Grinling Gibbons
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Master wood carver Grinling Gibbons (4 April 1648 - 3 August 1721) was born in Rotterdam in the Netherlands, and moved to England in about 1667.
Gibbons was an extremely talented wood carver; indeed, some have said he was the finest of all time. The diarist John Evelyn first discovered Gibbons' talent by chance in 1671. Evelyn, from whom Gibbons rented a cottage near Evelyn's home in Sayes Court, Deptford (today part of south-east London), wrote the following:
- I saw the young man at his carving, by the light of a candle. I saw him to be engaged on a carved representation of Tintoretto's "Crucifixion", which he had in a frame of his own making.
Later that same evening, Evelyn described what he had seen to Sir Christopher Wren. Wren and Evelyn then introduced him to King Charles II who gave him his first commission - still resting in the dining room of Windsor Castle.
Of Gibbons Horace Walpole later wrote:
- There is no instance of a man before Gibbons who gave wood the loose and airy lightness of flowers, and chained together the various productions of the elements with the free disorder natural to each species.
He was employed by Wren to work on St Paul's Cathedral and later was appointed as master carver to George I. Many fine examples of his work can still be seen in the churches around London - particularly the choir stalls and organ case of St Paul's Cathedral.
His association with Deptford is commemorated locally: Grinling Gibbons Primary School is in Clyde Street, near the site of Sayes Court, and St. Nicholas' Church has The Valley of the Dry Bones, one of Gibbons' works, permanently on display.
The famous sculptor of Brussels Peter van Dievoet has collaborated with Grinling Gibbons, but turn back in Brussels after the revolution of 1688.
He is buried at St Paul's, Covent Garden, London.
Very little is known about the first twenty years of Grinling Gibbons' life: He was born in Rotterdam, Netherlands, and it is thought that his father may have been the Englishman Samuel Gibbons, who worked under Inigo Jones, but even two of his closest acquaintances, the portrait painter Thomas Murray and the diarist John Evelyn, cannot agree on how he came to be introduced to Charles II. Nevertheless, by 1680 he was known as the "King's Carver", and carried out exquisite work for St Paul's Cathedral, the Palace of Windsor, and the Earl of Essex's house at Cassiobury. His carving was so fine that it was said a pot of carved flowers above his house in London would tremble from the motion of passing coaches. He was a Quaker.
