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Herb Alpert - Wikipedia, the free encyclopedia

Herb Alpert

From Wikipedia, the free encyclopedia

Herb Alpert
Herb on the cover of his compilation album "The Very Best Of Herb Alpert" (1991).
Herb on the cover of his compilation album "The Very Best Of Herb Alpert" (1991).
Background information
Birth name Herbert Alpert
Also known as Dore Alpert
Born March 31, 1935 (age 72)
Flag of United States Los Angeles, California, USA
Genre(s) Jazz, Latin, Funk, Pop, R&B
Occupation(s) Trumpeter, Composer, Songwriter, Record Producer, Painter, Sculptor
Instrument(s) Trumpet, Voice
Years active 1957-present
Label(s) A&M Records
Associated
acts
The Tijuana Brass

Herbert "Herb" Alpert (born March 31, 1935 in Los Angeles, California) is an American musician most associated with the Tijuana Brass, a now-defunct brass band of which he was the leader. He is also famous for being a recording industry executive — he is the "A" of A&M Records (a recording label he and then partner Jerry Moss founded and eventually sold). Alpert's musical accomplishments include five number one hits, twenty-eight albums on the Billboard charts, eight Grammy Awards, fourteen Platinum albums and fifteen Gold albums.[1] As of 1996, Alpert had sold 72 million albums worldwide.[2].[3]


Contents

[edit] Early life and career

Alpert began trumpet lessons at about the age of eight and played at dances as a teenager. After graduating from Fairfax High School in 1952, he joined the U.S. Army and frequently performed at military ceremonies. After his service in the Army, Alpert tried his hand at acting, but eventually settled on pursuing a career in music. While attending the University of Southern California in the 1950s, he was a member of the USC Trojan Marching Band for two years. He graduated with a BM in 1954.

In 1957, Alpert teamed up with Lou Adler, another burgeoning musician, as a songwriter for Keen Records. A number of songs written or co-written by Alpert during the following two years became top twenty hits, including "Baby Talk" by Jan and Dean, "Wonderful World" by Sam Cooke, and "Alley-Oop" by Dante and The Evergreens. [4] In 1960, Alpert began his recording career as a vocalist at RCA Records under the name of Dore Alpert, where he recorded an early vocal, "Tell it to the Birds".

[edit] The Tijuana Brass years

Alpert set up a small recording studio in his garage and was overdubbing a tune called "Twinkle Star" when, during a visit to Tijuana, Mexico, he happened to hear a mariachi band while attending a bullfight. Following the experience, Alpert recalled that he was "inspired to find a way to musically express what [he] felt while watching the wild responses of the crowd, and hearing the brass musicians introducing each new event with rousing fanfare."[5] Alpert adapted the trumpet style to the tune, mixed in crowd cheers and other noises to create ambiance, and renamed the song, "The Lonely Bull." He paid out of his own pocket to press the record as a single, and it spread through radio DJs until it caught on and became a Top Ten hit in 1963. He followed up quickly with an album of "The Lonely Bull" and other titles.

Alpert released his debut album, The Lonely Bull by Herb Alpert's Tijuana Brass. The Tijuana Brass were studio musicians. The title cut reached #6 on the Billboard Pop Singles Chart. This was also A&M's first album (the original number was 101), but was recorded at Conway Records.

By the end of 1964, due to a growing demand for live appearances by the Tijuana Brass, Alpert auditioned and hired a team of crack session men. No one in Alpert's band was actually Hispanic. Alpert used to tell his audiences that his group consisted of "Three pastramis, two bagels, and an American cheese": John Pisano (electric guitar); Lou Pagani (piano); Nick Ceroli (drums); Pat Senatore (bass guitar); Tonni Kalash (trumpet); Herb Alpert (trumpet and vocal); Bob Edmondson (trombone). The band debuted in 1965 and quickly became one of the highest-paid acts then performing, having put together a complete revue that included choreographed moves and comic routines written by Bill ("Jose Jimenez") Dana.

The Tijuana Brass's success helped spawn other Latin acts, notably Julius Wechter (long-time friend of Alpert's and the marimba player for the Brass) and the Baja Marimba Band, and the profits allowed A&M to begin building a repertoire of artists like Chris Montez and The Sandpipers.

In addition, the Tijuana Brass's style was adopted by American bands as well, most notably Chicago and Earth, Wind & Fire. Both bands would score major hits in the 1970s and early 1980s.

Whipped Cream and Other Delights
Whipped Cream and Other Delights

An album or two would be released each year throughout the 1960s. Alpert's style achieved enormous popularity with the national exposure The Clark Gum Company gave to one of his tunes in 1964, titled "The Mexican Shuffle" (which was retitled "The Teaberry Shuffle" for the television ads). In 1965, Alpert released two albums, Whipped Cream (and Other Delights) and Going Places. Whipped Cream sold over 6 million copies in the United States and the album cover is considered a classic. It featured model Dolores Erickson wearing chiffon and shaving cream. In concerts, when about to play the song, Alpert would tell the audience, "Sorry, we can't play the cover for you." The art was parodied by several groups including onetime A&M band Soul Asylum. The singles included the title cut, "Lollipops and Roses", and "A Taste of Honey", the latter won a Grammy Award for Record of the Year. Going Places produced four more singles "Tijuana Taxi", "Spanish Flea", "Third Man Theme", and "Zorba the Greek".

Many of the tracks from Whipped Cream and Going Places received a great deal of airplay, and still do at times; for example, they are frequently used as incidental music in The Dating Game on the Game Show Network, notably the tracks Whipped Cream, Spanish Flea and Lollipops and Roses. Despite the popularity of his singles, Alpert's albums outsold and outperformed them on the charts.

Alpert and the Tijuana Brass won six Grammy awards. Fifteen of their albums won gold discs, and fourteen won platinum discs. In 1966, his music outsold The Beatles by two to one - over 13 million Alpert recordings were sold. That same year, the Guinness Book of World Records recognized that Alpert set a new record by placing five albums simultaneously on the Billboard Pop Album Chart, an accomplishment that has never been repeated. In April of that year, four of those albums were in the Top 10 simultaneously.

The dearth of in-depth, unauthorized biographical/historical material on Alpert is somewhat curious given that so much has been written about the only three recording artists who outsold him in the 1960s - Elvis Presley, Frank Sinatra, and the Beatles. This is perhaps explained by the apparent lack of any outrageous, dramatic, or tragic elements in his life. There were, however, hundreds of articles written about Alpert by mainstream general and music newspapers and magazines.

Alpert's only number one single during this period (and the first #1 hit for his A&M label) was a solo effort[1]: "This Guy's in Love with You" (written by Burt Bacharach and Hal David), featuring a rare vocal. Alpert sang this to his first wife in a 1968 CBS Television special titled Beat of the Brass. The sequence was taped on the beach in Malibu. The song was not intended to be released, but after it was used in the television special, thousands of telephone calls to CBS asking about it, convinced label owner Alpert to release it as a single, two days after the show aired.[2]. Alpert's vocal skills were limited, but this song also had a limited range, and it worked for him. The single debuted in April 1968, topped the national chart for four weeks and ranked high among the year's biggest hits. Initially dismissed by the critical cognoscenti and "hip" music-lovers as strictly a housewife's favourite, Alpert's unusually expressive recording of "This Guy's in Love with You" is now regarded as one of the monumental ballads in pop. In 1996 at London's Royal Festival Hall, Noel Gallagher (of British rock band Oasis) performed the song with Burt Bacharach.

[edit] Life after the Brass

Alpert disbanded the Tijuana Brass in 1969, but released another album by the group in 1971. In 1973, with some of the original Tijuana Brass members and some new members, he formed a group called the T.J.B. This new version of the Brass released two albums in 1974 and 1975 and toured. Alpert reconvened a third version of the Brass in 1984 after being invited to perform for the Olympic Games athletes at the Los Angeles Summer Games. The invitation led to the Bullish album and tour.

In the 1970s, '80s, and '90s, Alpert enjoyed a successful solo career. He had his biggest instrumental hit, "Rise" (from the album of the same name), which went number one in October of 1979 and won a Grammy Award, and was later sampled in the 1997 rap song "Hypnotize" by the late rapper Notorious B.I.G. It also made Alpert the only solo artist ever to hit #1 on the Billboard charts with both vocal and instrumental pieces. In 1987, he branched out successfully to the R&B world with hit album Keep Your Eye On Me, teaming up with producers Jimmy Jam and Terry Lewis on both the hit title song and "Diamonds" featuring vocals by Janet Jackson. The song "Route 101" peaked at number 37 in Billboard in August of 1982.

From 1962 through 1992 Alpert signed artists to A&M Records and produced records. Among the notable artists he worked with personally are Chris Montez, The Carpenters, Sergio Mendes and Brasil '66, Bill Medley, Lani Hall (Alpert's second and current wife), and Janet Jackson (featured vocalist on his 1987 hit single "Diamonds"). These working relationships have allowed Alpert to become one of only a handful of artists to place singles in the Top 10 in at least three different decades ('60s, '70s, and '80s).

Alpert and A&M Records partner Jerry Moss received a Grammy Trustees Award in 1997 for their lifetime achievements in the recording industry as executives.

For his contribution to the recording industry, Herb Alpert has a star on the Hollywood Walk of Fame at 6929 Hollywood Blvd. Moss also has a star on the Walk of Fame. Alpert and Moss were also inducted into the Rock and Roll Hall of Fame on March 13, 2006 as non-performer lifetime achievers for their work at A&M.

[edit] Today

Alpert continues to play his trumpet and devotes time to his second career as an abstract expressionist painter and sculptor with shows around the United States, as a Broadway theatre producer. His production of Tony Kushner's Angels in America won a Tony award.

In the 1980s he created The Herb Alpert Foundation and The Alpert Awards in the Arts[3] with The California Institute of the Arts (CalArts). The Foundation supports youth and arts education as well as environmental issues and helps fund the PBS series "Bill Moyers on Faith and Reason."

Although he has not released an album of new material since 1999's "Colours", he is actively overseeing the reissue of his music library. In 2000, Alpert bought back the rights to his music from Universal Music (current owners of A&M Records), and began remixing and remastering his albums for a CD reissue. In 2005, Shout! Factory began distributing digitally remastered versions of Alpert's A&M Records output, including a new album consisting of unreleased material from Alpert's Tijuana Brass.

He continues to be a guest artist for friends like Gato Barbieri, Rita Coolidge, Jim Brickman, Brian Culbertson and David Lanz.

His Songs Have Been In Various TV Shows such as Saturday Night Live.

[edit] Discography

[edit] Herb Alpert & the Tijuana Brass

  • The Lonely Bull (1962) LP-101/SP-4101*
  • Volume 2 (1963) LP-103/SP-4103*
  • South of the Border (1964) LP-108/SP-4108*
  • Whipped Cream & Other Delights (1965) LP-110/SP-4110*
  • Going Places (1965) LP-112/SP-4112*
  • What Now My Love (1966) LP-114/SP-4114*
  • S.R.O. (1966) LP-119/SP-4119*
  • Sounds Like... (1967) LP-124/SP-4124*
  • Herb Alpert's Ninth (1967) LP-134/SP-4134*
  • The Beat of the Brass (1968) SP-4146 (From this point, albums were issued in Stereo only)
  • The Herb Alpert & The Tijuana Brass Christmas Album (1968) SP-4166; Reissued as SP-3113
  • Warm (Herb Alpert album) (1969) SP-4190
  • Greatest Hits (1970) SP-4245
  • The Brass Are Coming (1969) SP-4228
  • Summertime (1971)
  • Solid Brass (compilation) (1972) SP-4341
  • Foursider (compilation) (1973) SP-3521
  • You Smile - The Song Begins (1974) SP-3620
  • Coney Island (1975) SP-4521
  • Greatest Hits Vol. 2 (compilation) (1977)
  • Bullish (1984)
  • Classics Volume 1 (compilation) (1986) CD-2501
  • Lost Treasures (2005)
  • Whipped Cream & Other Delights Rewhipped (2006)

*Stereo

[edit] Herb Alpert

  • Just You and Me (1976)
  • Herb Alpert/Hugh Masekela (1978)
  • Main Event Live! (1978)
  • Rise (1979)
  • Beyond (1980)
  • Magic Man (1981)
  • Fandango (1982)
  • Blow Your Own Horn (1983)
  • Wild Romance (1985)
  • Classics Volume 1 (1987)
  • Keep Your Eye On Me (1987)
  • Under a Spanish Moon (1988)
  • My Abstract Heart (1989)
  • North on South St. (1991)
  • The Very Best Of Herb Alpert (compilation of Tijuana Brass and solo material) (1991)
  • Midnight Sun (1992)
  • Second Wind (1996)
  • Passion Dance (1997)
  • Definitive Hits (compilation of Tijuana Brass and solo material) (2001)

[edit] See also

[edit] References

  1. ^ Herb Alpert - Biography. Almo Sounds, Inc. (1996).
  2. ^ Herb Alpert - Chronology. Almo Sounds, Inc. (1996).
  3. ^ A&M Records History 1962-1969-. On A&M Records.com (2002).
  4. ^ Herb Alpert - Chronology. Almo Sounds, Inc. (1996).
  5. ^ Herb Alpert & The Tijuana Brass Discography at A&M Corner. A&M Corner (1997-2006).

[edit] External links

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