Rashtrakuta literature
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Rashtrakuta literature is the body of work created during the rule of the Rastrakutas of Manyakheta (Sanskrit:राष्ट्रकूट, Kannada: ರಾಷ್ಟ್ರಕೂಟ), a dynasty that ruled the southern and central parts of the Deccan, India between the 8th and 10th centuries. The period of their rule was an important time in the history of South Indian literature. This era was practically the end of classical Prakrit and Sanskrit writings and a whole wealth of topics were available to be written in Kannada. Some of Kannada's most famous poets graced the courts of the Rashtrakuta kings. Court poets and royalty created eminent works in Kannada and Sanskrit that spanned such literary forms as prose, poetry, rhetoric, Hindu epics and Jain tirthankaras. Famous scholars wrote on secular subjects such as mathematics.
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[edit] Kannada
Kavirajamarga (850) by King Amoghavarsha I and his court poet Sri Vijaya is the earliest extant book on rhetoric and poetics[1] but it is evident from this book that several styles of Kannada literature and poetry had already existed in previous centuries. Kavirajamarga is a guide to poets (Kavishiksha) that aims to standardize these various styles. The book references early Kannada writers such as the 6th century Western Ganga Dynasty King Durvinita, an early writer of Kannada prose.[2][3][4]
Adikavi Pampa, widely regarded as one of the greatest Kannada writers, became famous for Adipurana (941). Written in champu style, it is the life history of the first Jain thirtankara Rishabhadeva. Pampa's other notable work was Vikramarjuna Vijaya (941), the author's version of the Hindu epic, Mahabharata, with Arjuna as the hero.[5] Also called Pampa Bharata, it praises the writer's patron, King Chalukya Arikeseri of Vemulavada (a Rashtrakuta feudatory), comparing the king's virtues favorably to those of Arjuna. Pampa demonstrates such a command of classical Kannada that scholars over the centuries have written many interpretations of his work.[4] Another great writer in Kannada was Sri Ponna, patronised by King Krishna III and famed for his description of the life of the 16th Jain tirthankara Shantinatha entitled Santipurana. He earned the title Ubhaya Kavichakravathi (supreme poet in two languages) for his command over both Kannada and Sanskrit. His other writings in Kannada were Bhuvanaika-karamabhyudaya, Jinaksaramale and Gatapratiagata.[6][1] Adikavi Pampa, Sri Ponna and Ranna (court poet of Western Chalukya King Tailapa II) are called the "three gems" of Kannada literature.[5]
The earliest extant prose work in Kannada is Vaddaradhane (900) by Shivakotiacharya. The title means "worship of elders".[5] The writing contains 19 stories mostly borrowed from the Sanskrit book Brihatkatha-Kosha and is about Jain tenets. The writing describes issues such as rebirth, Karma, plight of humans on earth, social issues of the time such as education, trade and commerce, magic, superstitions and condition of women in society. Other well known writers from this era were Asaga who wrote Vardhamana Purana, Rudrabhatta of Banahatti, Ravinagabhatta who was patronised by King Govinda IV, Kavi Rajaraja who wrote the Kalasa record, Gajanakusha (also known as Gajaga or Narayana) who wrote on erotics and was a minister in the court of King Krishna III.[1] Chavundaraya a minister in the feudatory Western Ganga Dynasty court wrote Trishashti LaksanPurana also known as Chavundarayapurana and Sri Vijaya, court poet of Amoghavarsha I wrote Chandraprabha-purana in early 9th century.[7] Asanga and Jinachandra are two writers referred to by Sri Ponna but their works have not been found.[8]
[edit] Sanskrit
Many enduring works on religion and secular subjects were written in Sanskrit. In mathematics, ground breaking theories on Algebra, Arithmetic and Geometry were postulated by Mahaviracharya, a native of Gulbarga who belonged to the Karnataka mathematical tradition. He was patronised by King Amoghavarsha I.[9] His greatest contribution was Ganitasarasangraha, a writing in 9 chapters that defined important axioms. These axioms state that a proper fraction is a sum of improper fractions, a negative number is not a square number and hence does not have a square root. He also defined formulae to calculate the sum of complex progressions and a measurement unit for the size of an atom.[10]
Trivikrama Bhatta was a noted scholar in the court of King Indra III. His classics were Nalachampu (915), the earliest in champu style in Sanskrit, Damayanti Katha, Madalasachampu and Begumra plates. Legend has it that Goddess Saraswati helped him in his effort to compete with a rival in the kings court.[11] Jinasena was the spiritual preceptor and guru of Amoghavarsha I. A theologian, his contributions are Dhavala and Jayadhavala (written with another theologian Virasena). These writings are named after their patron king who was also called Athishayadhavala. Other contributions from Jinasena were Adipurana (later completed by his disciple Gunabhadracharya who also wrote Atmanushasana), Harivamsha and Parshvabhyudaya.[9] Halayudha patronised by King Krishna III wrote Kavirahasya, a list of verbs with their meanings written in verse and a work on prosody called Mritasanjivini.[12]
Somadevasuri of 950 wrote in the court of Arikesari II, a feudatory of Rashtrakuta Krishna III in Vemulavada. He was the author of Yasastilaka champu, Nitivakyamrita and other writings. The main aim of the champu writing was to propagate Jain tenets and ethics. The second writing reviews the subject matter of Arthasastra from the standpoint of Jain morals in a clear and pithy manner. [13] Well known Advaita philosophers from present day Karnataka region were Padmapada and Sureshvara (also known as Visvarupa) who wrote commentaries such as Balakrida upholding the Advaita beliefs. Pushpadanta who was patronised by a minister of King Krishna III wrote Mahapurana, Nagakumara charita and Yashodhara charita.[14] King Amoghavarsha I himself a noted poet wrote Prashnottara Ratnamalika, a book of high value on religion, later translated into Tibetian language.[15] Other well known scholars were logicians such as Manikyanandin, Mallavadin and Prabhachandra. Sakatayana patronised by Amoghavarsha I wrote Sabdanusasana and Amoghavritti and Chavundaraya wrote Charitrasara.[9] Akalanka Bhatta wrote Rajavarthika, Nyayavinishchaya, Ashtashati and the Laghiyastraya, Lakshmidhara compiled Vyavahara Kalpataru, Khandana Khanda Khadya and others.[15]
[edit] Prakrit
Pushpadanta's contributions in Prakrit were Jasaurachariu and Nayakumarachariu.[9]
[edit] Notes
- ^ a b c Kamath (2001), p90
- ^ Sastri (1955), p355
- ^ Other early writers mentioned in Kavirajamarga are Vimala, Udaya, Nagarjuna, Jayabhandu for Kannada prose and Kavisvara, Pandita, Chandra and Lokapala in Kannada poetry (Narasimhacharya, 1988, p2)
- ^ a b Kamat,Jyotsna. Kannada Literature under the Rashtrakutas. The Rashtrakutas. Kamat's Potpourri. Retrieved on February 3, 2007.
- ^ a b c Sastri (1955), p356
- ^ Narasimhacharya 1988, p18
- ^ The author and his work were prasied by later day poet Durgasimha of 1025 CE (Narasimhacharya 1988, p18)
- ^ Altekar (1934), p412
- ^ a b c d Kamath (2001), p89
- ^ Mahaviracharya of 9th century still relevant. Southern News, Karnataka. NewIndiapress.com. Retrieved on February 4, 2007.
- ^ Sastri (1955), p314
- ^ Kamath (2002), p88
- ^ Sastri (1955), p314
- ^ Reu (1933), p37
- ^ a b Reu (1933), p38
[edit] References
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