Neue Künstlervereinigung München
From Wikipedia, the free encyclopedia
The Neue Künstlervereinigung München e.V (NKVM), ("Munich New Artist's Association", if literally translated from German) formed in 1909 in Munich around Wassily Kandinsky, and prefigured Der Blaue Reiter, the first modernist secession established by former members of the NKVM.
The NKVM, therefore, is regarded as a forerunner and pathfinder for Modern art in 20th century Germany.
Contents |
[edit] Historical Background
The founding members were: Wassily Kandinsky who initially proposed the group, Alexej von Jawlensky, Marianne von Werefkin, Gabriele Münter, Adolf Erbslöh and Alexander Kanoldt. These principle figures came together to study in Munich in 1909 from many different areas of Painting.
In 1909, 1910 and 1911, the NKVM organised three cycling exhibitions:
- The first cycle: showed the original group and artists invited
- The second cycle: expanded to a wide view on French and Russian vanguarde artists like Pablo Picasso, Georges Braque and .
- The third and final cycle: excluded most of the previous exhibitors, especially the secessionists of Der Blaue Reiter who launched their own parallel show in the same gallery, as a result of tensions within the NKVM.[1]
[edit] 1st Cycle: "Turnus 1909-1910"
The catalogue of the first NKVM exhibition lists 128 items by 16 artists: Paul Baum, Wladimir von Bechtejeff, Erma Bossi, Dresler, Eckert, Erbslöh, Pierre Girieud, Hofer, Jawlensky, Kandinsky, Kanoldt, Kogan, Alfreds Kubin, Münter, Pohle, Werefkin, and is accompanyied by 14 reproductions and a list of prices.[2]
On view since December 1st, 1909, at the Moderne Galerie in Munich, this exhibition saw 9 venues:
- December 1 - 15, 1909: Munich, Moderne Galerie Heinrich Thannhauser
- Brünn
- Elberfeld
- Barmen
- Hamburg
- Düsseldorf
- Wiesbaden
- Schwerin
- Frankfurt am Main.[3]
It received mainly negative criticism from the local press.
[edit] 2nd Cycle: "Turnus 1910-1911"
The catalogue of the second NKVM exhibition lists 115 items by 29 artists: Bechtejew, Bossi, Braque, Derain, Kees van Dongen, Durio, Erbslöh, Le Fauconnier, Girieud, Haller, Hoetger, Jawlensky, von Kahler, Kandinsky, Kanoldt, Kogan, Kubin, Alexander Mogilewski, Münter, Nieder, Picasso, Rouault, Scharff, de Vlaminck, Werefkin, David Burljuk, Wladimir Burljuk, Denissoff, Soudbinine, and is accompanyied by 20 reproductions and 2 pages of advertisements.[4]
On view from September 1st, 1910, at the Moderne Galerie in Munich, this exhibition visited 8 venues in:
- Moderne Galerie Munich
- Karlsruhe, Mannheim
- Hagen
- Paul Cassirer Berlin
- Leipzig
- Galerie Arnold Dresden
- Munich Weimar
- Neue Secession Berlin[5]
[edit] 3rd Cycle: "Turnus 1911-1912"
The third and final NKVM exhibition showed 58 paintings by 8 artists: Erma Barrera-Bossi, Wladimir von Bechtejeff, Adolf Erbslöh, Pierre Girieud, Alexej von Jawlensky, Alexander Kanoldt, Mossey Kogan and Marianne von Werefkin, and 8 illustrations - one for each participant.[6]
On view since December 18th, 1911, at the Moderne Galerie in Munich, this exhibition originally was to see 8 or 9 venues, but probably ceased to travel after the 2nd venue:
- December 18, 1911, - January 1, 1912: Munich/München, Moderne Galerie
- Zürich & Bremen (?)
- Köln
- Elberfeld
- Mannheim
- Munich, Secession
- Heidelberg
- Frankfurt am Main
- Jena
- Breslau[7]
[edit] Resources
A draft for this article was translated from the original German wikipedia:de:Neue Künstlervereinigung München
[edit] Notes
- ^ This parallel show of Der Blaue Reiter showed 49 works by Henri Rousseau, Albert Bloch, David Burljuk, Wladimir Burljuk, Heinrich Campendonk, Robert Delaunay, Elisabeth Epstein, Eugen von Kahler, Wassily Kandinsky, August Macke, Franz Marc, Gabriele Münter, Jean Bloé Niestlé and Arnold Schönberg.
- ^ Reprint, reproduced in Hoberg & Friedel (1999), pp. 356-357
- ^ See Hoberg & Friedel (1999), pp. 366
- ^ Reprint, reproduced in Hoberg & Friedel (1999), pp. 358-362
- ^ See Hoberg & Friedel (1999), pp. 366
- ^ Reprint, reproduced in Hoberg & Friedel (1999), pp. 362-363.
- ^ See Hoberg & Friedel (1999), pp. 366
[edit] References
- Hoberg, Annegret, & Friedel, Helmut (ed.): Der Blaue Reiter und das Neue Bild, 1909-1912, Prestel, München, London & New York 1999 ISBN 3-7913-2065-3
| Western art movements |
| Renaissance · Mannerism · Baroque · Rococo · Neoclassicism · Romanticism · Realism · Pre-Raphaelite · Academic · Impressionism · Post-Impressionism |
| 20th century |
| Modernism · Cubism · Expressionism · Abstract expressionism · Abstract · Neue Künstlervereinigung München · Der Blaue Reiter · Die Brücke · Dada · Fauvism · Art Nouveau · Bauhaus · De Stijl · Art Deco · Pop art · Futurism · Suprematism · Surrealism · Color Field · Minimalism · Lyrical Abstraction · Post-Modernism · Conceptual art |
