Alpheus Babcock

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Alpheus Babcock (1785-1842) was a piano and music instrument maker in Boston, Massachusetts and Philadelphia, Pennsylvania during the early 1800s. Babcock is best known for patenting a complete iron frame in a single casting used to resist the strain of the strings in square pianos, he also patented a system of stringing in squares, and improvements in piano actions.

Babcock was born in Dorchester, Massachusetts, and worked for musical instrument maker Benjamin Crehore (d.1828) before 1809. He established a workshop and music warehouse in Boston with brother Lewis at 44 1/2 Newbury Street, but by 1812 they entered a partnership with organ maker Thomas Appleton (1785-1872) with workshops at 6 Milk Street. Following Lewis' death in 1814 the surviving partners formed a brief partnership with brothers Charles and Elna Hayt, the business was taken over by Mackay & Co., with Crehore's former partner, organ maker William Goodrich (d.1834) as one of the partners, and by 1817 reorganized as The Franklin Music Warehouse with Joshua Stevens as foreman, continuing at Milk street under John Rowe Parker through 1823. Babcock may have worked during this period in Philadelphia, but by 1822 worked at the rear of 11 Marlboro street, Boston and moved the following year to Parkman's Market, Cambridge street. The Mackays continued an association with Babcock throughout the 1820s, with many of the instruments labelled "for G. D. Mackay" and "for R. Mackay" ^[1].

Babcock received a silver medal and special mention for his square with patented iron frame (1825) at the 1827 Franklin Institute exhibition in Philadelphia, at the time the largest producer of pianos in the United States. In 1830 he relocated to Philadelphia, introduced what he called "cross stringing"^[2], then introduced resilient cloth hammer coverings. He was associated with instrument maker and seller John C. Klemm, and by late 1832 worked as foreman for piano maker William Swift, at whose warehouse at 142 Chestnut street, he advertised in The Daily Chronicle in 1833, one could see iron framed pianos for which he had sole manufacturing rights.

Babcock returned to Boston in 1837 employed by Chickering & Mackays^[3] who had formed a partnership in 1830. Babcock's improvements helped Chickerings lead the American piano industry through the 1850s.

1. ^  Ripin and Kuronen indicate "G. D. Mackay" as George Mackay, d. 1824, nephew of John Mackay, and "R. Mackay" as Ruth, (1744-1833) widow of Mungo Mackay, and mother of John Mackay, but Holman writes she died 1820, and that John Mackay was married to her daughter Fanny.
2. ^  Not related to over stringing, this invention involved twisting shared wires at the hitch pins.
3. ^  Babcock assigned his 1839 patent to John Mackay, William H. Mackay and Jonas Chickering. John Mackay, like George D. Mackay in 1822, had given Babcock's address in 1825, 1828, and 1829 Boston Directories.

[edit] References

• Biographical Memoir of William M. Goodrich, Organ Builder. (1834) The New England Magazine
• Stevens, Paran. (1870) Manufacture of Pianos in the United States. Reports of the United States Commissioners to the Paris Universal Exposition, 1867. Govt. Print. Off., Washington, D. C.
• Teele, J. K. (1887) The History of Milton, Mass.
• Holman, Mary L. (1929) Ancestors and Descendants of John Coney, N. E. Hist. Genealogical Society, Boston.
• Harding, R. (1978) The Piano-Forte. Gresham Books. Old Woking, Surrey.
• Ripin, Edwin M. (1988) The Piano. W. W. Norton & Co., New York.
• Kuronen, Darcy. (2002) "Alpheus Babcock, Piano Maker" Museum of Fine Arts, Boston.
• American Music, Music Trades (2005) Music Encyclopedia
• Arzhruni, Ahan. Liner notes. Childhood Memories. New World Records 80590-2