Cathedral of Murcia

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Cathedral Church of Saint Mary of the Diocese of Cartagena in Murcia

The Cathedral Church of Saint Mary in Murcia (Spanish: Iglesia Catedral de Santa María en Murcia), commonly called the Cathedral of Murcia, is an important landmark in the city of Murcia, Spain, and it is the only cathedral in use in the Roman Catholic Diocese of Cartagena in Spain.

1 History
2 The Bell Tower
3 Bells
4 Inner
5 Outer
6 External links

[edit] History

When the christian king Jaime I the Conqueror conquered the city, in spite of the existing pact with the muslims of the city that prevented destroying any mosque, the king Jaime I took the Great Mosque or Aljamía to consecrate it to the Virgin Mary, since he had the custom to offer a mass to Our Lady whenever he conquered a village. The cimentation of the cathedral begun in the 13th century, in the same place where the great mosque stood. In 1385 the laying of foundations began and in 1388 the first stone was laid. But it was not until 1394 that the construction began, which would be finished in October 1467. Nevertheless, the cathedral continued to grow until the 18th century, which means that the cathedral is made of a variety of artistic styles.

The heart and the entrails of the king Alfonso X the Wise are buried under the main altar of the cathedral, as he indicated in his testament, as a gift and proof of his love to Murcia and in thanks to the fidelity that the city showed to him.

As previously stated, the artistic style of the building is very varied because it was finished in the 18th century. Its interior is Gothic; the facade is Baroque and it was made by the Valencian architect and sculptor Jaume Bort i Meliá.

[edit] The Bell Tower

Bell tower of the Cathedral of Murcia

The bell tower, built between 1521 and 1791, measures 90 meters of height (95 meters with the weathervane). The width of the five subsequent bodies that compose it are different. The tower has also a conjunction of different styles.

The first stage, made by Francisco and Jacobo Florentino, has a square plant with Renaissance style and ornamentation from the Hispanic Plateresc.
The second body, made by Jerónimo Quijano, has the same style but it is more purist.
The third floor, with Baroque style, has the body with Rococó style and the cupola, drawn up by Ventura Rodríguez, with Neoclassic style.
In the fourth body the conjuratories are emphasized. In them the storms were sworn with the Lignum Crucis.

[edit] Bells

There are twenty-five bells, all of the 17th century and the 18th century. Each has its own name:

The Bell of the Spells
La Catalana
The Bell of Prayer
La Fuensanta
The Conception
La Segundilla
The greater or Agueda-Martillo, which is the main bell
etc…

They have also served to announce the tremendous floods of the Segura River, wars, celebrations, and festivities. Only one bell is previous to all the rest of them (14th century), la Campana Mora(the moor bell), and it is being kept in the Museum of Arts of Murcia.

[edit] Inner

It is mainly Gothic. It is made up of three naves with an apse and twenty-three chapels. The chapels are dedicated to the saint patrons of the labor unions and to the burials of the bishops and nobles that fomented or collaborated with the construction of the cathedral. Some chapels can be emphasized:

The Chapel of the Apse or the Vélez Chapel: it has Flaming Gothic style, with a cupola of stars with ten ends.
The Chapel of Junterones: it is one of the great works of the Spanish Renaissance.
The Chapel of the Immaculate: it has Baroque style.

The Plateresque chairs of the choir, post-choir, and the portal of the sacristy, are also worth mentioning.

[edit] Outer

Facade detail

Door of Apostols: Constructed in 1488 by Diego Sánchez de Almazán. It has Gothic style. At the jambs (sides) of the door, the sculptures of the four apostles are shown. It also has a shield which honors the queen Isabel the Catholic.
Chapel of the Marquess of Vélez: Its plant is polygonal and it is adorned with the shields of the Chacones and the Fajardos.
Door of the Chains: Made of two bodies (the inferior from the 16th century and the superior from the 18th century). Reliefs of the brothers San Leandro, San Isidoro, and San Fulgencio can be seen.
Main Facade: It has Baroque style. The main facade has an exceptional beauty and it is unique in its sort. It was projected under the initiative of the Cabildo, with the help of Cardinal Belluga, and it was made by Jaime Bort.
Exaltation of the Virgin Mary: Another interesting feature of this cathedral.