From Wikipedia, the free encyclopedia
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- Sequenzas I-XIV
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- prepared piano pieces (1938)
- One8 (1991), for curved bow
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- Tides of Manaunaun (1915), large tone-clusters
- The Banshee, Aeolian Harp, and Sinister Resonance, played inside the piano
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- Black Angels, extended string techniques, including bowing with glass rods
- Makrokosmos (1972), prepared and amplified piano
- Vox Balaenae (1971), harmonic glissando (gull effect)
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- Miqi'nahual (1993) from his modular composition Doloritas (1992), stringed instrument with two right hand bows
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- String quartets
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- Imaginings (1994), stringed instrument with two right hand bows
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- Concord Sonata, use of a 14 3/4 inch long piece of wood to create a cluster chord
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- Piece with Clocks, prepared guitar using cork, matches and a foam mute
- The Prince's Toys - Suite for Guitar, cross string "snare" technique, string scraped with thumbnail, percussion (striking of the guitar), playing behind the nut or saddle
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- Aventures, Nouvelles Aventures
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- Anaklasis (1959), extended string techniques
- Polymorphia (1961), extended string techniques
- Threnody for the Victims of Hiroshima (1960), extended string techniques
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- For Magister Zacharias, the mechanism of lifting the dampers without the hammers touching the keys is highly-amplified
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- Nomos Alpha (1966), for solo cello, uses harmonic glissando
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- Chronos Kristalla (1990), for string quartet using a special tuning and only natural harmonics
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- Ogoun Badagris (1976), for 5 percussionists, innovative percussion techniques
- Ku-Ka-Ilimoku (1978), for 4 percussionists, innovative percussion techniques
- Rotae Passionis (1982), for small ensemble, woodwinds and piano double on percussion, extended percussion, flute and clarinet techniques
- Bonham (1988), for 8 percussionists
- Rouse makes constant use of extended techniques for percussion and other instruments
