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Henry VI, Part 2 - Wikipedia, the free encyclopedia

Henry VI, Part 2

From Wikipedia, the free encyclopedia

Title page of the first quarto (1593)
Title page of the first quarto (1593)

The Second Part of King Henry the Sixth is a history play by William Shakespeare, probably written ca. 1590-91. It is the second part of the trilogy on Henry VI,and often grouped together with Richard III as a tetralogy on The Wars of the Roses—the success of which established Shakespeare's reputation as a playwright.

Henry VI, part 2 is one of Shakespeare's earliest compositions, about which little is known.

Contents

[edit] Date and Publication

The Diary of Philip Henslowe records a performance of a play called Henry VI on March 3, 1592. It is known from other sources that the other two parts of Shakespeare's Henrician trilogy were on stage in 1592. Thomas Nashe's Pierce Penniless (registered August 1592) refers to a popular play about Lord Talbot, which is thought to be Henry VI, part 1 (there is no alternative candidate). Robert Greene's pamphlet A Groatsworth of Wit (registered Sept. 1592) parodies a line from Henry VI, part 3. Since both Parts 1 and 3 were being acted in 1592, it is sensibly assumed that Part 2 was also—though there is no direct evidence of this.

A version of 2 Henry VI was published in 1594. It was entered into the Register of the Stationers Company on March 12, 1594 by the bookseller Thomas Millington, and printed by him later that year. This text it generally known by a shortened version of its long title, usually The First Part of the Contention Betwixt the Two Famous Houses of York and Lancaster, or some variant of the same.[1]

This version of the play was reprinted twice, in 1600 (Q2) and 1619 (Q3). The 1619 text was part of William Jaggrd's False Folio.

In the nineteenth century, The First Part of the Contention was thought to be a play by another writer or writers that Shakespeare had used as a source for his own. Modern critical opinion favors the view that The Contention is a "bad quarto" of a Shakespearean original, likely a reported text or memorial reconstruction, perhaps by the actor who had played Suffolk and Cade.[2] (Yet the case is complicated; see: bad quarto.)

[edit] Peformance

After from the original 1592 performances, 2 Henry VI was rarely acted. During the Restoration, John Crowne adapted the last two acts of Part 2 and all of Part 3 (roughly half the total trilogy) into The Misery of Civil War (1680). Another adaptation was produced by Theophilus Cibber in 1723. Several revivals of the entire Henrician trilogy have been staged in the twentieth century, beginning in 1906.[3]

[edit] Synopsis

This play begins with the marriage of King Henry VI of England to the young Margaret of Anjou. Margaret is the protégée (and possibly lover) of William de la Pole, 4th Earl of Suffolk, who aims to influence the king through her. The major obstacle to this pair is the regent of the crown, Duke Humphrey (Humphrey, Duke of Gloucester), who is immensely popular with the common people. Queen Margaret vies with his wife, Eleanor, for precedence at court. Eleanor is lured by an agent of Suffolk into dabbling in necromancy, and then apprehended, to the embarrassment of Gloucester. Nevertheless, the demon she has summoned delivers some accurate prophecies concerning the fates of several characters in the play. Gloucester, who is busy exposing the imposture of an old beggar and his wife, is then accused of treason and imprisoned, and afterwards assassinated by agents of Suffolk and the Queen. Meanwhile, as this struggle plays itself out, Richard, Duke of York, reveals his claim to the throne to the Earls of Salisbury and Warwick, who pledge to support him.

The Earl of Suffolk is banished for his role in Gloucester's death and killed by Walter the pirate ("by Wa'ter shall he die" proclaimed the demon), leaving Margaret without her mainstay. Margaret is soon portrayed holding Suffolk's gory head in her lap and weeping. Meanwhile, Richard of York has gotten himself appointed commander of an army to suppress a revolt in Ireland. York enlists a former officer Jack Cade to lead a rebellion that threatens the whole kingdom, in order that he may bring his army from Ireland into England and seize the throne.

York returns to England with his army, but not before Cade's rebellion is put down. Robbed of this pretext for his army's presence, York claims his intent is to protect the King from Somerset. Opposed by Margaret and Lord Clifford, York exerts his claim to the throne, supported by his sons, Edward (the future King Edward IV of England) and Richard (the future King Richard III of England). (Shakespeare is building up to making Richard III one of his greatest villains, with little concern for historical veracity -- Richard, at this date, would have been a small child, and thus easily beaten in combat.)

The English nobility now take sides, and the Battle of St. Albans is fought. The Duke of Somerset is killed by the future Richard III. Young Lord Clifford, whose father has been killed by the Duke of York, vows revenge on the Yorkists, and allies himself with King Henry's other supporters. The play ends there, to be continued with Henry VI, part 3.


[edit] Cast

  • Spirit
  • Lords, Ladies, attendants, heralds, soldiers, etc.

[edit] Notes

  1. ^ Full title: The First Part of the Contention Betwixt the Two Famous Houses of York and Lancaster, With the Death of the Good Duke Humphrey: and the Banishment and Death of the Duke of Suffolk, and the Tragical End of the Proud Cardinal of Winchester, With the Notable Rebellion of Jack Cade: and the Duke of York's First Claim Unto the Crown.
  2. ^ F. E. Halliday, A Shakespeare Companion 1564-1964, Baltimore, Penguin, 1964; p. 217.
  3. ^ Halliday, p. 216-18.

[edit] External links

Wikiquote has a collection of quotations related to:
The complete works of William Shakespeare
Tragedies: Romeo and Juliet | Macbeth | King Lear | Hamlet | Othello | Titus Andronicus | Julius Caesar | Antony and Cleopatra | Coriolanus | Troilus and Cressida | Timon of Athens
Comedies: A Midsummer Night's Dream | All's Well That Ends Well | As You Like It | Cymbeline | Love's Labour's Lost | Measure for Measure | The Merchant of Venice | The Merry Wives of Windsor | Much Ado About Nothing | Pericles, Prince of Tyre | Taming of the Shrew | The Comedy of Errors | The Tempest | Twelfth Night, or What You Will | The Two Gentlemen of Verona | The Two Noble Kinsmen | The Winter's Tale
Histories: King John | Richard II | Henry IV, Part 1 | Henry IV, Part 2 | Henry V | Henry VI, part 1 | Henry VI, part 2 | Henry VI, part 3 | Richard III | Henry VIII
Poems and Sonnets: Sonnets | Venus and Adonis | The Rape of Lucrece | The Passionate Pilgrim | The Phoenix and the Turtle | A Lover's Complaint
Apocrypha and Lost Plays Edward III | Sir Thomas More | Cardenio (lost) | Love's Labour's Won (lost) | The Birth of Merlin | Locrine | The London Prodigal | The Puritan | The Second Maiden's Tragedy | Richard II, Part I: Thomas of Woodstock | Sir John Oldcastle | Thomas Lord Cromwell | A Yorkshire Tragedy | Fair Em | Mucedorus | The Merry Devil of Edmonton | Arden of Faversham | Edmund Ironside
See also: Shakespeare on screen | Titles based on Shakespeare | Characters | Problem Plays | Ghost characters | Reputation | New Words | Influence on English Language | Authorship Question | Chronology of Shakespeare plays | Chronology of Shakespeare's Plays - Oxfordian


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