Fisher King

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For the film, see The Fisher King (film).

The Fisher King or the Wounded King figures in Arthurian legend as the latest in a line charged with keeping the Holy Grail. Versions of his story vary widely, but he is always wounded in the legs or groin, and incapable of moving on his own. When he is injured, his kingdom suffers as he does, his impotence affecting the fertility of the land and reducing it to a barren Wasteland. Little is left for him to do but fish in the river near his castle Corbenic. Knights travel from many lands to heal the Fisher King but only the chosen can accomplish the feat. This is Percival in the earlier stories; in the later versions Percival is joined by Galahad and Bors.

Confusingly, many works have two wounded Grail Kings who live in the same castle, a father (or grandfather) and son. The more seriously wounded father stays in the castle, sustained by the Grail alone, while the more active son can meet with guests and go fishing. For simplicity, the father will be called the Wounded King, the son the Fisher King where both appear in the remainder of this article.

1 Origin of the name "Fisher King"
2 Chrétien de Troyes' Perceval
3 Celtic mythology
4 Later medieval works
5 Modern takes on the legend
6 Further reading
7 External links

[edit] Origin of the name "Fisher King"

The title has several possible origins: these are not necessarily mutually exclusive.

Christian symbolism: the fish is a symbol for Christ; the first apostles were fishermen until Christ sent them out to be "fishers of men".
Celtic mythology: there is an Irish myth about the Salmon of Wisdom.
A play on words: the French words for "fisher" and "sinner" are almost identical (pêcheur and pécheur respectively).

[edit] Chrétien de Troyes' Perceval

The Fisher King first appears in Chrétien de Troyes' unfinished romance Perceval, the Story of the Grail. Neither his wound nor his father's is explained, but Perceval later discovers the kings would have been healed if he had only asked about the Grail (his teacher had warned him not to ask too many questions). Perceval learns he is related to the Grail Kings through his mother, the Wounded King's daughter; the poem breaks off before Perceval can return to the Grail castle.

Chrétien never calls his object the Holy Grail. He uses the word graal assuming his audience would be familiar with it as a fairly common item. It is not until Robert de Boron (see below) that the Grail is connected with Jesus; later writers identified the Bleeding Lance with the Spear of Destiny as well.

[edit] Celtic mythology

The Fisher King appears first in Perceval, but the character's roots lie in Celtic Mythology. He may be derived more or less directly from the figure of Bran the Blessed in the Mabinogion; in the Second Branch, Bran had a cauldron that could resurrect the dead (albeit imperfectly - those thus revived could not speak after they were resurrected), which he gave to the king of Ireland as a wedding gift for him and his sister Branwen. Later, he wages war on the Irish and is wounded in the foot or leg, and the cauldron is destroyed. He asks his followers to sever his head and take it back to Britain, and his head continues talking and keeps them company on their trip. The group lands in Grassholm, where they spend 80 years in a castle of joy and abundance, but finally they leave and bury Bran's head in London. This story has analogues in two other important Welsh texts: the Mabinogion tale Culhwch and Olwen, in which King Arthur's men must travel to Ireland to retrieve a magical cauldron, and the obscure poem The Spoils of Annwn, which speaks of a similar mystical cauldron sought by Arthur in the otherworldly land of Annwn.

In the Welsh Romance Peredur son of Efrawg, based on Chrétien (or derived from a common original) but containing several prominent deviations, the Grail has been removed entirely. The character of the Fisher King appears (though he is not called thus) and presents Peredur with a severed head on a platter. Peredur later learns he was related to that king, and that the severed head was that of his cousin, whose death he must avenge.

[edit] Later medieval works

The Fisher King's next development occurs in Robert de Boron's Joseph d'Arimathie about the end of the 12th century, the first work to connect the Grail with Jesus. Here, the "Rich Fisher" is called "Bron", a name similar enough to Bran to suggest a relationship, and he is said to be the brother-in-law of Joseph of Arimathea, who had used the Grail to catch Christ's blood before laying him in the tomb. Joseph founds a religious community that travels eventually to Britain, and he entrusts the Grail to Bron. Bron, called the "Rich Fisher" because he catches a fish eaten at the Grail table, founds the line of Grail keepers that eventually includes Perceval.

In the Didot-Perceval, thought to be a prosification of a lost work by Robert de Boron, Bron is called the "Fisher King", and his story is told when Percival returns to his castle and asks the healing question.

Wolfram von Eschenbach takes up Chrétien's story and expands it greatly in his epic Parzival. He reworks the nature of the Grail and the community that surrounds it, and gives names to characters Chrétien left nameless (the Wounded King is "Titurel" and the Fisher King is "Anfortas").

The Lancelot-Grail cycle includes a more elaborate backstory for the Fisher King. Many in his line are wounded for their failings, and the only two that survive to Arthur's day are the Wounded King, called Pellam or Pellehan, and the Fisher King, Pelles. Pelles engineers the birth of Galahad by tricking Lancelot into bed with his daughter Elaine, and it is prophesied that Galahad will achieve the Grail and heal the Wasteland. In the Post-Vulgate Cycle and Malory's Le Morte d'Arthur, the Fisher King's wound was given to him by Sir Balin in the "Dolorous Stroke". To defend himself from an enraged Pellam, Balin grabs a spear and stabs him. The spear is the Spear of Longinus, however, and Pellam and his land must suffer for its misuse until the coming of Galahad.

In Malory's Le Morte d'Arthur, there are four characters (some of whom can probably be identified with each other) filling the role of Fisher King or Wounded King:

King Pellam, wounded by Balin, as in the Post-Vulgate.
King Pelles, grandfather of Galahad, described as "the maimed king". In one passage he is explicitly identified with Pellam; in another, however, he is said to have suffered his wound in quite different circumstances.
King Pescheour or Petchere, lord of the Grail Castle, who never appears on stage (at least under that name). He owes his existence to a mistake by Malory, who took the French le Roi Pêcheur ("the Fisher King", a phrase Malory never otherwise uses) for a name rather than an epithet. Nevertheless, Malory treats him as distinct from Pelles.
An anonymous, bedridden Maimed King, healed by Galahad at the climax of the Grail Quest. He is definitely distinct from Pelles, who has just been sent out of the room, and who is anyway at least mobile.

It would appear that Malory intended to have one Maimed King, wounded by Balin and suffering until healed by his grandson Galahad, but never managed to successfully reconcile his sources.

[edit] Modern takes on the legend

Wagner used the Fisher King in his opera Parsifal, based on Wolfram's work, and T.S. Eliot made extensive use of the Fisher King legend in his poem The Waste Land. In Stephen Lawhead's Pendragon Cycle, Merlin's grandfather Avallach is explicitly called the Fisher King. He carries a wound never healed from battle and spends his retirement fishing on the lake. The character appears again in opera in Michael Tippett's The Midsummer Marriage, partly inspired by Eliot's poem. The Fisher King appears as "Pop Fisher" in the novel and film The Natural, and the story is dealt with humorously in the 1991 movie The Fisher King, starring Robin Williams and Jeff Bridges. Other modern takes on the Fisher King appear in novels like C.S. Lewis' That Hideous Strength, Paule Marshall's The Fisher King: A Novel, Tim Powers' novels The Drawing of the Dark and Last Call and Matt Wagner's comic book series Mage. In 1998, David Crosby wrote and recorded a song with the band CPR, called "Somehow She Knew", based on personal experiences and the movie The Fisher King. Joan Didion compared U.S. president Ronald Reagan to the legendary king in her critical essay "In The Realm Of The Fisher King," published in 1989.