The Spectator (1711)

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For other uses, see The Spectator (disambiguation).

The Spectator was a daily publication of 1711–12, founded by Joseph Addison and Richard Steele in England. Eustace Budgell, a cousin of Addison's, also contributed. Each 'paper', or 'number', was approximately 2,500 words long, and the original run consisted of 555 numbers. It was revived, by Addison alone, as a thrice weekly for six months in 1714.

1 Aims
2 Readership
3 Characters of The Spectator
4 See also
5 External links

[edit] Aims

The stated goal of The Spectator was "to enliven morality with wit, and to temper wit with morality... to bring philosophy out of the closets and libraries, schools and colleges, to dwell in clubs and assemblies, at tea-tables and coffeehouses." (No. 10) It famously recommended that its readers "consider it part of the tea-equipage" (No. 10) and not leave the house without reading it in the morning. One of its functions was to provide readers with educated, topical talking points, and advice in how to carry on conversations and social interactions in a polite manner. In keeping with the values of Enlightenment philosophes of their time, the authors of 'The Spectator' promoted family, marriage, and courtesy.

[edit] Readership

The Spectator was widely read in its time - by Addison's estimate, each number was read by 60,000 Londoners, about a third of London's population at the time. Most of these were not subscribers, but read the paper in coffeehouses which bought it. Contemporary historians and literary scholars do not consider this to be an unreasonable claim. These readers came from many stations in society, but the paper catered principally to the interests of England's emerging middle class - merchants and traders large and small. Jurgen Habermas sees The Spectator as instrumental in the 'structural transformation of the public sphere' which England saw in the eighteenth century. He argues that this transformation came about because of, and in the interests of, the middle class. Although The Spectator declares itself to be politically neutral, it was widely recognised as promoting Whig values and interests. The Spectator was also popular and widely read in the later eighteenth century and the nineteenth century. It was sold in eight-volume editions. Its prose style, and its marriage of morality and advice with entertainment, were considered exemplary. The decline in its popularity has been discussed by Brian McCrea and C.S. Lewis.

[edit] Characters of The Spectator

One of the principal conceits of The Spectator is its fictional narrator, Mr. Spectator. The first number is dedicated to his life story. Mr. Spectator speaks very little, communicating mainly through facial gestures. His unassuming profile enables him to circulate widely throughout society and fulfill his position as 'spectator'. He comments on the habits, foibles and social faux pas of his fellow citizens. He also notes the irony of his volubility in prose compared to his taciturnity in daily life.

The second number of The Spectator introduces the members of the 'Spectator Club', Mr. Spectator's close friends. This forms a cast of secondary characters which 'The Spectator' can draw on in its stories and examples of social conduct. In order to foster an inclusive ethos, they are drawn from many different walks of life. The best known of these characters is Sir Roger de Coverley, an English squire of Queen Anne's reign. He exemplified the values of an old country gentleman, and was portrayed as lovable but somewhat ridiculous, making his Tory politics seem harmless but silly. Will Honeycomb is a 'rake' who "is very ready at that sort of discourse with which men usually entertain women." (No. 2) He is reformed near the end of The Spectator when he marries. Andrew Freeport is a merchant, and there is also a general and a priest in the Spectator Club.

Source: The Spectator Nos. 1, 2, 10 [Addison] , 1710-11.

The most used edition of The Spectator is Donald F. Bond's four volume edition.

Brian McCrea, 'Addison and Steele Are Dead' C.S. Lewis, 'Addison' in 'Eighteenth Century English Literature: Modern Essays in Criticism' ed. James Clifford.