Heather Shimmen

From Wikipedia, the free encyclopedia

Heather Shimmen is a contemporary Australian visual artist whose paintings, prints and collages often use sinister historical imagery from 16th to 19th century.

1 Biography
2 Works
3 Awards
4 External links

[edit] Biography

Shimmen was born in suburban Melbourne in the late 1950s, and exhibited an early interest in drawing.

One pivotal life experience occurred when she was 14 and visited Papua New Guinea with her family. Her parents had entered into a partnership in a farm 60 miles up the Markham valley out of the town of Lea in the North West of PNG. She saw and met, for the first time, tribal people and saw first hand very confronting body piercing, tattooing and scarification.

She studied art at RMIT University, including a brief stint with printmaker George Baldessin. In 1978 she graduated with a Bachelor of Fine Arts and subsequently received two Australia Council grants. In 1998 she won the Silk Cut award for linoleum prints.

She has travelled throughout Australia (including Arnhem Land), and spent time in Berlin, London, and New York City.

In addition to her own art practice, she has worked as an artist-in-residence, lecturer or tutor at several institutions including RMIT. She has also been involved in the whimsical art collective Refluxus with Geraldine Burke.

She currently lives in Melbourne with her spouse and daughter.

[edit] Works

Shimmen's works display her fascination with sinister imagery from the 16th to 19th century: European poets; the aristocracy; tribal society and colonialism; nightmares; sin, disorder and decay.

Her linoleum prints, often based on old engravings, display a high degree of technical skill.

Her work is represented in many public, private, and corporate collections throughout Australia and internationally including the National Gallery of Australia, the Australian War Memorial, the Australian National Museum, the State Library of Victoria, Artbank and the Art Gallery of South Australia.