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Beatrix Potter

From Wikipedia, the free encyclopedia

Potter at fifteen years with her dog, Spot.
Potter at fifteen years with her dog, Spot.

(Helen) Beatrix Potter (28 July 186622 December 1943) was an English children's book author and illustrator, renowned for creating "Peter Rabbit" and other animal characters. Later in life, she was also a noted conservationist.

Contents

[edit] Biography

Beatrix Potter was born in Kensington, London in 1866. Educated at home by a succession of governesses, she had little opportunity to mix with other children. Even Potter's younger brother, Bertram, was rarely at home; he was sent to boarding school, leaving Beatrix alone with her pet animals. She had frogs and newts, and even a pet bat. Among her pets were two rabbits. Her first rabbit was Benjamin, whom she described as "an impudent, cheeky little thing", while her second was Peter, whom she took everywhere with her, even on trains, on a little lead. Potter would watch these animals for hours on end, sketching them. Gradually the sketches became better and better, developing her talents from an early age.

Potter's father, Rupert William Potter (1832–1914), although trained as a barrister, spent his days at gentlemen's clubs and rarely practised. Her mother, Helen Potter née Leech (1839–1932), the daughter of a cotton merchant, spent her time visiting or receiving visitors. The family was supported by both parents' inherited incomes.

Every summer, Rupert Potter would rent a country house; firstly Dalguise House in Perthshire, Scotland for the eleven summers of 1871 to 1881,[1] then later one in the English Lake District. In 1882 the family met the local vicar, Canon Hardwicke Rawnsley, who was deeply worried about the effects of industry and tourism on the Lake District. He would later found the National Trust in 1895, to help protect the countryside. Beatrix Potter had immediately fallen in love with the rugged mountains and dark lakes, and through Rawnsley, learnt of the importance of trying to conserve the region, something that was to stay with her for the rest of her life.

[edit] Scientific aspirations and work on fungi

When Potter came of age, her parents appointed her their housekeeper and discouraged any intellectual development, instead requiring her to supervise the household. From the age of 15 until she was past 30, she recorded her everyday life in journals, using her own secret code (which was not decrypted until decades after her death).

An uncle attempted to introduce her as a student at the Royal Botanical Gardens at Kew, but she was rejected because she was female. Potter was later one of the first to suggest that lichens were a symbiotic relationship between fungi and algae.[2] As, at the time, the only way to record microscopic images was by painting them, Potter made numerous drawings of lichens and fungi. As the result of her observations, she was widely respected throughout England as an expert mycologist. She also studied spore germination and life cycles of fungi. Potter's set of detailed watercolors of fungi, numbering some 270 completed by 1901, is in the Armitt Library, Ambleside.

In 1897, her paper on the germination of spores was presented to the Linnean Society by her uncle Sir Henry Enfield Roscoe, as women were barred from attending meetings. (In 1997, the Society issued a posthumous official apology to Potter for the way she had been treated.) The Royal Society also refused to publish at least one of her technical papers.

[edit] Literary career

Potter's illustration of her anthropomorphic rabbits — in this case the married cousins, Benjamin and Flopsy Bunny (with Peter Rabbit in the background), from The Tale of the Flopsy Bunnies.
Potter's illustration of her anthropomorphic rabbits — in this case the married cousins, Benjamin and Flopsy Bunny (with Peter Rabbit in the background), from The Tale of the Flopsy Bunnies.

The basis of her many projects and stories were the small animals that she smuggled into the house or observed during family holidays in Scotland and the Lake District. She was encouraged to publish her story, The Tale of Peter Rabbit, but she struggled to find a publisher until it was accepted when she was 36 in 1902, by Frederick Warne & Company. The small book and her following works were extremely well received and she gained an independent income from the sales. She also became secretly engaged to the publisher, Norman Warne, but her parents were set against her marrying a tradesman. Their opposition to the wedding caused a breach between Beatrix and her parents. However, the wedding was not to be, for soon after the engagement, Norman fell ill of pernicious anemia and died within a few weeks. Beatrix was devastated. She wrote in a letter to his sister, Millie, "He did not live long, but he fulfilled a useful happy life. I must try to make a fresh beginning next year."[3]

Potter eventually wrote 23 books. These were published in a small format, easy for a child to hold and read. Her writing efforts abated around 1920 due to poor eyesight. The Tale of Little Pig Robinson was published in 1930; however, the actual manuscript was one of the first to be written and far predates this publication date. [4]

[edit] Later life: the Lake District and conservation

After the death of Warne, Potter purchased Hill Top Farm in the village of Sawrey, Cumbria, in the Lake District. She loved the landscape, and visited the farm as often as she could, discussing the set-up with farm manager John Cannon.[5] With the steady stream of royalties from her books, she began to buy pieces of land under the guidance of local solicitor William Heelis. In 1913 at the age of 47, Potter married Heelis and moved to Hill Top Farm permanently. Some of Potter's best loved works show the Hill Top Farm farm house and the village. While the couple had no children, the farm was constantly alive with dogs, cats and even a pet hedgehog, naturally enough named "Mrs Tiggywinkle".

On moving to the Lake District, Potter became engrossed in breeding and showing Herdwick sheep. She became a respected farmer, a judge at local agricultural shows, and President of the Herdwick Sheep Breeders’ Association. When Potter's parents died, she used her inheritance to buy more farms and tracts of land. After some years Potter and Heelis moved down into the village of Sawrey, and into Castle Cottage — where the local children knew her for her grumpy demeanour, and called her "Auld Mother Heelis".[6]

Beatrix Potter died at Castle Cottage in Sawrey in 1943. Her body was cremated, and her ashes were scattered in the countryside near Sawrey.[7]

[edit] Subsequent events

In her will, Potter left almost all of her property to the National Trust — 4,000 acres (16 km²) of land, cottages, and 15 farms. The legacy has helped ensure that the beauty of the Lake District and the practice of fell farming remain unspoiled to this day. Her properties now lie within the Lake District National Park.

1971 saw the release of The Tales of Beatrix Potter directed by Reginald Mills. Several of the Tales were set to music and danced by the members of The Royal Ballet including Frederick Ashton who was also the choreographer. The Tale of Pigling Bland was turned into a musical theatrical production by Suzy Conn and was first performed on 6 July 2006 at the Toronto Fringe Festival in Toronto, Canada.

In 1982 the BBC produced The Tale of Beatrix Potter. This dramatization of her life was written by John Hawkesworth and directed by Bill Hayes. It starred Holly Aird and Penelope Wilton as the young and adult Beatrix respectively. The modern author Susan Wittig Albert publishes a series of mysteries featuring a fictionalized Beatrix Potter, focusing on the period of her life between her fiancé's death and her eventual establishment as a farmer in Sawrey, Cumbria. In December 2006 Penguin Books published Beatrix Potter: A Life in Nature, a new biography by Linda Lear, which emphasizes Potter's scientific accomplishments both as a botanical artist and as an amateur mycologist.[8]

Miss Potter, a biographical film starring Renée Zellweger, was released on 29 December 2006. The character of Norman Warne was played by Ewan McGregor, while that of William Heelis was played by Lloyd Owen.

[edit] Places to visit

There are several locations open to the general public relating to Potter, mainly in the Hawkshead area of the Lake District, including:

  • Hill Top Farm - open to the public, but for a limited number of visitors per day. It has been restored to exactly the condition as it was when Potter lived there.
  • The Beatrix Potter Gallery - in Hawkshead village, shows a number of original letters and drawings.
  • The Beatrix Potter Attraction - displays a collection of models and displays of Beatrix's work, in the town of Windermere.
  • The Beatrix Potter Garden - at Dunkeld House in Perthshire, Scotland, now home to the Birnam Institute, has gardens recreating Potter's tales and exhibitions throughout the summer.
  • The Beatrix Potter Shop - in Gloucester, this building was the basis for Potter's book The Tailor of Gloucester.

[edit] Quotations

"I remember I used to half believe and wholly play with fairies when I was a child. What heaven can be more real than to retain the spirit-world of childhood, tempered and balanced by knowledge and common-sense..." – Beatrix Potter’s Journal, 17 November 1896, from the National Trust collection.

[edit] Partial bibliography

[edit] See also

[edit] Sources

[edit] References

[edit] Further reading

  • Susan Denyer, Beatrix Potter: At Home in the Lake District (2000) (biographical, plus photography of Potter's Lake District)
  • Anne Stevenson Hobbs, Beatrix Potter: Author and Illustrator (2005) (ISBN 0723257000; ISBN 978-0723257004) (collection of 200 of Potter's paintings, a catalogue of the Dulwich Picture Gallery exhibition of 2005)
  • Anne Stevenson Hobbs, Judy Taylor, and Joyce Whalley, Beatrix Potter, 1866-1943: The Artist and Her World (1987) (ISBN 0723235619; 978-0723235613) (a companion to the Tate Gallery Exhibition)
  • Margaret Lane, The Tale of Beatrix Potter: A Biography (2001) (ISBN 978-0723246763 ; 0723246769)
  • Linda Lear, Beatrix Potter: A Life in Nature (Allen Lane, 2006) (ISBN 0713995602, ISBN 978-0713995602) (biography)
  • Beatrix Potter, Beatrix Potter: A Journal (2006) (ISBN 0723258058; ISBN 978-0723258056)
  • Judy Taylor, Beatrix Potter: Artist, Storyteller and Countrywoman (1996) (ISBN 0723241759; ISBN 978-0723241751)

[edit] Fictional works

[edit] External links

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