Karl Gottfried Brunotte
From Wikipedia, the free encyclopedia
Karl Gottfried Brunotte (born 2 June 1958 in Frankfurt am Main) is a German composer and music philosopher.
He studied music sociology, music psychology, ancient languages, aesthetics, piano, organ, harpsichord, violin, viola, recorder, singing, conducting, and composition, as well as electronic music, with (amongst others) Heinz Werner Zimmermann, Lothar Hoffmann-Erbrecht, Hans Peter Haller, Gottfried Michael Koenig, and Karlheinz Stockhausen. From 1974–1977 he held the position of Cantor at the Christuskirche in Bad Homburg, where he later was a lecturer at the Hochschule für Musik und darstellende Kunst (1982–1985). From 1980 to 1986 he was a guest lecturer with the International Vacation Courses for New Music in Darmstadt. He has composed nearly 300 pieces for the most diverse forces.
[edit] Select List of Compositions
- Apokrypta, for organ (1999)
- Dunkelziffer, for maximum-range voice, percussion, and electronic sounds (1997)
- Erdenlicht, for flute, bassoon, and piano (with assistant)
- Hypotosis … selene …, for a clarinetist, a pianist/percussionist, and electronic sounds (1997)
- In aeternum II, for organ
- Intemporale, for clarinet, piano, and metronome
- Lehis Traum
- Mater dolorosa, for violin and piano
- Nachruf für Werner Heissenberg, electronic and concrete music
- Tangenten, for piano (1975)
- Ultravox I & III
[edit] External Links
- Publisher’s website biography (in German): http://www.lothringer-verlag.de/bunotte.htm
- Composer website (in English): http://home.swipnet.se/sonoloco13/brunotte/brunotteframes.html
 This article on a composer is a stub. You can help Wikipedia by expanding it. |
