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Charles Eliot Norton Lectures

From Wikipedia, the free encyclopedia

The Charles Eliot Norton Professorship of Poetry at Harvard University was established in 1925 as an annual lectureship in "poetry in the broadest sense" and named for the university's former professor of fine arts. Distinguished creative figures and scholars in the arts, including painting, architecture, and music deliver customarily six lectures. The lectures are usually dated by the academic year in which they are given, though sometimes by just the calendar year.

Many but not all of the Norton Lectures have subsequently been published by the Harvard University Press. The following table lists all the published lecture series, with academic year given and year of publication, together with unpublished lectures as are known. Titles under which the lectures were published is not necessarily titles under which they were given.

The Charles Eliot Norton lectures should not be confused with other series also called "Norton Lectures" such as the Norton Lectures at the Southern Baptist Theological Seminary. William A. Dembski gave lectures on intelligent design in the Seminary's Norton Lectures series in 2003, and is sometimes incorrectly listed as having given the Charles Eliot Norton Lectures.

[edit] Charles Eliot Norton Lectures

Incomplete table of lecturers and lectures held:
Years Lecturer Title Published
1926-1927 Gilbert Murray The Classical Tradition in Poetry 1927
1927-1928 Eric Maclagen Italian Sculpture of the Renaissance 1935
1929-1930 H. W. Garrod Poetry and the Criticism of Life 1931
1930-1931 Arthur M. Hind Rembrandt 1932
1932-1933 T. S. Eliot The Use of Poetry and the Use of Criticism: Studies in the Relation of Criticism to Poetry in England 1933
1933-1934 Laurence Binyon The Spirit of Man in Asian Art 1935
1937-1938 Chauncey Brewster Tinker Painter and Poet: Studies in the Literary Relations of English Painting 1938
1938-1939 Sigfried Giedion Space, Time and Architecture: The Growth of a New Tradition 1941
1939-1940 Igor Stravinsky Poetics of Music in the Form of Six Lessons 1942
1940-1941 Pedro Henriquez-UreƱa Literary Currents in Hispanic America 1945
1947-1948 Erwin Panofsky Early Netherlandish Painting: Its Origins and Character 1953
1948-1949 C. M. Bowra The Romantic Imagination 1949
1949-1950 Paul Hindemith A Composer's World: Horizons and Limitations 1952
1950-1951 Thornton Wilder
1951-1952 Aaron Copland Music and Imagination 1952
1952-1953 E.E. Cummings i: six nonlectures 1953
1953-1954 Herbert Read Icon and Idea: The Function of Art in the Development of Human Consciousness 1955
1955-1956 Edwin Muir The Estate of Poetry 1962
1956-1957 Ben Shahn The Shape of Content 1957
1957-1958 Jorge Guillen Language and Poetry: Some Poets of Spain 1961
1958-1959 Carlos Chavez Musical Thought 1961
1961-1962 Pier Luigi Nervi Aesthetics and Technology in Building 1965
1962-1963 Leo Schrade Tragedy in the Art of Music 1964
1964-1965 Cecil Day Lewis The Lyric Impulse 1965
1966-1967 Meyer Schapiro Romanesque Architectural Sculpture 2006
1967-1968 Jorge Luis Borges This Craft of Verse 2000
1968-1969 Roger Sessions Questions about Music 1970
1969-1970 Lionel Trilling Sincerity and Authenticity 1972
1970-1971 Charles Eames
1971-1972 Octavio Paz Children of the Mire: Modern Poetry from Romanticism to the Avant-Garde 1974
1973-1974 Leonard Bernstein The Unanswered Question 1976
1974-1975 Northrop Frye The Secular Scripture: A Study of the Structure of Romance 1976
1977-1978 Frank Kermode The Genesis of Secrecy: On the Interpretation of Narrative 1979
1978-1979 James Cahill The Compelling Image: Nature and Style in Seventeeth-Century Chinese Painting 1982
1979-1980 Helen Gardner In Defence of the Imagination 1982
1980-1981 Charles Rosen The Romantic Generation 1995
1981-1982 Czeslaw Milosz The Witness of Poetry 1983
1983-1984 Frank Stella Working Space 1986
1985-1986 Italo Calvino Six Memos for the Next Millennium 1988
1987-1988 Harold Bloom Ruin the Sacred Truths: Poetry and Belief from the Bible to the Present 1989
1988-1989 John Cage I-VI 1990
1989-1990 John Ashbery Other Traditions 2000
1992-1993 Umberto Eco Six Walks in the Fictional Woods
1993-1994 Luciano Berio Remembering the Future 2006
1994-1995 Nadine Gordimer Writing and Being 1995
1995-1996 Leo Steinberg
1997-1998 Joseph Kerman Concerto Conversations 1999
2001-2002 George Steiner Lessons of the Masters 2003
2003-2004 Linda Nochlin Bathers, Bodies, Beauty: The Visceral Eye 2006
2006-2007 Daniel Barenboim "Sound and Thought"

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