Mieczysław Horszowski
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Mieczysław Horszowski (June 23, 1892 - May 22, 1993) was a Polish pianist.
Horszowski was born in Lwów and was initially taught by his mother, a pupil of Karol Mikuli (himself a pupil of Chopin). He became a pupil of Teodor Leszetycki in Vienna at the age of seven; Leszetycki had studied with the Beethoven pupil Carl Czerny. In 1901 he gave a performance of Beethoven's Piano Concerto No. 1 in Warsaw and soon after toured Europe and the Americas as a child prodigy. In 1905 the young Horszowski played to Fauré and met Saint-Saëns in Nice. In 1911 Horszowski put his performing career on hold in order to devote himself to literature, philosophy and art history in Paris.
Having returned to the concert stage with the encouragement of Pablo Casals, he settled in Milan after the First World War. After the Second World War he frequently gave recitals with artists such as Casals, Alexander Schneider, Joseph Szigeti and the Budapest Quartet. He often appeared at the Prades Festival and Marlboro Festival. From 1940 he lived in New York City. In 1957 Horszowski gave a memorable cycle of Beethoven's entire solo works in New York, and in 1960 of Mozart's piano sonatas. His very diverse and extensive repertoire also embraced such composers as Honegger, d'Indy, Martinů, Stravinsky, Szymanowski and Villa-Lobos.
Horszowski was widely recorded, and can be heard on the HMV, Columbia, RCA, Deutsche Grammophon, Nonesuch, and other labels. He also taught at the Curtis Institute in Philadelphia, counting among his pupils Richard Goode, Anton Kuerti, Murray Perahia and Peter Serkin.
Horszowski, who had the longest career in the history of the performing arts, continued performing until shortly before his death, which occurred in Philadelphia one month before his 101st birthday.
Whilst Mieczysław Horszowski's family was of Jewish origin (which made him a fugitive from Europe in the 1930s), he was himself an early convert to Roman Catholicism, and a very devout one. As French critic André Tubeuf has said (in his notes to the EMI re-issue of Horszowski's 1930s-era recordings of the Beethoven piano and cello sonatas with Pablo Casals), "Horszowski was both very Jewish and very Catholic, in both cases as only a Pole could have been."
