Dom Joseph Pothier
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Dom Joseph Pothier, O.S.B. (Bouzemont, France, 1835 - Priory of Conques, Belgium, 1923) was a French liturgist, a scholar who reconstituted the Gregorian chant.
[edit] Overview
A benedictine monk of Solesmes abbey (1859) under Abbot Dom Prosper Guéranger, he was made sub-prior of Saint-Pierre-de-Solesmes (1862-1863 and 1866-1893), then superior of Saint-Martin-de-Ligugé abbey (1893-1895 at Ligugé, 1895-1898 as deputy to Saint-Wandrille on behalf of Ligugé abbey). He was later appointed abbot of Saint-Wandrille-de-Fontenelle (installed on the abbey throne on July 24, 1898), a benedictine abbey at Saint-Wandrille-Rançon, Normandy - closed during the French Revolution - he had made refunded since 1895.
He became the first abbot of Saint-Wandrille abbey since the French Revolution, and was also its first regular abbot since the 16th century.
The Most Reverend Abbot Dom Joseph Pothier moved from France to Belgium with his exiled community in 1901, following the French law against religious congregations passed by Minister Waldeck-Rousseau.
[edit] Music
A musicologist, a disciple and collaborator of Abbot Dom Prosper Guéranger of Solesmes, Dom Pothier contributed to the reconstitution, the restoration and the re-new of the Gregorian chant, a form of monophonic, unaccompanied sacred song of the Roman Catholic Church. He was later, 1904 by Pope St. Pius X, appointed president of the Pontifical Commission on the Vatican Edition of the Gregorian Liturgical Books. As chairman of this commission for the reconstitution of the music of the Roman Catholic Mass, Dom Pothier lived in Rome from 1904 till 1913.
He was also the head and editor of the Revue du Chant Grégorien (1892-1914), the founder of the Paléographie musicale publication for the dissemination of medieval liturgical manuscripts, and the author the new edition of the choir books based on manuscripts of the Gregorian chant and of several studies on the plainchant, including Les mélodies grégoriennes d'après la tradition (Gregorian Melodies According to the Tradition), 1880, which became the standard work on the subject. His Liber Gradualis, 1883, marked the beginning of a reform in liturgical chant and was used as a basis for the Gradual Vatican which was published, under his direction, in 1908.
