Frenchman's Creek
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| Author | Daphne du Maurier |
|---|---|
| Publisher | |
| Released | 1942 |
Frenchman's Creek is a 1942 historical novel by Daphne du Maurier. Set in Cornwall during the reign of Charles II, it tells the story of a love affair between an impulsive English lady and a French pirate.
Dona, Lady St. Columb, makes a sudden visit with her children to Navron, her husband's remote estate in Cornwall, in a fit of disgust with her shallow life in London court society. There she finds that the property, unoccupied for several years, is being used as a base by a notorious French pirate who has been terrorizing the Cornish coast. Dona finds that the pirate, Jean-Benoit Aubéry, is not a desperate character at all, but rather a more educated and cultured man than her own doltish husband, and they fall in love.
Dona dresses as a boy and joins the pirate crew on an expedition to cut out and capture a richly laden merchant ship belonging to one of her neighbors. The attack is a success, but the news of it brings Dona's husband Harry and his friend Rockingham to Cornwall, disrupting her idyllic romance. Harry, Rockingham, and the other locals meet at Navron to plot how to capture the pirate, but Aubéry and his crew cleverly manage to capture and rob their would-be captors instead. Rockingham, who has had designs on Dona himself, perceives the relationship between her and Aubéry, and Dona is forced to kill him in self-defense when he attacks her in a jealous rage. Meanwhile, Aubéry was captured while trying to return to his ship, and Dona hatches a plot for his release. In the end, however, she realizes that she must remain with her husband and children instead of escaping to France with Aubéry.
Frenchman's Creek is a difficult novel to categorize. The plot outline is that of a swashbuckling adventure story, but the writing style is dreamy and languid, and the story and characters are presented in a highly romanticized manner. In some ways, the novel can be seen as a precursor to modern bodice ripper historical romances, but again the more literary writing style and lack of sexual explicitness, as much as the ambiguous ending, set it apart from that genre.
The 1944 film starring Joan Fontaine, Arturo de Córdova, and Basil Rathbone (as Rockingham) is a fairly faithful adaptation of the novel.
