Baritenor
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Male ranges
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"Baritenor" is a slang word describing a male voice whose tessitura lies between the baritone and the tenor. The word is frequently used to describe one of the most common male musical vocal types, rather a pop singer than a true operatic baritone with an upward extension into tenor territority and with a baritonal quality.
In classical music, the term may be used to describe male vocal students who have not determined into which voice type they will mature. It is rarely used to describe an adult voice, as baritones can have an extension. A baritenor is closest in tessitura to the heldentenor, a special tenor having a thick-baritone lower register. The baritenor's voice is more lyrical in quality, and usually cannot pitch as high. A baritenor's range is usually B2 to A4 but there are some who can infrequently sing lower notes.
Occasionally in soul music, like the mezzo-soprano, a baritenor is a person of full voice, capable of singing both baritone and tenor. This classification is not as widely used as mezzo-soprano however.
| Common vocal ranges represented on a musical keyboard |
[edit] Baritenor roles in musicals and operettas
- John Adams (1776)
- Marius (Les Misérables)
- Enjolras (Les Misérables)
- Chris (Miss Saigon)
- Charles Guiteau (Assassins)
- George Noon & James Humphrey (Cannibal! The Musical)
- Roger DeBris (The Producers), though it can be played effectively by a baritone
- Leo Bloom (The Producers)(Although the harmony parts can get a little high and should maybe be handled by a tenor)
- Caractacus Potts (Chitty Chitty Bang Bang)
- Sonny (Wakonda's Dream) most changed youth voices could work
- Mark Cohen (Rent)
- Motel (Fiddler on the Roof)
- Grantaire (Les Misérables)
- Les Amis de l'ABC (Les Misérables)
- Brad Majors (The Rocky Horror Show)
- The Beast (Beauty & The Beast)
- Jareth (Labyrinth (film))
- Anthony Hope (Sweeney Todd)
- John Wilkes Booth (Assassins)
- Father (Children of Eden)
- Robert (Company)
- Albert (Bye Bye Birdie)
[edit] See also
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