Vladimir Borovikovsky

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Bugaevsky-Blagodatny (pupil of Borovikovsky. Portrait of Vladimir Borovikovsky.

Vladimir Lukich Borovikovsky (Russian: Владимир Лукич Боровиковский, July 24 O.S. 1757 - April 6 O.S. 1825) was a Ukrainian-born painter who dominated Russian portraiture at the turn of the 18th and 19th centuries.

[edit] Biography

Vladimir Borovikovsky was born Vladimir Borovik in Mirgorod (now Ukraine) on July 24 O.S. 1757. His father, Luka Borovik was a Ukrainian Cossack and an amateur icon painter. According to the family tradition, all four of Borovik's sons served in Mirgorod regiment, but Vladimir retired early at the rank of poruchik and devoted his life to art — mostly icon painting for local churches.

Borovikovsky may have lived the remainder his life as an amateur painter in a provincial town if not for an unexpected event. His friend Vasily Kapnist was preparing an accommodation for Empress Catherine II in Kremenchug during her travel to newly conquered Crimea. Kapnist asked Borovikovsky to paint two allegoric paintings (Peter I of Russia and Catherine II as peasants sowing seeds and Catherine II as a Minerva) for her rooms. The paintings so pleased the Empress that she requested that the painter move to Saint Petersburg.

Portrait of Maria Lopukhina, 1797

After September 1788 Borovikovsky lived in Saint Petersburg where he changed his surname from the Cossack "Borovik" to the more aristocratic-sounding "Borovikovsky". For his first ten years in Saint Petersbug, he lived in the house of the poet, architect, musician and art theorist, Prince Nikolai Lvov, whose ideas strongly influenced Borovikovsky's art. At 30-years-old, he was too old to attend Imperial Academy of Arts, so he took private lessons from Dmitry Levitzky and later from Austrian painter Johann Baptist Lampi.

In 1795 he was appointed an academician. He became a popular portrait painter and created about 500 portraits during his lifetime, 400 of which survived to the 21st century. He had his own studio, and often relied on assistants to paint the less important parts of a portrait. His sitters included members of the imperial family, courtiers, generals, many aristocrats, and figures from the Russian artistic and literary worlds. Most of his portraits are intimate in style.

The most notable are:

Portrait of Catherine II, Empress of Russia (1794)
Portrait of E. N. Arsenyeva (1796)
Portrait of M. I. Lopukhina (1797)
Portrait of F. A. Borovsky (1799)
Portrait of Paul I, Emperor of Russia (1800)
Portrait of Prince A. B. Kurakin (1801-1802)
Portrait of Princess A. G. Gagarina and Princess V. G. Gagarina (1802).
Portrait of Serbian Princ Karadjordje' 1816

Borovikovsky never taught in the Imperial Academy of Art but pupils lived in his home. Among them were Alexey Venetsianov and Bugaevsky-Blagodarny (who painted the only survived portrait of Vladimir Borovikovsky).

After 1819 Borovikovsky became a Freemason, member of a lodge Dying Sphinx. At that time he mostly painted icons, including Iconostasis of the Smolensky Cemetery church and some icons for Kazan Cathedral in Saint-Petersburg.

On April 6, 1825 he died suddenly of a heart attack and was interned in Smolensky cemetery in Saint Petersburg.

[edit] Works

Catherine II in Tsarskoe Selo 1794	Portrait of Dmitry Levitzky 1796	Portrait of F. A. Borovsky. 1799	Portrait of Paul I, Emperor of Russia. 1800
Portrait of Alexander Kurakin (1801-1802).	Portrait of Grand Duchess Maria Pavlovna of Russia. 1800s	Portrait of Gavrila Romanovich Derzhavin. 1811.	Portrait of S. A. Rayevskaya. 1813
Portrait of A. G. and A. A. Lobanov-Rostovsky. 1814.	Karađorđe Serbian Prince 1816	Portrait of Prince G.S. Volokonsky	Portrait of Ye. A. Arkharova. 1820