Amon Düül
From Wikipedia, the free encyclopedia
There have been two splinters of the German rock group Amon Düül, of which the more famous is Amon Düül II. Formed out of the student movement of the 1960s, this latter version are generally considered to be founders of the German rock music scene and a seminal influence on the development of so called Krautrock.
Contents |
[edit] Origins
Amon Düül began in 1967 as a radical political art commune of Munich based artists calling themselves, in part, after the Egyptian Sun God Amon; Düül has been cited as a character from Turkish fiction. [1]
The commune quickly attained cult status for its free form musical improvisations, usually performed around the happenings and demonstrations of the contemporary politicized youth movement. The orthodoxy within the commune had a highly liberal attitude to artistic freedom, valuing enthusiasm and attitude over artistic ability; membership was fluid; anyone who was part of the commune was part of the group. However a faction within was more ambitious, conventional and musically structured, leading to the inevitable split within the collective, which separated in 1969 into the components "Amon Düül I" and "Amon Düül II".
[edit] Amon Düül I
Though not as highly regarded as their successors, Amon Düül I celebrated in a joyfully open ended experimentation that at times equalled their more successful psychedelic rock equivalents in the USA and other countries (Ref. Os Mutantes). Such a loose methodology was unavoidably hit or miss and led to frequent disruptive personnel changes. The members were close to Kommune 1 in Berlin and boasted, for a time, a prominent member in Uschi Obermaier, a glamour girl of the day. Continuing for seven years, with varing degrees of success and in varying mutating guises, they wound down in 1973 after releasing four official albums (though most were recorded pre 1970 and the first three albums all came from one 1968 jam) which are these days regarded as esoteric if not necessary important records in the history of German rock.
[edit] Amon Düül II
Contrary to their colleagues in Amon Düül I, founding members Chris Karrer, Peter Leopold, Falk Rogner, John Weinzierl and Renate Knaup placed high value on musical ability. With their first album Phallus Dei (God's Penis) in 1969 they created what is considered to be a milestone in German rock history. The title song alone was 21 minutes in length. They received offers to write music for films, winning a Deutscher Filmpreis (German Film Award) for their contribution to the film San Domingo.
Their second album Yeti was their breakthrough album in England. Inevitable comparisons with Pink Floyd and the Velvet Underground followed as did top five success.
A move to a major label Atlantic Records in 1975 saw a secession, over time, of artistic control to more commercially motivated production values that resulted in a perceived drop in uniqueness.
Atlantic Records pushed their commercial success and took control of production, and the band began to lose their creativity. In 1978, with the release of a final album, Amon Düül II ceased to exist.
In recent years however, Amon Düül II have seen a resurgence in interest, and they are frequently played on radio shows that aim to play more experimental music (eg Stuart Maconie's Freak Zone on BBC 6music)
[edit] Afterwards
At the beginning of the 1980s both groups again reemerged. Chris, Falk, Renate et al aroused Amon Düül II from their sleep with two new albums, while John, with a group of Welshmen, tried to recreate their earlier magic. As Amon Düül (UK), between 1982 and 1989, they released five albums. While the albums (especially "Fool Moon") were undeniably outstanding, they generally failed to ignite the interest of most former fans.
Thanks to the reflective glory of Kraftwerk, Can and the tireless work of Julian Cope, Krautrock again became fashionable towards the late 1990s. Groups such as Can, Faust, Neu! and Amon Düül staged revivals with the release of old and new albums. Chris, Renate, Falk and John again recreated almost the original line-up, even if the band members continued to change, as in earlier years.
Many are convinced that the high turnover of band members prevented the band from reaching the heights of the rock music industry. Nevertheless, after 35 years, they are still playing.
Amon Duul II's drummer Peter Leopold died on 8 November, 2006. A memorial sevice was held for Leopold in Munich, where the remaining members of Amon Duul II sang a song for him.
[edit] Discography
[edit] Amon Düül I
- Psychedelic Underground (1969)
- Collapsing/Singvögel Rückwärts & Co. (1970)
- Paradieswärts Düül (1970)
- Disaster (Double LP) (1972)
- Experimente (1983)
[edit] Amon Düül II
- Phallus Dei (1969)
- Yeti (1970)
- Tanz der Lemminge (aka Dance of the Lemmings) (1971)
- Carnival In Babylon (1972)
- Wolf City (1972)
- Live In London (live) (1973)
- Utopia (originally released under the band name Utopia) (1973)
- Vive La Trance (1974)
- Hijack (1974)
- Lemmingmania (Compilation) (1975)
- Made In Germany (Double LP) (1975)
- Pyragony X (1976)
- Almost Alive... (1977)
- Only Human (1978)
- Rock in Deutschland Vol.1 (Compilation) (1978)
- Vortex (1981)
- Hawk Meets Penguin (1981)
- Meeting With Men Machines (1984)
- Fool Moon (1989)
- Die Lösung (with Robert Calvert) (1989)
- Milestones (Compilation) (1989)
- Live In Concert (BBC recording from 1973) (1992)
- Surrounded By The Bars (1993)
- The Greatest Hits (Compilation) (1994)
- Nada Moonshine (1995)
- Kobe (Reconstructions) (1996)
- Eternal Flashback (1996)
- Live In Tokyo (live) (1996)
- The Best Of 1969-1974 (Compilation) (1997)
- Flawless (1997)
- Drei Jahrzehnte (1968-1998) (Compilation) (1997)
[edit] References
- Cope, Julian (1995). Krautrocksampler. London: Head Heritage. ISBN 0952671913.
[edit] External links
- Amon Düül 2- Official
- Amon Düül 2- Unofficial
- Amon Düül 1 - Extensive bio @ Perfect Sound Forever
- dreamworker's Amon Düül page mainly focussed on their collaboration with Robert Calvert of Hawkwind
