Into the Pandemonium
From Wikipedia, the free encyclopedia
Into The Pandemonium | ||
Studio album by Celtic Frost | ||
Released | 1987 | |
Genre | Doom metal Avant-garde metal Death metal |
|
Length | 47:59 | |
Label | Noise | |
Producer(s) | Celtic Frost | |
Professional reviews | ||
---|---|---|
Celtic Frost chronology | ||
Tragic Serenades (1986) |
Into the Pandemonium (1987) |
Cold Lake (1988) |
Into the Pandemonium is the 1987 (see 1987 in music) album by death/doom metal band Celtic Frost. The album is more varied than many of Celtic Frost's past LPs, with unlikely covers (Wall of Voodoo, "Mexican Radio"), emotionally charged love songs and the band's signature industrial-influenced rhythmic songs of demons and destruction.
The track "Rex Irae" is the opening part of Celtic Frost's requiem, the third, concluding part of which, "Winter (Requiem, Chapter Three: Finale)" can be heard on 2006's Monotheist. The second part of the requiem has yet to be released by the band.
Though Celtic Frost never received much mainstream attention, Into the Pandemonium established the band as one of the most famous doom/death groups in the world with a large and devoted following, primarily based in Europe.
[edit] Track listing
- "Mexican Radio" – 3:28
- "Mesmerized" – 3:24
- "Inner Sanctum" – 5:14
- "Tristesses de la Lune" (Ain) – 2:58
- "Babylon Fell" – 4:18
- "Caress into Oblivion" – 5:10
- "One in Their Pride" [Porthole Mix] – 2:50
- "I Won't Dance! (The Elders' Orient)" (Warrior) – 4:31
- "Sorrows of the Moon" – 3:02
- "Rex Irae [Requiem]" – 5:57
- "Oriental Masquerade" – 1:15
- "One in Their Pride" [Extended Mix] – 5:52
Re-release version contains the following 3 tracks:
- "In The Chapel, In The Moonlight" - 2:04
- "The Inevitable Factor" - 4:38
- "The Inevitable Factor" [Alternate Vox] - 4:38
[edit] Credits
- Thomas Gabriel Fischer - Guitars, Vocals
- Martin Eric Ain - Bass
- Reed St. Mark - Drums
[edit] Album art
The cover image is a detail from the right (Hell) panel of The Garden of Earthly Delights, a triptych painted in 1504 by Hieronymus Bosch, now part of the permanent collection at the Prado in Madrid.