Playwright
From Wikipedia, the free encyclopedia
A playwright, also known as a dramatist, is one that writes dramatic literature or drama. These works may be written specifically to be performed by actors or they may be closet dramas or literary works written using dramatic forms but not meant for performance.
The term is not a variant spelling of playwrite, but something quite distinct: the word wright is an archaic English term for a craftsman or builder (as in a wheelwright or cartwright). Hence the prefix and the suffix combine to indicate someone who crafts plays. The homophone with write is in this case coincidental.
The term 'playwright' appears to have been coined by Ben Jonson (see his Epigram 49, 'To Playwright[1]') as an insult, to imply an inferior hack-writer for the theatre. He always described himself as a poet. It later lost this negative connotation.
[edit] History
The earliest playwrights in Western literature with surviving works are Ancient Greeks with some of the earliest plays being written around the 5th century BC. These playwrights are notable as they established forms that are still relied on by modern playwrights. Notable among them are Aeschylus, Sophocles, Euripides, and Aristophanes.
The most famous modern playwright is probably Shakespeare. He wrote classical tragedies and comedies which a lot of other work is based on. For example, Kiss Me, Kate is based on The Taming of the Shrew, and Romeo and Juliet has been remade more times than can be counted. Tom Stoppard created the play Rosencrantz and Guildenstern Are Dead in 1966 which is a modern transformation of Hamlet.
Playwrights often do not reach the same level of fame or cultural importance that they have in the past. This may have to do with the current state of professional theatre, in which fewer new works are produced by theatres. Instead, theaters have tended towards remounting past successes. For example, Playwrights Horizons produced only six plays in the 2002-03 seasons, compared with thirty-one in 1973-74[2]. As revivals and large-scale production musicals become the de rigeur Broadway and Off-Broadway productions, it has become much more difficult for playwrights to make a living in the business, let alone become major successes.
However, the most successful playwrights – in stark contrast to the lot of the screenwriter — are often high-status figures in their industry. This is a corollary of the more literary approach that has characterised the theatre since its roots in poetry. The form often has a greater reverence for the text and arguably is less oriented around the work of a director. The playwright’s vision often takes precedence.
In recent years this attitude has started change[citation needed]. A less rigidly formal approach to text for performance is more common, informed by practitioners like Joan Littlewood and her protégé Mike Leigh.
Documentary plays are also a common feature of the theatrical landscape since the middle of the Twentieth Century when they were employed, often tendentiously, in agit-prop or general political protest. These plays demand something different of a playwright, often the editing and reproduction of the other people’s words within a narrative structure. A recent example is Stuff Happens, David Hare's 2004 play about the Iraq War, in which many of the speeches were taken verbatim from George W. Bush, Tony Blair et al.
[edit] See also
[edit] External links
- Playwriting 101 - A playwriting tutorial written by playwright and screenwriter Jon Dorf.
- The Playwriting Seminars - playwriting site written and maintained by Richard Toscan of the Virginia Commonwealth University, USA.
