Talk:Guity Novin

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This article was nominated for deletion on 4 January 2007. The result of the discussion was Keep.

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Contents 1 Copyright 2 Merge from Transpressionism 3 Cleaned up 4 Talk:Mansooreh Hosseini 5 Why exhibitions have no Viewers? By Mansooreh Hosseini; Kayhan November, 1971 6 Transpressionists Painters 7 Globe and Mail

[edit] Copyright

The Guity Novin article is not copyright infringement. I have emailed Guity Novin herself at guitynovin@hotmail.com for a request to post the article on Wikipedia. The article itself states that the majority of the article is written by herself as it writes, "Guity describes her work". Guity Novin has informed that she indeed submitted the article to Iran Chambers and granted me permission to post it on Wikipedia. Therefore, if you have any doubt or want to confirm what I'm saying I'd imagine the best possible route would be to contact the author of the original article herself, Guity Novin at guitynovin@hotmail.com.

Actually, the artist bio is taken from Guity Novin's website. The site has been under renovation. I have been informed that it will be up and running in the January 2007.

D

NO. The big route is to prove to wikipedia that she ever gave you permission.--Rmky87 16:56, 14 December 2006 (UTC)

[edit] Merge from Transpressionism

Please merge any relevant content from Transpressionism per Wikipedia:Articles for deletion/Transpressionism. Thanks. —Quarl ^(talk) 2006-12-29 05:50Z

I have copied the content from Transpressionism to this article. However, it needs to be heavily edited into a more concise and readable form. Anyone searching for Transpressionism will be automatically redirected to this article and will be able to access the information here. Tyrenius 02:18, 31 December 2006 (UTC)

[edit] Cleaned up

I have edited this article to conform, hopefully, to wiki standards. Any deleted text can be still found in the history. Please note the article cannot be used as a platform for an essay on Transpressionism. It must state the facts. The Sources section still needs attending to. Some of it can be incorporated into the main text, and some can be used more precisely as a reference for material in the main text. Tyrenius 02:52, 6 January 2007 (UTC)

[edit] Talk:Mansooreh Hosseini

Can anyone provide verification of the genuineness and accuracy of this text? If so, it should be quoted in Guity Novin. Tyrenius 07:59, 6 January 2007 (UTC)

I sent an email to the artist, and she has kindly provided the article to her web-master for publication. The web master has now published the article on the artist's website in the articles section.

The second scanned article is the mansooreh hosseini article from Ettellaat, 1971. 140.80.199.91 17:47, 10 January 2007 (UTC)

It's meant to be Kayhan circa November, 1971. Perhaps you could put relevant text(s) - not the whole translation, just the bit(s) to be used - and refs in the article (or at least on this page). Tyrenius 19:54, 10 January 2007 (UTC)

[edit] Why exhibitions have no Viewers? By Mansooreh Hosseini; Kayhan November, 1971

Here is a translation of the second part of the article:

“Expression of Silence” was the poetical designation of the exhibition of Guity Novin at the Negar Gallery. The subject of most paintings was still-lifes and urns. The urns reminded me of the raw urns of Chaloos. They were mostly painted empty, and sometimes with few flowers. “Expression of Silence” I like this title. Not because I see a relationship between the plastic art and poetic art. But, because “still lifes”, things, flowers and so on can, in spite of their lifeless beings project sorrow, peace, melancholy, or serenity.

I asked the lady who was perhaps the warden or the manager of Negar Gallery where’s the painter? “She seldom shows up” She replies…

And those urns, paintings of Guity Novin, hanging on the gallery walls, were expressing the silence. They were painted with under the influence of the Parisian school of Pointillism and Divisionist technique. They reminded me of Signac style. Although in contrast to the practice of the early pointillists , the artist blends pigments on her palette, with a sharp edge in olive color, another wider one in sandy brown, and yet another sharp brush stroke in dark brown to define the shadowy surface of her urns.

In choosing her motifs one could detect a consistency which attested to artist’s enlightened and perspicacious character. The choice of colours, selection of gradation of hue, which explicitly used more-or-less the same tonality in all the works, revealed the story of artist’s unfaltering and inquisitive mind”

But that evening the main story in that gallery was the “The Expresssion of Sillence” and that sole viewr. —The preceding unsigned comment was added by 140.80.199.91 (talk) 22:36, 10 January 2007 (UTC).

[edit] Transpressionists Painters

I have included names of the artists from the Transpressionists' website. I have not included the name of younger Transpressionists such as Marie LaChance, of Quebec, Inke Schultz of Germany, as well as others. Perhaps in future these names should be added. Arteban 03:16, 9 February 2007 (UTC)

I think it's fair enough having a brief list of artists who follow Novin, but not making a grand display of it, thanks. Tyrenius 03:30, 9 February 2007 (UTC)

Ah, I see Freshacconci has said they shouldn't be in because they're not notable. I don't think that quite applies here, as they're not here in their own right, but as aspects of the main subject, which we did agree was notable. Once that has been established, then features of that can be admitted which otherwise wouldn't be — provided it is done proportionately. The original list was OTT. I hope this one proves acceptable to all. Tyrenius 03:34, 9 February 2007 (UTC)

• No complaints here. Freshacconci 15:39, 9 February 2007 (UTC)

[edit] Globe and Mail

I removed the mention of the Globe and Mail and the following sections:

The Globe and Mail said, "Guity Novin, hailed as the originator and founder of Transpressionism, a new movement in painting that transcends beyond impressionism and expressionism styles, awakens a sagacious insight bearing on the inner world of appearances."Pieault-Stein, Paula (1997), The Globe and Mail, page A16, 12 February 1997. A google search of "Paula Pieault-Stein" only comes up with the wiki article on Guity Novin. Page A16 in the first section of the Globe which is usually not arts coverage and I suspect that this reference is from the letters to the editor page. So, saying the Globe and Mail hailed her is a bit much. Freshacconci 13:03, 6 March 2007 (UTC)