The Pink Finks
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The Pink Finks was an Australian pop/R&B band of the mid-1960s. Based in Melbourne, the group is most notable for being the first in the series of bands that featured Ross Wilson and Ross Hannaford, which culminated in the hugely successful Daddy Cool.
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[edit] History
The Pink Finks formed in early 1965 when 16 year-old R&B fanatic Ross Wilson joined forces with Ross Hannaford's schoolboy outfit The Fauves, which played mainly covers of The Shadows and The Ventures . They were a part-time band, since the members were all still at school at the time. Hannaford, who was only 14 when the band formed, was often driven to concerts by his mother, and had to be sneaked in and out of the licensed venues they played at because he was underage. Money was short and Hannaford played his magical guitar work on a low cost acoustic guitar fitted with a Moody sound hole pickup (without controls) through a Burns Tri-Sonic amplifier provided by Wilson. Inspired by the onslaught of English groups like The Rolling Stones, The Pretty Things and The Yardbirds, the young band's repertoire was chiefly R&B and blues covers. They really lived the blues one might say.
David Cameron replaced original rhythm guitarist Rick Dalton in early 1965; Dalton later joined Running Jumping Standing Still, which included Andy Anderson and Doug Ford, both formerly of The Missing Links.
The Pink Finks released four singles during their brief career; their first, released on their own Mojo label, was a raunchy version of "Louie Louie" and it gave them an early taste of success when it became a local hit (#16) in Melbourne in June 1965.
Franklin, Cameron and Ratz left to go to university in early 1966. It appears from the information in Who's Who of Australian Rock & Roll that they were replaced, by Kinman (Bass), Landsdowne (Drums) and Niven (Keyboards). Michael Edwards was added on trumpet and sax in August 1966. (Jimmy Niven was later a member of the Captain Matchbox Whoopee Band (1973-76) and The Sports (1976-80).
Richard Franklin later became a successful feature film director; his Australian credits include The True Story Of Eskimo Nell, Fantasm, Roadgames and Patrick. After movcing to Hollywood he has directed Psycho II, Cloak & Dagger, Link and FX2: The Deadly Art Of Illusion.
David Cameron graduated from NIDA and became an actor, beginning with a role in the ABC's Bellbird,in 1969; since then he has appeared in string of Australian TV series, mini-series and feature film appearances, including Against The Wind and Dawn!.
Wilson and Hannaford moved on to The Party Machine, Sons Of The Vegetal Mother, Daddy Cool, and Mighty Kong.
Chris Kinman returned to Brisbane in the late 60's and turned to making guitars and in 1996 invented and Patented a new kind of noiseless guitar pickup. With that event he founded a business called Kinman Guitar Electrix to commercialize his invention. Currently Kinman pickups are sold all over the world via www.kinman.com Interestingly Hannaford acquired a set of Kinman pickups circa 1998.
[edit] Personnel
- Dave Cameron [guitar]
- Rick Dalton [guitar/vocals]
- Michael Edwards [sax/trumpet] 1966
- Richard Franklin [drums]
- Ross Hannaford [vocals/guitar]
- Chris Kinman [bass] 1966
- Leigh Landsdowne [drums] 1966
- Jimmy Niven (keyboards) 1966
- Geoff Ratz [bass]
- Ross Wilson [vocals/guitar]
[edit] Discography
[edit] Singles
- ?/65 "Untie Me" / "Nowhere To Run" [In INS2451]
- ?/65 "Back Door Man/Something Else In [In INS2505]
- ?/65 "Louie Louie" / "Got Love If You Want It" [Mojo 001]
- ?/66 "You're Good For Me" / "Comin' Home Baby" [W&G S2625]
- ?/87 "It Hurts Me So" / "Down Mama" [From The Vault FTV2] (1987)
[edit] EP's
- ?/65 In Group [In E2558]
- 12/80 Louie Louie [Raven RV06] - Louie, Louie / Back Door Man, Comin' Home / You're Good / Rub My Root / Something Else / Untie Me
[edit] References
- McFarlane, Ian, Encyclopedia of Australian Rock & Pop, (Allen & Unwin, 1999)
- McGrath, Noel, Australian Encylcopedia of Rock (Outback Press, 1978)
- Chris Spencer, Zbig Nowara, Paul McHenry, Who's Who of Australian Rock, (Five Mile Press, 2002)
