that almost everyone from that point forward would struggle with the result of their decision. So... do we open this can of worms again? Just make the change? I'm not sure. --Aguerriero (talk) 20:32, 18 July 2006 (UTC)

I was one of the people who fought to keep the title of the page as Classical Music, as it should and must. However when people were trying to rename the entire page as European inspired classical music or etc. I suggested a better option of AT Least naming the page European classical music. please read the entire discussion to see my stand.

This problem has been created by people from other parts of the world like India who relentlessly want to keep on demonstrating that their music is Superior and refined than any other classical music of the world by calling their Hindustani sangeet as Indian classical music. I had even asked the question, Why not call African music as African Sangeet?

Just see the number of different people around the world calling their traditional indigenous music as Classical. It is this elitist notion that has hijacked the term classical music. If this mess can be finally resolved then PLEASE rename the page titled European classical music back to its original and sole rightful term of Classical music. Robin klein 23:48, 18 July 2006 (UTC)

[edit] Requested move

The current state of this page is creating a big problem for those of us who work on disambiguating links. The principal issue is that editors who are creating or editing articles containing information about so-named "European classical music" are almost unilaterally using the link Classical music, which leads to this disambiguation page. This process is creating a neverending workload at WP:DPL, where this article remains the #1 offender for pages linking to a disambig page.

Additionally, I contend that the vast majority of English-language Wikipedia users looking for information on so-named "European classical music" will type in "Classical music".

Simply put, we are making it harder for people to find information, we are making it harder for people to edit articles correctly, and we are making it harder to fix disambig pages with links.

I believe this situation was caused by the decision to move this article to European classical music and then make a disambig page here. The arguments for this move (which can be seen at Talk:European classical music)were well thought-out, thorough, and valid, but I don't think they were in the best interest of the encyclopedia. Simply put, I contend that the vast majority of English-language editors mean one thing when they write "classical music", which is the article that got moved. I accept that there are some people out there who might mean something else - which is the very reason we have the template {{otheruses}} to go at the top of the page.

I propose the following:

• Classical music as it exists currently be moved to Classical music (disambiguation)
• European classical music be moved back to Classical music, with the proper notice that there may be other uses of the term, and they can see the disambig page.

Please indicate whether you support or oppose below. --Aguerriero (talk) 14:46, 19 July 2006 (UTC)

• Support for my reasons outlined above. --Aguerriero (talk) 14:46, 19 July 2006 (UTC)

• Support the move of European classical music back to Classical music. However, I think the current classical music article should be renamed but should not be kept as a disambiguation page. There are a few articles that link to classical music in this multi-cultural sense, and we should have a real article (not a disambig page) about it.--Dcooper 16:47, 19 July 2006 (UTC)
• Support Dcooper's suggestion --Daduzi ^talk 18:41, 19 July 2006 (UTC)
• I oppose this move for the following reasons:

1. Wikipedia:Naming conventions (common names) suggests using the most common name. In this case, I do not dispute that the most common name is "classical music".
2. The primary exception to using common names is ambiguity. If there is ambiguity, articles should be at their most common unambiguous name.
3. There is ambiguity in this case, because other genres are called "classical music". These include genres, such as various kinds of Indian classical music, from a large, English-speaking country (India).
4. Because there is ambiguity, we should use the most precise title. Namely European classical music (or Western classical music, which I'd actually prefer, but either one is acceptable to me)
5. Also note that scholarly English language sources do not generally use the term "classical music" without qualifying it, unless it is clear from the context what is being referred to. Two examples that I have on hand are Peter Manuel's Popular Musics of the Non-Western World (a scholarly work) and the Rough Guide to World Music, a popular, non-scholarly work. Both refer to "classical music" unmodified only when it is clear which tradition is being referred to.
6. I understand the disambiguation linking issues, however, I don't find this convincing. We have an obligation to produce the best encyclopedia possible, and that includes being precise and informative. If somebody follows a link to "classical music", that should lead to a disambiguation page because we don't know what is being referred to -- it could be many different things. Perhaps most of the links on this wiki are referring to European classical music, but that shouldn't be dictating our article titling. We decide article titles based on encyclopedic value, not ease of linking.

• Tuf-Kat 22:03, 19 July 2006 (UTC)
• Support. Hey, I've thought all along that the article currently called European classical music should be called Classical music, because the naming convention says to use the most common name (not the most sophisticated, the most cosmopolitan, the most technically correct, or the most scholarly), and because the dictionary definition of classical music is "3. Music a. Of or relating to European music during the latter half of the 18th and the early 19th centuries. b. Of or relating to music in the educated European tradition, such as symphony and opera, as opposed to popular or folk music." I.e. the dictionary says classical music = European music, and the only question to my mind is whether Classical music should be about sense a, classical-not-romantic, or sense b, classical-not-popular. Of these two usages, I think b is overwhelmingly more frequent. If you go to a music store looking for Liszt, Hindemith, or Hildegarde of Bingen, you'll find them in the section labelled "classical;" on the other hand, if you want Indian ragas you'd better look in "World Music." Dpbsmith (talk) 13:38, 20 July 2006 (UTC)
• Support. The use of the phrase "classical music" for non-European styles is only a Western convenience, pasting a specifically Western phrase onto non-Western musics. I believe there is no such distinction made in other cultures, at least in the same way; what we in the West call "Indian classical music," for example, is at best just an approximation for how that culture's "high-art" music functions, and at worst very misleading. Plus, 99.x% of people looking for information on Western classical music will look up the phrase "classical music" without the qualifier "Western". Wspencer11 16:35, 20 July 2006 (UTC)
• Support please use the right term for this form of music just as one should use right term for other musics. So please move back European classical music to Classical music. While so called Hindustani classical music should be moved to Hindustani sangeet. Robin klein 05:26, 23 July 2006 (UTC)
• Oppose. Hyacinth 08:54, 1 August 2006 (UTC)
• Support I disagree with Tuf-Kat that there is ambiguity with the phrase "classical music." If one is looking for an article about Indian classical music, one would type in Indian classical music, not just classical music as seen by simple Google India searches. Someone trying to link "classical music" to "Indian classical music" or whatever else is being irresponsible in not clarifying the link, just like someone who wants the word "Chicago" in an article to link to the movie or band "Chicago" instead of the city but just links Chicago in the article. Wangry 09:38, 13 August 2006 (UTC)

[edit] Title of Article is poor and not NPOV

I got to this page through the classical music article. I do tend to agree that since most people think of classical music as Western or European classical music and not other kinds that having the classical music article be about European classical music is perhaps the best thing to do.

HOWEVER, I strongly disagree with the title of "Non-Western classical music" as a subject because nothing really connects all the different types of "non-western classical music" in any sense other than their being "non-western". There is no such thing as "Non-Western classical music" as a genre and no reason for such an article to exist except to emphasize a western/eurocentric POV. It would be like having an article on "white people" and then an article on "non-white people" which would be clearly ridiculous. Or another example would be having an article called "Non-western art history" alongside "Western art history". Both of these examples show how POV and stupid that would be but "Non-western classical music" is no less stupid.

I suggest changing the title to something like: "List of classical music genres" or "Classical Music (general)" and listing all music that is considered "classical" including "European classical music". The European classical music link should be shown like so European classical music alongside other types not set aside as something special and unique while all "non-western" types are lumped together and set aside.—The preceding unsigned comment was added by Cpe1704tks (talk • contribs) 20:41, 28 November 2006.

Per the discussion on Talk:Classical_music pertaining to this issue, I have decided to implement the following:

1. The article "classical music" should remain as an article on European classical music as this is the most common usage for classical music to mean "European classical music".

2. The title of this "Non-western classical music" article should be moved to: "List of classical music forms". This list will include all music forms that are sometimes named "classical" and the article description will be editted as appropriate to reflect that it is only a list.

3. The note on the top of the "classical music" article should now read: This article is about the genre of classical music or art music in the European musical tradition. For articles on other types of music called "classical" see the list of classical music forms. For the period of music in the late 18th century, see Classical period (music).

I think this proposal makes the most sense, is most NPOV and would resolve my issue. Admittedly only one other person has weighed in (in agreement) but I think I've given opportunity to have it discussed and so I'm going to implement it. Cpe1704tks 00:04, 30 November 2006 (UTC)