Return to Nevèrÿon
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 Cover of paperback edition |
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| Author | Samuel R. Delany |
|---|---|
| Country | United States |
| Language | English |
| Series | Wesleyan University Press |
| Genre(s) | Sword and Sorcery |
| Publisher | |
| Released | 1994 |
| Media type | Print (Hardcover & Paperback) |
| ISBN | ISBN 0-8195-6278-5 |
| Preceded by | Flight From Nevèrÿon |
Return to Nevèrÿon collects three sword and sorcery stories by Samuel R. Delany, along with an appendix: "The Game of Time and Pain," "The Tale of Rumor and Desire," and "The Tale of Gorgik," and "Appendix: Closures and Openings." It is the last of the four-volume Return to Nevèrÿon series. The collection was first published under the title The Bridge of Lost Desire.
This article discusses the three stories collected in the book. Discussions of overall plot, setting, characters, themes, structure, and style of the series are found in the main series article.
[edit] The Game of Time and Pain
In the tenth and chronologically final tale in the series, “The Game of Time and Pain” (1985), we find out that Gorgik has been successful in his political campaign to end slavery officially over the land of Nevèrÿon. The political question becomes: How does the nation deal intelligently with this sudden population of freed slaves? This Gorgik narrates to one of his young sexual partners, a barbarian boy named Udrog, when the two find themselves together in an abandoned castle for the night, just before the passing of a funeral procession of one of Gorgik’s major political adversaries. Other than the first tale, this is the only one in which Gorgik is on stage for the majority of the action.
[edit] The Tale of Rumor and Desire
The last of the tales, “The Tale of Rumor and Desire” (1987) goes back in time to give us a full and emotionally rich portrait of a character called Clodon, whom we have seen before (in “The Tale of Fog and Granite”), but who has been fairly minor till now. During the outlaw days of Gorgik the Liberator, when his rebellion was at its most violent, while Gorgik was a hero to many, he was a villain to many others. In an age and a nation where there is no media, numerous people have taken to pretending they are Gorgik the Liberator, some for good and some for evil, for their own ends. In “Fog and Granite” we saw Clodon do exactly this. “Rumor and Desire” gives us a set of mosaic pieces from Clodon’s life before he decided to take on the Liberator’s identity in order to be a more effective highway bandit. As Delany writes in the voice of “K. Leslie Steiner,” in the introduction to the entire project (“Return . . . a preface,” in Tales of Nevèrÿon), the eleventh and final written story, “The Tale of Rumor and Desire”:
“. . . was one Delany wrote when a two-volume collection of all the shorter Nevèrÿon stories and novellas had been planned. That last written story was crafted to make a transition between ‘The Tale of Dragons and Dreamers’ and ‘The Tale of Fog and Granite’ for readers who would not be able to take the journey through the full-length novel, Neveryóna, or: The Tale of Signs and Cities, which, while it naturally falls out as tale number six, was too long to be included in that bipartite omnibus.”
[edit] The Tale of Gorgik
While the events of “Rumor and Desire” take place during, or just after, the events of Neveryóna (whose main character is a fifteen-year-old girl, Pryn, who runs away from her village to start traveling around Nevèrÿon, and who, for the first third of the novel, falls in with Gorgik’s revolutionary activities when its efforts are centered in Kolhari itself), it has always been published at the end, before a recapitulation of the very first story, “The Tale of Gorgik.” The movement back in time from the temporal end (“The Game of Time and Pain”) through “Rumor and Desire” to the beginning of the cycle (“The Tale of Gorgik”), is more satisfying: even in terms of plot, mysteries are clarified in the first story that many readers do not even notice on their initial read through and can only catch on a second reading after they have read the former tale. That first story mentions, in passing, for example, that Gorgik often hears a barbarian word, “nivu,” but never learns its meaning. When, in the first tale, one comes to re-encounter this fact after having read the rest of the stories, it takes on an entirely different significance.
