Jerry Uelsmann
From Wikipedia, the free encyclopedia
- For the New York photographer and writer with a phonetically similar name, see Jerry Yulsman
Jerry N. Uelsmann (born 11 June 1934 in Detroit, Michigan) is an American photographer.
Uelsmann is a master printer producing composite photographs with multiple negatives and extensive darkroom work. He uses up to a dozen enlargers at a time to produce his final images. Similar in technique to Rejlander, Uelsmann is a champion of the idea that the final image need not be tied to a single negative, but may be composed of many. Unlike Rejlander, though, he does not seek to create narratives, but rather allegorical surrealist imagery of the unfathomable. Uelsmann is able to subsist on grants and teaching salary, rather than commercial work.
Today, with the advent of digital cameras and Photoshop, photographers are able to create a work somewhat resembling Uelsmann's in less than a day, however, at the time Uelsmann was considered to have almost "magical skill" with his completely analog tools. Uelsmann used the darkroom frequently, sometimes using three to ten enlargers to produce the expected effect. Photos are still widely regarded as documentary evidence of events, and Uelsmann, along with people like Robert Heinecken and Lucas Samaras were considered avant garde shatterers of the popular conception.
Uelsmann holds a B.F.A. degree from the Rochester Institute of Technology and M.S. and M.F.A. degrees from Indiana University. He began teaching photography at the University of Florida in 1960. He is now retired from teaching and currently lives in Gainesville, Florida along with his wife, Maggie Taylor.
 |
This Floridian biographical article is a stub. You can help Wikipedia by expanding it. |
