Francelia Billington
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Francelia Billington (1 February 1895 - 24 November 1934) was an early American silent-screen actress, and an accomplished camera operator.
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[edit] Early life
Billington was in born in Dallas, Texas, the daughter of James Billington and his wife, musician Adelaide Bueter. She was born and raised on a ranch, allowing her to become an expert at horsemanship, which later served her in a movie career that was to consist of a number of Westerns. She attended school at a convent, and at a very early age, she began playing parts in plays there. When she was 10 years old, she moved to New Orleans and continued her interest in outdoor activities, becoming quite accomplished at swimming, diving and rowing.
[edit] Career
She began working in films for the Kalem Company's West Coast studio in 1912, then she moved to Reliance-Majestic Studios the following year, and continued starring in films under its banner when D. W. Griffith became the studio's director-general.
Billington left Majestic in 1915, and following her association with the Palo Alto Film Corporation, where she worked with Nell Shipman, one of the most remarkable figures in film history, on the uncompleted film Wanda of the Red Street, she joined Universal. There she played leads for such directors as Rupert Julian and Rex Ingram. In 1917, she went over to The American Film Company in Santa Barbara to star in features directed by Edward Sloman. Her return to Universal in 1918 brought her a co-starring role in one of the silent film's true cinematic milestones, Erich von Stroheim's directorial debut, Blind Husbands. Although her performance brought praise from the critics, the Fates had no great roles waiting for Billington, and she continued in a mix of undistinguished melodramas, Westerns and action films
[edit] Later years
Billington's level of film production slowed down with only five total films in 1918 and 1919. One of her 1920's features was a Western genre film with Tom Mix, entitled Desert Love. Later that year, she returned once again to Rex Ingram's directorship with Hearts are Trumps. It was also during 1920 that Billington married Lester Cuneo. The couple appeared in fourteen films together, with their last two features in 1925, but apparently the marriage was on the rocks well before that. Sadly, despondent over the breakdown of the marriage and the downhill slide of his film career, Cuneo committed suicide by shooting himself on November 2, 1925, supposedly two days after his divorce from Billington became final. Billington's health was visibly declining at the beginning of the 1934. She passed away from tuberculosis, there were no obituaries in the trade papers, and her death went unnoticed by the film industry and the public.
