Valentina Allegra de Fontaine
From Wikipedia, the free encyclopedia
| Contessa Valentina Allegra de Fontaine | ||||||
|---|---|---|---|---|---|---|
|
|
||||||
|
||||||
|
||||||
Contessa Valentina Allegra de Fontaine[1] is a fictional, comic book espionage agent in the Marvel Comics universe. Created by writer-artist Jim Steranko, she first appeared in the "Nick Fury, Agent of S.H.I.E.L.D." feature in Strange Tales #159 (Aug 1967).
Contents |
[edit] Publication history
The Contessa appeared promiently throughout the Steranko run of the "Nick Fury, Agent of S.H.I.E.L.D." feature that ran through Strange Tales #168 (May 1968) and in the same-name comic-book series that began the following month.
An agent who literally threw S.H.I.E.L.D. chief Nick Fury for a loop upon their initial meeting, she quickly became his love interest, and was featured in a silent, one-page seduction sequence in Nick Fury, Agent of S.H.I.E.L.D. #2 that famously had two panels changed, at the behest of the Comics Code Authority. In the third-to-last panel, de facto Marvel art director John Romita Sr. redrew a telephone that had been taken off the hook for privacy, placing the receiver back in the cradle; in the last panel, an image was removed and replaced with a closeup of an item from earlier in the page — a phallic long-barreled gun in a holster.[2]
[edit] Fictional character biography
Contessa Valentina Allegra di Fontaine was a member of the European jet set and a citizen of Italy. After both her parents were killed for aiding some unspecified resistance movement, the Contessa found her life meaningless. Desiring to carry on in their places so their deaths would not be in vain, she eventually was contacted by the international espionage agency S.H.I.E.L.D. and entered a training program to become an agent.
She first encountered its executive directory, Nick Fury, aboard S.H.I.E.L.D.'s airborne headquarters, the Helicarrier, toward the end of her training, impressing Fury by tossing him head-over-heels with a judo throw after his uttering an untoward remark about female agents. The two eventually became lovers, and their relationship continued for many years.
As a result of the Contessa's remarkable talents and skills in many areas, she quickly became a leading member of S.H.I.E.L.D. She was also at one point appointed as the leader of S.H.I.E.L.D.'s Femme Force.
[edit] In other media
Lisa Rinna played the Contessa in the 1998 TV-movie Nick Fury: Agent of S.H.I.E.L.D..
[edit] See also
[edit] Quotes
Steven Ringgenberg: "Steeped in cinematic techniques picked up from that medium's masters, Jim [Steranko] synthesized a style he christened 'Zap Art' — an approach different from anything being done in mainstream comics, though it did include one standard attraction: lots of females in skintight, sexy costumes. Countess Valentina (Val) Allegro De Fontaine (sic) made her debut in Strange Tales #159 (Aug. 1967) by flooring Nick Fury during a training session, proving that she could take care of herself! She looked like a character who had just stepped out of a James Bond poster".[3]
[edit] Footnotes
- ^ As spelled officially by Marvel Comics on its S.H.I.E.L.D. page, although misspelled with a male name and spelled with different Italian article as "Valentina Allegro de Fontaine" in her name's first two mentions, in Strange Tales #159, "Spy School", p.10, panel 6, and Strange Tales #162, "So Evil, the Night", p.3, panel 6.
- ^ Green, Robin. "Face Front! Clap Your Hands, You're on the Winning Team!" Rolling Stone Vol. 1, #91 (Sept. 16, 1971):
The story was reprinted as published in Nick Fury Special Edition #1 (Dec. 1983). When reprinted again, in Nick Fury, Agent of S.H.I.E.L.D.: Who Is Scorpio? (Marvel Enterprises, 2001; ISBN 978-0-7851-0766-8), however, Steranko's original final panel was reinserted. In a black-and-white long shot with screentone shading, the couple is beginning to embrace, with Fury standing and the Contessa on one knee, getting up.“ So one panel had the stereo in Fury's apartment to show there was music playing, cigarettes in the ash tray in one, there was a sequence of intercut shots where she moved closer to him, much more intimately, there was a kiss, there was a rose, and then there was one panel with the telephone off the hook, which the comic book code [sic; "Comics Code"] made him put back on. ... [T]he last panel on that page had Nick and his old lady kneeling, with their arms around each other, and that was entirely too much for the Code, so the panel was replaced with a picture of a gun its holster. ” - ^ Betty Pages Magazine #4 (Spring 1989)
