Black Star (album)
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Black Star | ||
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Studio album by Black Star | ||
Released | 28 August 1998 (US) | |
Genre | Alternative hip-hop | |
Length | 48:02 | |
Label | Rawkus/UMVD | |
Producer(s) | Hi-Tek 88-Keys Talib Kweli J. Rawls |
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Professional reviews | ||
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Mos Def chronology | ||
Black Star (1998) |
Black on Both Sides (1999) |
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Talib Kweli chronology | ||
Black Star (1998) |
Train of Thought (2000) |
Black Star is the self-titled debut by the pairing of rappers Talib Kweli and Mos Def. It is sometimes listed as Mos Def and Talib Kweli are Black Star. The album was released on August 26, 1998. The title is a reference to a shipping line founded by Pan-Africanist Marcus Garvey. Black Star deals with modern day issues, ideas, and life in Brooklyn, New York City as the two artists know it.
Contents |
[edit] Overview
The album's fruition came about from the chemistry between the two rappers. Both had planned to release their albums around the same time, but postponed their individual projects and decided instead to collaborate on a full-length LP.
The late jazz musician, Weldon Irvine, played the keys on the album's opening song, "Astronomy". The song interprets the word, black, in a positive way and contains similes such as, "Black like my baby girl's stare".
The next song, and first single, "Definition", is a stern response to "hip hop's fascination with death", and a dedication to slain rappers Tupac Shakur, and Biggie Smalls. As the chorus goes:
One two three / Mos Def and Talib Kweli / We came to rock it on to the tip-top / Best alliance in hip-hop, wyahhhhh / I said one two three / It's kind of dangerous to be an emcee / They shot Tupac and Biggie / Too much violence in hip-hop, wyahhhhh
The chorus is also a play on Boogie Down Productions' anti-gun song "Stop the Violence". "Children's Story" is a re-imagined version of Slick Rick's original, with Mos Def cautioning against overly materialistic pursuits.
"Brown Skin Lady" is an affectionate tribute to african-american women. The song encourages black women to be proud of their hair and complexion, and to not be influenced by western beauty standards. Kweli says: "...Were not dealin with the European standard of beauty tonight / Turn off the TV and put the magazine away / In the mirror tell me what you see / See the evidence of divine presence"
The centerpiece of the album, "Thieves In The Night", was inspired by author Toni Morrison's novel The Bluest Eye. In the album's liner notes, Kweli explains that the paragraph "struck me as one of the truest critiques of our society, and I read that in high school, when I was 15 years old. I think it is especially true in the world of hip hop, because we get blinded by these illusions." The excerpt interpolated in the song is as follows:
And fantasy it was, for we were not strong, only aggressive; we were not free, merely licensed; we were not compassionate, we were polite; not good, but well behaved. We courted death in order to call ourselves brave, and hid like thieves from life.
And the version on the track:
not strong, only aggressive/ not free, we only licensed/ not compassionate, only polite (now who the nicest?) / not good but well-behaved/ chasin' after death so we could call ourselves brave, still livin' like mental slaves/ hiding like thieves in the night from life/ illusions of oasis making you look twice.
The album's cover was designed by artist Brent Rollins.
[edit] Critical reaction
Black Star was hailed as a hip hop classic and is often cited as an anchor for the new wave of rappers directly or indirectly inspired by the Native Tongues. As a result Rawkus Records became the premier independent hip hop label, with a reputation for delivering underground albums of considerable quality. The praise would continue on subsequent albums by the two MCs. Despite popular demand, Mos Def and Talib Kweli have yet to deliver a follow up album, however both have gone on to produce their own albums to much critical acclaim. They have been instrumental in the rise of Kanye West, currently one of rap music's most influential artists.
[edit] Track listing
# | Title | Producer(s) | Performer (s) (in order of appearence) |
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1 | "Intro" | Hi-Tek; co-produced by Talib Kweli | *Interlude* |
2 | "Astronomy (8th Light)" | Mr. Walt | Talib Kweli, Mos Def, Weldon Irvine |
3 | "Definition" | Hi-Tek | Mos Def, Talib Kweli |
4 | "RE: DEFinition" | Hi-Tek | Talib Kweli, Mos Def |
5 | "Children's Story" | Shawn J Period | Mos Def |
6 | "Brown Skin Lady " | J. Rawls | Talib Kweli, Mos Def |
7 | "B Boys Will B Boys" | Ge-ology | Mos Def, Talib Kweli |
8 | "K. O. S. (Determination)" | Hi-Tek | Talib Kweli, Vinia Mojica |
9 | "Hater Players" | Shawn J Period | Apani, Talib Kweli, Mos Def |
10 | "Yo Yeah" | J. Rawls; co-produced by Talib Kweli | Talib Kweli, Mos Def |
11 | "Respiration" | Hi-Tek | Mos Def, Talib Kweli, Common |
12 | "Thieves in the Night" | 88 Keys | Talib Kweli, Mos Def |
13 | "Twice Inna Lifetime" | Hi-Tek | Jane Doe, Punchline, Talib Kweli, Wordsworth, Mos Def |
[edit] Samples
- Definition contains a sample from "The P Is Free" by Boogie Down Productions
- Definition contains an altered version of the chorus in "Stop The Violence" by Boogie Down Productions
- Children's Story samples "Children's Story" by Slick Rick
- Brown Skin Lady begins with a sample from the film Chameleon Street
- Brown Skin Lady contains a sample from "We Almost Lost Detroit" by Gil-Scott Heron and Brian Jackson
- K.O.S. (Determination) contains a sample from "Baby, This Love I Have" by Minnie Riperton
- Respiration contains a sample from "The Fox" by Don Randi
- Respiration contains a sample from the film Style Wars
[edit] Album singles
- "Respiration" (sample) (file info) — play in browser (beta)
- A single from the Black Star album.
- Problems playing the files? See media help.
Single cover | Single information |
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"Definition"
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"Respiration" (featuring Common)
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[edit] Personnel
- Hi-Tek - Producer, Cut, Crowd Noise
- Weldon Irvine - Keyboards, Performer
- Jim Godsey - Engineer
- Charlie Mack - Engineer
- Kieran Walsh - Engineer, Mixing
- Vinia Mojica - Performer
- DJ Evil Dee - Cut
- Jane Doe - Performer
- Rick St. Hillaire - Mixing
- Steve Souder - Mixing
- Chris Athens - Mastering
- Ken "Duro" Ifill - Mixing
- Eddie Otchere - Photography
- Vaughn Sessions - Engineer
- Mr. Walt - Producer, Engineer, Mixing
- Success - Engineer
- Brent Rollins - Artwork, Cover art
- Mos Def - Fender Rhodes
- Black Star - Artwork, Art Direction
- Talib Kweli - Producer, Performer
- Marcus Garvey - Photography
- 88 Keys - Producer
- Pat Viola - Engineer
- Jake Septimus - Photography
- Tasleem - Photography
- Richard Mason - Crowd Noise
- J. Rawls - Producer
- Kieran Dee - Photography/Banter
[edit] Chart positions
Billboard Music Charts (North America) - album
Chart (1998) | Peak position |
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The Billboard 200 | No. 53 |
Top R&B/Hip-Hop Albums | No. 13 |
Billboard (North America) - singles
Chart (1998) | Peak Position |
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Definition - Hot Rap Singles | No. 3 |
Definition - Hot R&B/Hip-Hop Singles & Tracks | No. 31 |
Definition - The Billboard Hot 100 | No. 60 |
Chart (1999) | Peak position |
Respiration - Hot Rap Singles | No. 6 |
Respiration - Hot R&B/Hip-Hop Singles & Tracks | No. 54 |
Talib Kweli |
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Albums and EPs: Black Star | Train of Thought | Quality | The Beautiful Struggle | Right About Now | Liberation | Ear Drum |
Singles: "Move Somethin'" | "The Express" | "The Blast" | "Down for the Count" | "Good to You" | "Fortified Live" | "Waitin' for the DJ" | "Get By" | "Peace of Mine" | "I Try" | "Never Been in Love" | "Flash Gordon" | "Fly That Knot" | "Getting Up Anthem" | "Listen" | "More Or Less" |
Other: Reflection Eternal | Native Tongues | Blacksmith Records | Black Star |
Mos Def |
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Studio albums |
Black Star (1998) | Black on Both Sides (1999) | The New Danger (2004) | True Magic (2006) |
Singles |
"Definition"/"Twice Inna Lifetime" | "Respiration"/"Respiration (Flying High Mix)" | "Ms. Fat Booty"/"Mathematics" | "Umi Says"/"Universal Magnetic" | "Sex, Love & Money"/"Ghetto Rock" |
See Also |
Soulquarians | Native Tongues Posse | Black Star | Def Poetry | Selected filmography |