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The End (The Beatles song)

From Wikipedia, the free encyclopedia

"The End"
"The End" cover
Song by The Beatles
from the album Abbey Road
Released 26 September 1969
Recorded 23 July-18 August 1969
Genre Rock
Length 2:19
Label Apple Records
Writer(s) Lennon/McCartney
Producer(s) George Martin
Abbey Road track listing
Side one
  1. "Come Together"
  2. "Something"
  3. "Maxwell's Silver Hammer"
  4. "Oh! Darling"
  5. "Octopus's Garden"
  6. "I Want You (She's So Heavy)"
Side two
  1. "Here Comes the Sun"
  2. "Because"
  3. "You Never Give Me Your Money"
  4. "Sun King"
  5. "Mean Mr. Mustard"
  6. "Polythene Pam"
  7. "She Came in Through the Bathroom Window"
  8. "Golden Slumbers"
  9. "Carry That Weight"
  10. "The End"
  11. "Her Majesty"

"The End" is the penultimate song to appear on the album Abbey Road by The Beatles. Composed by Paul McCartney (credited to Lennon/McCartney), it was one of the last songs recorded collectively by all four Beatles, and is the final song of the medley that dominates side 2 of the LP version of the album.

Contents

[edit] Composition

McCartney said, "I wanted [the medley] to end with a little meaningful couplet, so I followed the Bard and wrote a couplet."[1] In his 1980 interview with Playboy, John Lennon acknowledged McCartney's authorship by saying, "That's Paul again ... He had a line in it, 'And in the end, the love you get is equal to the love you give,' which is a very cosmic, philosophical line. Which again proves that if he wants to, he can think."[2] Lennon misquoted the line slightly; the actual words are, "And, in the end, the love you take/ Is equal to the love you make."[3]

[edit] Recording

Recording began on 23 July 1969 when the Beatles recorded a 1 minute 20 second master take that was extended via overdubs to 2 minutes 5 seconds. At this point, the song was called "Ending."[4] The first vocals for the song were added on 5 August, additional vocals and guitar overdubs were added on 7 August, and bass and drums on 8 August, the day the Abbey Road cover picture was taken.[5] Orchestral overdubs were added 15 August, and the closing piano and accompanying vocal on 18 August.[6]

All four Beatles have a solo in "The End", including Ringo Starr's only drum solo for the Beatles.[4] Starr hated solos and had to be persuaded to do it.[7] The take in which he performed the solo originally had guitar and tambourine accompaniment,[4] but other instruments were muted during mixing giving the effect of a drum solo. The additional instruments were restored for a remix on the Anthology 3 CD. The drum solo was used at the beginning of "Get Back" on the album Love.

In the guitar solo, McCartney, Harrison, and Lennon take turns soloing in 2 bar segments, 3 turns each.[7][8] The solos begin approximately 53 seconds into the song and end just before a piano part. Lennon described it in his 1970 interview with Rolling Stone: "There's a nice little bit I played on Abbey Road. Paul gave us each a piece, a little break where Paul plays, George plays and I play."[9]

"The End" was initially intended to be the final track on Abbey Road, but it is followed by "Her Majesty". In the first practice mix of the medley constructed on 30 July, "Her Majesty" followed "Mean Mr. Mustard." According to sound engineer John Kurlander, McCartney said, "I don't like 'Her Majesty,' throw it away." Kurlander cut it out, but said, "I'd been told never to throw anything away, so after he left I picked it up off the floor put about 20 seconds of red leader tape before it and stuck it onto the end of the edit tape." When McCartney heard "Her Majesty" in its new position he liked it and decided that it should remain on the album.[4]

An alternate version of "The End" appears on the Beatles Anthology 3 CD.[10]

[edit] Critical reaction

Richie Unterberger of All Music Guide considered "The End" to be "the group's take on the improvised jamming common to heavy rock of the late '60s, though as usual the Beatles did it with far more economic precision than anyone else."[11] John Mendelsohn of Rolling Stone said it was "a perfect epitaph for our visit to the world of Beatle daydreams: "The love you take is equal to the love you make ..."[12]

[edit] Notes

  1. ^ Barry Miles (1997). Paul McCartney: Many Years From Now. New York: Henry Holt & Company, 558. ISBN 0-8050-5249-6. 
  2. ^ David Sheff (interviewer) (2000). All We Are Saying: The Last Major Interview with John Lennon and Yoko Ono. New York: St. Martin's Press, 204. ISBN 0-312-25464-4. 
  3. ^ Hal Leonard Publishing Corporation (1993). The Beatles - Complete Scores. Milwaukee: Hal Leanord, 252-253. ISBN 0-7935-1832-6. 
  4. ^ a b c d Mark Lewisohn (1988). The Beatles Recording Sessions. New York: Harmony Books, 181. ISBN 0-517-57066-1. 
  5. ^ Mark Lewisohn (1988). The Beatles Recording Sessions, 185-186. 
  6. ^ Mark Lewisohn (1988). The Beatles Recording Sessions, 190. 
  7. ^ a b The Beatles (2000). The Beatles Anthology. San Francisco: Chronicle Books, 337. ISBN 0-8118-2684-8. 
  8. ^ Ian MacDonald (1994). Revolution in the Head: the Beatles' Records and the Sixties. New York: Henry Holt and Company, 289. ISBN 0-8050-2780-7. 
  9. ^ Jann S. Wenner (interviewer) (2000). Lennon Remembers (Full interview from Lennon's 1970 interview in Rolling Stone magazine). London: Verso, 22. ISBN 1-85984-600-9. 
  10. ^ Anthology 3, (1996), The Beatles, notes from: booklet. Apple Records, London: 34451.
  11. ^ Review of "The End". All Music Guide. Retrieved on 2007-03-01.
  12. ^ Review of Abbey Road. Rolling Stone (1969-11-15). Retrieved on 2007-03-01.
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