Reverend Gary Davis
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Reverend Gary Davis also Blind Gary Davis (April 30, 1896 – May 5, 1972) was an African American blues and gospel singer as well as a renowned guitarist. His unique finger-picking style was influential on many subsequent artists and his students in New York City included Jorma Kaukonen (of Jefferson Airplane and Hot Tuna), Stefan Grossman, Roy Book Binder, Woody Mann, and Ernie Hawkins. His musical influence, extends from the Grateful Dead and Bob Dylan to Keb Mo, Olabelle and Resurrection Band.
Born in Laurens, South Carolina, Davis became blind at a very young age. He took to the guitar and assumed a unique multi-voice style produced solely with his thumb and index finger, playing not only ragtime and blues tunes, but also traditional and original tunes in four-part harmony. In the mid-1920s, he migrated to Durham, North Carolina, a major center for black culture at the time. While there, Davis collaborated with a number of other artists in the Piedmont blues scene including Blind Boy Fuller and Bull City Red. In 1935, a store manager with a reputation for supporting local artists introduced Davis (as well as Fuller and Red) to the American Record Company. The subsequent recording sessions marked the real beginning of Davis' career. It was also during his time in Durham that Davis converted to Christianity; he would later become ordained as a Baptist minister. Following his conversion and especially his ordination, Davis began to express a preference for inspirational gospel music.
In the 1940s, the blues scene in Durham began to decline and Davis migrated to New York City. By the 1960s, he had become known as the "Harlem Street Singer" and also acquired a reputation as the person to see if you wanted to learn to play guitar. As a teacher, Davis was exceptionally patient and thorough, making sure students would learn and adapt his original left-hand fingerings (such as a root position chord which he informed was an "F sharp diminished 7th", illustrating his knowledge of theory.) The folk revival of the 1960s re-invigorated Davis' career, culminating in a performance at the Newport Folk Festival and the recording by Peter, Paul and Mary of "Samson & Delilah." Also known as "If I Had My Way," it was originally a Blind Willie Johnson recording that Davis had popularized.
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[edit] Discography
Many of the records were published posthumously.
- Little More Faith, Bluesville Records, Dec. 1961
- Blind Reverend Gary Davis, Bluesville, Oct. 1962
- Pure Religion, Command, July 1964, (re-released in 1970s by Prestige)
- Blind Reverend Gary Davis, (different album of same name), Prestige, May 1964
- Singing Reverend, Stimson, (with Sonny Terry)
- Guitar & Banjo, Prestige, 1970s
- Ragtime Guitar, Kicking Mule
- Lo I Be with You Always, Kicking Mule
- Children of Zion, Kicking Mule
- Let Us Get Together, Kicking Mule
- Lord I Wish I Could See, Biograph
- Reverend Gary Davis, Biograph
- Compilation CD in 1991: Pure Religion and Bad Company
- "The Sun of Our Life", World Arbiter 2002 (previously unissued session tapes and sermon from mid 1950s)
[edit] References
- Stambler, Irwin and Lyndon. Folk and Blues, The Encyclopedia, New York, St. Martin's Press, 2001
- Reevy, Tony and Caroline Weaver. "STREET SESSIONS, piedmont style [sic]". Our State. July 2002
[edit] Further reading
- Tilling, Robert. Oh, What a Beautiful City! A Tribute To Rev. Gary Davis. Paul Mill Press, 1992.
- Mann, Woody. Ragtime and Gospel, Oak Publications, 2003.
[edit] External links
- RevGaryDavis.com, a site devoted to Gary Davis.
- RoyBookBinder.com, Roy Book Binder's official site.
- Davis biography on AllMusic.com
