The Go-Betweens
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| The Go-Betweens | ||
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 The Go-Betweens during recording of Oceans Apart: l-r Robert Forster and Grant McLennan
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| Background information | ||
| Origin | Brisbane, Australia | |
| Genre(s) | Indie rock | |
| Years active | 1977–1989, 2000–2006 |
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| Label(s) | LO-MAX Records | |
| Website | Official website | |
| Former members | ||
| Robert Forster Grant McLennan Lissa Ross (1978) Tim Mustapha (1978–1979) Lindy Morrison (1980–1989) Robert Vickers (1983–1987) Amanda Brown (1986–1989) John Willsteed (1987–1989) Glenn Thompson (2002–2006) Adele Pickvance (2002–2006) |
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The Go-Betweens were an internationally influential indie rock band from Australia, formed by guitarists Robert Forster and Grant McLennan in Brisbane in 1977. Early on they were joined by Lissa Ross (drums 1978) and Tim Mustapha (drums 1978–1979) then, during their "classic" period by Lindy Morrison (drums 1980–1989), Robert Vickers (bass 1983–1987), Amanda Brown (violin, oboe, guitar, backing vocals 1986–1989) and John Willsteed (bass 1987–1989) and, in their reformation, by Glenn Thompson (drums 2002–2006), and Adele Pickvance (bass 2000–2006).
The focal point of the group was the songwriting skills of Forster and McLennan, famously described by Village Voice critic Robert Christgau as "the greatest songwriting partnership working today." Each developed a distinctive but complementary style: Forster's songs were angular and angst-ridden, making much use of irony and unusual lyrical imagery, while McLennan's were generally softer and more sensitive, his lyrics often based on character study and reported speech.
The band's first recordings ("Lee Remick", "Karen" - both 1978 - and "People Say", 1979) were simple pop tunes with a rough New Wave edge, an obvious blend of pure pop influences such as The Monkees with the gritty simplicity of The Velvet Underground. By their first official album, 1982's Send Me A Lullaby, they had developed a subtler sound consisting of dry semi-spoken vocals, complex lyrics and melodic but fractious guitar pop influenced by contemporary bands such as Television, Wire and Talking Heads. In 1979, the group had left Australia, first for Glasgow, where they briefly joined the roster of cult independent label Postcard, then following their friends and contemporaries The Birthday Party to the busier music scene in London. Their second LP Before Hollywood (1983) established the group as cult favourites in the UK, McLennan's "Cattle And Cane" becoming a large hit on the independent charts.
The Go-Betweens spent much of the 80s touring, regularly producing such alternative radio hits as "Spring Rain" (1986) and "Streets of Your Town" (1988), without ever securing a chart single - a fact which mystified their supporters in the press, to the point where this "scandalous" lack of popular success became a cliche when writing about the band. Their albums Spring Hill Fair (1984) and Liberty Belle and the Black Diamond Express (1986) received particularly strong reviews, and showed the band gradually moving towards a smoother and more contemporary sound, while retaining elements of their idiosyncratic early style. Their later LPs Tallulah (1987) and 16 Lovers Lane (1988) were the group's most commercial offerings yet, though again they failed to trouble the charts. After recording six albums, Forster and McLennan disbanded The Go-Betweens in December 1989.
Forster and McLennan pursued solo careers throughout the '90s but were inspired to work together after they were invited by fans at French music magazine Les Inrockuptibles to perform at the magazine's 10th anniversary.
In 2000, Forster and McLennan reformed The Go-Betweens, assisted by all three members of Sleater-Kinney, and recorded the album The Friends of Rachel Worth. The most recent line-up (2005) included Forster, McLennan, Adele Pickvance (bass) and Glenn Thompson (drums).
In October 2005, The Go-Betweens finally achieved mainstream recognition, with the album Oceans Apart (produced by Mark Wallis and Dave Ruffy) winning an ARIA award for Best Adult Contemporary Album.
With the death of Grant McLennan on May 6, 2006, Robert Forster announced that The Go-Betweens were no more.
Contents |
[edit] Discography
[edit] Albums
- Very Quick on the Eye (recorded 1981, semi-official release; re-released 2002)
- Send Me A Lullaby (1982)
- Before Hollywood (1983)
- Spring Hill Fair (1984)
- Liberty Belle and the Black Diamond Express (1986)
- Tallulah (1987)
- 16 Lovers Lane (1988)
- The Peel Sessions EP (1989)
- The Friends of Rachel Worth (2000)
- Bright Yellow Bright Orange (2003)
- Oceans Apart (2005)
- Live In London (2005)
- Worlds Apart EP (2005)
- That Striped Sunlight Sound live CD/DVD (2006)
[edit] Compilations
- Metal and Shells (1985)
- The Able Label Singles (1986)
- 1978-1990 (1990)
- Bellavista Terrace: Best of the Go-Betweens (1999)
- 78 'til 79 the Lost Album (1999)
[edit] Singles
| Year | Title | Chart positions | Album | |||
|---|---|---|---|---|---|---|
| US Hot 100 | US Modern Rock | US Mainstream Rock | UK | |||
| 1988 | "Was There Anything I Could Do?" | - | #16 | - | - | 16 Lovers Lane |
[edit] Non-Album Singles
- "Lee Remick/Karen" (Able Label, 1978)
- "People Say/Don't Let Him Come Back" (Able Label, 1979)
- "I Need Two Heads/Stop before You say It" (Missing Link/Postcard, 1980)
[edit] Further reading
- Clinton Walker (1996). Stranded: The Secret History of Australian Independent Music 1977-1991. Pan MacMillan Australia. ISBN 0-7329-0883-3
- David Nichols (2003). The Go-Betweens. Verse Chorus Press. ISBN 1-891241-16-8
- David Nichols (2005). The Go-Betweens (Limited Italian edition). Libera Publishing. ISBN 88-901889-1-X
[edit] External links
- www.lomaxrecords.com Latest news on the band
- www.go-betweens.net Official Website
- www.myspace.com/thegobetweensmusic Myspace Fansite
- www.robertchristgau.com US-rock critic Robert Christgau on their comeback
- www.brella.org Extensive 2005-interview with Grant McLennan
- www.beggars.com Extensive Information on Beggars Banquet Records-site
