Power, Corruption & Lies
From Wikipedia, the free encyclopedia
| Power, Corruption & Lies | ||
 |
||
| Studio album by New Order | ||
| Released | 2 May 1983 | |
| Recorded | 1982 | |
| Genre | Post-punk Electronica |
|
| Length | 42:35 | |
| Label | Factory Records | |
| Producer(s) | New Order | |
| Professional reviews | ||
|---|---|---|
| New Order chronology | ||
| Movement (1981) |
Power, Corruption & Lies (1983) |
Low-Life (1985) |
Power, Corruption & Lies was the breakthrough album by Manchester band New Order, released in May 1983. The album (the band's second), achieved more widespread popularity than any of the band's previous releases, including those of previous band Joy Division. The music is more electronic-based than previous albums, with heavy use of synthesizers. In 1989, it was ranked #94 on Rolling Stone magazine's list of the 100 greatest albums of the 1980s.
Contents |
[edit] Cover
Peter Saville's design for the album had a colour-based code to represent the band's name and the title of the album, but they were not actually written on the sleeve itself (they were, however, present on the North American sleeve). The decoder for the code was featured prominently on the back cover of the album and can also be used for the "Blue Monday" and "Confusion" singles. Saville also used it on Section 25's album From the Hip, which is in many ways aligned stylistically with Power, Corruption & Lies and produced partly by New Order's Bernard Sumner.
The painting on the cover is made by French artist Henri Fantin-Latour. The art director Peter Saville intended to create a collision between the overly romantic and classic image which made a stark contrast to the typography based on the modular, colour-coded alphabet he created solely for the band. It is also said[citation needed] that the owner of the painting (The National Heritage Trust) first refused Factory Records access to it. Tony Wilson, the head of the label, then called them up to ask who actually owned the painting and were given the answer that the Trust belonged to the people of Britain, at some point. Wilson then famously replied "Well, the people of Britain now want it".
[edit] Track listing
(all songs written by New Order)
- "Age of Consent" – 5:16
- "We All Stand" – 5:14
- "The Village" – 4:37
- "5 8 6" – 7:31
- "Your Silent Face" – 6:00
- "Ultraviolence" – 4:52
- "Ecstasy" – 4:25
- "Leave Me Alone" – 4:40
[edit] Alternate track listing
- "Age of Consent" – 5:16
- "We All Stand" – 5:14
- "The Village" – 4:37
- "5 8 6" – 7:31
- "Blue Monday" – 7:29
- "Your Silent Face" – 6:00
- "Ultraviolence" – 4:52
- "Ecstasy" – 4:25
- "Leave Me Alone" – 4:40
- "The Beach" – 7:18
Certain versions of the album, including the US release, feature "Blue Monday" after "5 8 6" and "The Beach" after "Leave Me Alone". Some copies list "Your Silent Face" and "Ecstasy" under their working titles, "KW1" (which stands for The Kraftwerk one), and "Only the Lonely", respectively. 'Ultraviolence' when debuted live was originally called 'Who Killed My Father?' and 'Leave Me Alone' as 'Only the Lonely'. The guitar line in the latter song was recycled from the melody played on the melodica on a previous release, 'Hurt'.
[edit] Personnel
- Bernard Sumner; Vocals, guitars, melodica, synthesizers & programming
- Peter Hook; 4 & 6 stringed bass, electronic percussion
- Stephen Morris; Drums, synthesizers & programming
- Gillian Gilbert: Synthesizers & programming, guitars
- New Order; Production
- Michael Johnson – Engineering
- Barry Sage and Mark Boyne – Assistants
[edit] Release details
- UK 12" – Factory Records (FACT 75)
- UK cassette – Factory Records (FACT 75C)
- US 12" – Factory Records/Rough Trade Records (FACTUS 12)
- UK CD (1993 re-release) – London Records (520 019-2)
[edit] Chart positions
- UK – #4
[edit] See also
[edit] External links
| New Order |
| Bernard Sumner | Peter Hook | Stephen Morris | Phil Cunningham Former member: Gillian Gilbert |
| Discography |
|---|
| Albums: Movement | Power, Corruption & Lies | Low-Life | Brotherhood | Technique | Republic | Get Ready | Waiting for the Sirens' Call |
| Compilation Albums: Substance | (The Best of) New Order | (The Rest of) New Order | International | Retro | Singles |
| EPs: 1981-1982 New Order | Peel Sessions 1982 | Peel Sessions 1981 | The Peter Saville Show Soundtrack |
| Singles: New Order discography |
| Videography |
| Substance| New Order Story | New Order: 316 (Reading Festival / New York) | New Order: 511 (Finsbury Park) | New Order - Item | New Order - A Collection | |
| Related articles |
| Side projects: Electronic | Revenge | Monaco | The Other Two | Freebass Topics: Joy Division | Factory Records | The Haçienda | 24 Hour Party People People: Ian Curtis | Martin Hannett | Peter Saville | Tony Wilson | Rob Gretton | Stephen Hague |
