Turner Prize

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The Turner Prize is an annual prize presented to a British visual artist under 50, named after the painter J.M.W. Turner. It is organized by the Tate Gallery, and since its beginnings in 1984 it has become the United Kingdom's most publicised art award. It has become associated with conceptual art, although it represents all media and painters have also won the prize.

The prize fund from 2004 onwards was £40,000. There have been different sponsors, including Channel 4 television and Gordon's gin. The prize is awarded by a distinguished celebrity: in 2006 this was Yoko Ono.

It is a controversial event, mainly for its exhibits, such as a shark in formaldehyde by Damien Hirst and a dishevelled bed by Tracey Emin. Controversy has also ensued from other directions, including a Culture Minister (Kim Howells criticising exhibits), a guest of honour (Madonna swearing), a prize judge (Lynn Barber writing in the press) and a speech by Sir Nicholas Serota (about the purchase of a trustee's work).

The event has also regularly attracted demonstrations, notably the K Foundation and then the Stuckists, as well as alternative prizes to assert different artistic values.

Contents 1 Introduction 2 1997 3 1998 4 1999 5 2000 6 2001 7 2002 8 2003 9 2004 10 2005 11 2006 12 2007 13 Criticism 13.1 For 13.2 Against 14 Demonstrations 15 Winners and shortlisted artists 16 See also 17 References 18 External links

[edit] Introduction

Each year during the build-up to the announcement of the winner, the Prize receives intense attention from the media. Much of this attention is critical and the question is often asked, "is this art?".^[1][2] The artists usually work in "innovative" media, including video art, installation art and unconventional sculpture, though painters have also won.

Nominations for the prize are invited from the public, although this was widely considered to have negligible effect — a suspicion confirmed in 2006 by Lynn Barber, one of the judges.^[3] Typically, there is a three-week period in May for public nominations to be received; the short-list (which since 1991 has been of four artists) is announced in July; a show of the nominees' work opens at Tate Britain in late October; and the prize itself is announced at the beginning of December. The show stays open till January. The prize is not judged on the show, however, but on the artists' contribution to art over the previous year.

The exhibition and prize rely on commercial sponsorship. From 1987 this was provided by the company Drexel Burnham Lambert; their withdrawal led to the 1990 prize being cancelled. Channel 4, an independent television channel, stepped in for 1991, doubled the prize money to £20,000, and supported the event with documentaries and live broadcasts of the prize-giving. In 2004 they were replaced as sponsors by Gordon's gin, who also doubled the prize money to £40,000, with £5,000 going to each of the shortlisted artists, and £25,000 to the winner.

As much as the shortlist of artists reflects the state of British Art, the composition of the panel of judges, which includes curators and critics, provides some indication of who holds influence institutionally and internationally, as well as rising stars. Tate Director Sir Nicholas Serota has been the Chair of the jury since his tenure at the Tate. There are conflicting reports as to how much personal sway he has over the proceedings.

The media success of the Turner Prize contributed to the success of (and was in turn helped by) the late 1990s phenomena of Young British Artists (several of whom were nominees and winners), Cool Britannia, and exhibitions such as the Charles Saatchi-sponsored Sensation exhibition.

Most of the artists in the prize become known to the general public for the first time and some have talked of the difficulty of sudden media exposure. Sale prices of the winners have generally increased ^[4]. Chris Ofili, Anish Kapoor and Jeremy Deller later became trustees of the Tate. Some artists, notably Sarah Lucas, have declined the invitation to be nominated.

The criteria of the Turner Prize have been challenged by alternative prizes, firstly in 1993 by the K Foundation's "Anti-Turner Prize", followed by the satirical Turnip Prize, the Stuckists "Real Turner Prize", the Daily Mail's "Not the Turner Prize" and a BBC "Mock Turner".^[5]

[edit] 1997

The winner, Gillian Wearing, showed a video 60 minutes of Silence (1996), where a group of actors were dressed in police uniforms and had to stand still for an hour (occasional surreptitious scratching could be observed).

[edit] 1998

The talking point was winner Chris Ofili's use of balls of elephant dung attached to his mixed media images on canvas, as well as being used as supports on the floor to prop them up.

[edit] 1999

Greatest attention was given to Tracey Emin's exhibit My Bed, which was literally her double bed in a dishevelled state with stained sheets, surrounded detritus such as soiled underwear, condoms, slippers and empty drink bottles. She also displayed 2-d artwork and videos. She was commonly thought to have been the winner (and is still sometimes referred to as such), although in fact the Prize was given to Steve McQueen.

[edit] 2000

It was discovered that a large painting by Glenn Brown was based very closely on a science fiction illustration of some years previously.

[edit] 2001

Controversy (including an egg-throwing protester) was caused by the eventual winner, Martin Creed's work, which was an empty room with the lights going on an off, but this was upstaged at the ceremony, when Madonna gave him the prize and said, "At a time when political correctness is valued over honesty I would also like to say right on motherfuckers!"^[6] This was on live TV before the 9 p.m. "watershed", and an attempt to "bleep" it out was too late. Channel 4 were subsequently given an official rebuke by the Independent Television Commission.^[7]

[edit] 2002

The media focused on large displays by Fiona Banner which contained text describing pornography. Culture Minister, Kim Howells made a scathing criticism of the exhibits.

[edit] 2003

The Chapman Brothers (Jake and Dinos Chapman) were given what was generally felt to be a long-overdue nomination, and caused press attention for a sculpture that appeared to be two cheap plastic blow-up sex dolls with a dildo. It was in fact made of bronze, painted to look like plastic. Attention was also given to transvestite Grayson Perry who exhibited pots decorated with sexual imagery. He wore a flouncy skirt to collect the prize, announced by Sir Peter Blake.

[edit] 2004

The media focused on a large computer simulation of a former hideout of Osama bin Laden by Ben Langlands and Nikki Bell, as well as the fact that one of their exhibits, a film in a Kabul courtroom was withdrawn as it related to an ongoing trial of a suspected Afghan warlord.^[4] Jeremy Deller, the betting favourite, won. The prize money was increased this year with £25,000 to the winner, and, for the first time, other nominees were rewarded (with £5,000 each).

[edit] 2005

A great deal was made in the press about the winning entry by Simon Starling, which was a shed that he had converted into a boat, sailed down the River Rhine and turned back into a shed again. Two newspapers bought sheds and floated them to parody the work. The prize was presented by Culture Minister, David Lammy. Before introducing him, Sir Nicholas Serota, in an "unusual, possibly unprecedented" move, took the opportunity to make "an angry defence" of the Tate's purchase of The Upper Room.^[8][9]

[edit] 2006

The nominees were announced on May 16, 2006. The exhibition of nominees' work opened at Tate Britain on October 3. Yoko Ono, the celebrity announcer chosen for the year, declared Tomma Abts the winner on December 4 during a live Channel 4 broadcast, although this was part of the evening news broadcast, rather than in a dedicated programme as in recent years. The total prize money was £40,000. £25,000 awarded to the winner and £5,000 to each of the other 3 nominees. The prize was sponsored by the makers of Gordon’s gin.

Under the Freedom of Information Act, The Sunday Telegraph obtained emails between the Tate and judge Lynn Barber, which revealed that the judges had been sent a list of shows by artists too late to be able to see them and instead were being supplied with catalogues and photographs of work.^[10] More controversy ensued when Barber wrote in The Observer about her troubles as a judge, even asking, "Is it all a fix?",^[3] a comment subsequently displayed on a Stuckist demonstration placard, much to her chagrin.^[11]

The Judges were:

Lynn Barber, journalist, The Observer

Margot Heller, Director, South London Gallery

Matthew Higgs, Director and Chief Curator, White Columns, New York

Andrew Renton, writer and Director of Curating, Goldsmiths College

Nicholas Serota, Director, Tate and Chairman of the Jury

[edit] 2007

In 2007, for the first time the Turner Prize will be held outside of London, in Tate Liverpool (in support of Liverpool's being the European Capital of Culture in 2008). Concurrently there will be an exhibition of previous winners at Tate Britain in London.

[edit] Criticism

[edit] For

• Critic Richard Cork said, "there will never be a substitute for approaching new art with an open mind, unencumbered by rancid clichés. As long as the Turner Prize facilitates such engagement, the buzz surrounding it will remain a minor distraction."^[12]

• In 2006 newspaper columnist Janet Street-Porter condemned the Stuckists' "feeble knee-jerk reaction" to the prize and said, "The Turner Prize and Becks Futures both entice thousands of young people into art galleries for the first time every year. They fulfil a valuable role".^[13]

[edit] Against

• The Evening Standard critic Brian Sewell, wrote "The annual farce of the Turner Prize is now as inevitable in November as is the pantomime at Christmas".

• Critic Jonathan Jones, wrote: "Turner Prize art is based on a formula where something looks startling at first and then turns out to be expressing some kind of banal idea, which somebody will be sure to tell you about. The ideas are never important or even really ideas, more notions, like the notions in advertising. Nobody pursues them anyway, because there's nothing there to pursue." ^[14]

• The art critic David Lee has argued that since the re-organisation of the prize in 1991 the shortlist has been dominated by artists represented by a small number of London dealers, namely Nicholas Logsdail of the Lisson Gallery, and others closely linked to the collector Charles Saatchi: Jay Jopling, Maureen Paley and Victoria Miro. The Lisson Gallery has had the most success of any gallery with the Turner Prize from 1991 to 2004.

• In 2002 Culture Minister Kim Howells pinned the following statement to a board in a room specially-designated for visitors' comments. "If this is the best British artists can produce then British art is lost. It is cold mechanical, conceptual bullshit. Kim Howells. P.S. The attempts at conceptualisation are particularly pathetic and symptomatic of a lack of conviction" His stance was approved by the government, who saw it as a popular one.

[edit] Demonstrations

The Turner Prize has attracted a number of demonstrations, usually protesting against the type of art selected. The front steps or pavement outside the museum are a favourite spot, though some have occurred inside the prize itself.

• Before one of the prize ceremonies, graffiti artist, Banksy, stencilled "Mind the crap" on the steps of the Tate, who called in emergency cleaners to remove it.^[15]

• In 1993, Jimmy Cauty and Bill Drummond of the K Foundation received media coverage for the award of the "Anti-Turner Prize", £40,000 to be given to the "worst artist in Britain", voted from the real Turner Prize's short-list. Rachel Whiteread, who won the real prize, also won the anti-Turner Prize. She refused to accept the money at first, but changed her mind when she heard the cash was to be burned instead, and gave £30,000 of it to artists in financial need and the other £10,000 to the housing charity, Shelter. The K Foundation went on to make a film in which they burned £1 million of their own money (Watch the K Foundation Burn a Million Quid).

• In 1998 an illustrator deposited dung on the steps in protest against Chris Ofili's work, which included elephant dung.

• In 1999 two artists, Yuan Chai and Jian Jun Xi , jumped onto Tracey Emin's work, My Bed, stripped to their underwear, and had a pillow fight. Police detained the two, who called their performance Two Naked Men Jump Into Tracey's Bed. They claimed that her work had not gone far enough, and that they were improving it. Charges were not pressed against them.

• In 1999 a pro-painting group of artists known as the Stuckists was formed. They show particular antipathy towards the Turner Prize, describing it as an "ongoing national joke" and "a state-funded advertising agency for Charles Saatchi", adding "the only artist who wouldn't be in danger of winning the Turner Prize is Turner", and concluding that it "should be re-named The Duchamp Award for the destruction of artistic integrity". They have demonstrated outside the prize, sometimes dressed as clowns, every year since 2000, and gained considerable publicity, with their views regularly quoted in press reports.

• In 2001 artist Jacqueline Crofton threw eggs at the walls of the empty room containing Martin Creed's work, The Lights Going On and Off .^[15]

[edit] Winners and shortlisted artists

Next to each winner's name is a sample work or a summary of their display.

The 1988 shortlist was not published at the time of the prize, and there was no shortlist as such in 1989, although a number of artists other than the winner were "commended".

• 1984 - Malcolm Morley, winner - Farewell to Crete (oil painting)
  • Richard Deacon
  • Gilbert and George
  • Howard Hodgkin
  • Richard Long
• 1985 - Howard Hodgkin, winner - A Small Thing But My Own (oil on wood)
  • Terry Atkinson
  • Tony Cragg
  • Ian Hamilton Finlay
  • Milena Kalinovska
  • John Walker
• 1986 - Gilbert and George, winner - Coming (photo-piece)
  • Art & Language
  • Victor Burgin
  • Derek Jarman
  • Steven McKenna
  • Bill Woodrow
• 1987 - Richard Deacon, winner - To My Face No.1 (Plywood, vinyl and tinc in timber frame)
  • Patrick Caulfield
  • Helen Chadwick
  • Richard Long
  • Declan McGonagle
  • Thérèse Oulton
• 1988 - Tony Cragg, winner - George and the Dragon (Mixed media)
  • Lucian Freud
  • Richard Hamilton
  • Richard Long
  • David Mach
  • Boyd Webb
  • Alison Wilding
  • Richard Wilson
• 1989 - Richard Long, winner - White Water Line, (China clay and water solution)
  • Gillian Ayres
  • Lucian Freud
  • Giuseppe Penone
  • Paula Rego
  • Sean Scully
  • Richard Wilson
• 1990 - prize suspended
• 1991 - Anish Kapoor, winner - Untitled (Sandstone and pigment)
  • Ian Davenport
  • Fiona Rae
  • Rachel Whiteread
• 1992 - Grenville Davey, winner - HAL (Steel)
  • Damien Hirst
  • David Tremlett
  • Alison Wilding
• 1993 - Rachel Whiteread, winner - House Commissioned by Artangel Trust and Beck's (corner of Grove Road and Roman Road, London E3, destroyed 1994)
  • Hannah Collins
  • Vong Phaophanit
  • Sean Scully
• 1994 - Antony Gormley, winner - Testing a World View (Cast iron, five pieces)
  • Willie Doherty
  • Peter Doig
  • Shirazeh Houshiary
• 1995 - Damien Hirst, winner - Mother and Child, Divided (Steel, GRP composites, glass, silicone sealants, cow, calf, formaldehyde solution)
  • Mona Hatoum
  • Callum Innes
  • Mark Wallinger
• 1996 - Douglas Gordon, winner - Confessions of a Justified Sinner (Video installation)
  • Craigie Horsfield
  • Gary Hume
  • Simon Patterson
• 1997 - Gillian Wearing, winner - (Single channel video artwork in colour with sound.)
  • Christine Borland
  • Angela Bulloch
  • Cornelia Parker
• 1998 - Chris Ofili, winner - No Woman, No Cry (Acrylic paint, oil paint, polyester resin, paper collage, map pins, elephant dung on canvas)
  • Tacita Dean
  • Cathy de Monchaux
  • Sam Taylor-Wood
• 1999 - Steve McQueen, winner - Deadpan (16mm black and white film, video transfer, silent).
  • Jane and Louise Wilson
  • Steven Pippin
  • Tracey Emin, whose My Bed got the most media attention
• 2000 - Wolfgang Tillmans, winner - Installation view from the Turner Prize exhibition 2000
  • Glenn Brown
  • Michael Raedecker
  • Tomoko Takahashi
• 2001 - Martin Creed, winner - The Lights Going On and Off (Installation at Tate Britain, 5 seconds on / 5 seconds off)
  • Richard Billingham
  • Isaac Julien
  • Mike Nelson
• 2002 - Keith Tyson, winner - Installation view from the Turner prize exhibition
  • Fiona Banner
  • Liam Gillick
  • Catherine Yass
• 2003 - Grayson Perry, winner ^[16] - vases
  • Jake and Dinos Chapman
  • Willie Doherty
  • Anya Gallaccio
• 2004 - Jeremy Deller, winner - Memory Bucket (documentary about Crawford, Texas – the hometown of George W Bush – and the siege in nearby Waco)
  • Kutlug Ataman
  • Langlands and Bell
  • Yinka Shonibare
• 2005 - Simon Starling, winner - Shedboatshed (a shed that had been turned into a boat and then into a shed) ^[17]
  • Darren Almond
  • Gillian Carnegie
  • Jim Lambie
• 2006 - Tomma Abts, winner - abstract paintings
  • Phil Collins
  • Mark Titchner
  • Rebecca Warren

[edit] See also

• UK topics
• List of prizes, medals, and awards
• Stuckist demonstrations
• Marcel Duchamp Prize
• Turnip Prize

[edit] References

[edit] External links

• The Turner Prize, official Tate gallery web site
• 20 years of Turner Prize winners (image gallery), The Guardian
• Turner Prize, Glasgow University project
• Tate Magazine (2002) feature, including statistical analysis
• Live coverage of presentation of 2006 prize (starts with short ad)