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Description : A ground plan of Japanese Noh theatre. Source : Drawn by myself Refference : "Noh - for appreciation" MARUOKA, Daiji and YOSHIKOSHI, Tatsuo, Hoiku-sha ISBN 4-586-50104-9, 1966 Permission :

I, the author of this work, hereby publish it under the following license:

Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the section entitled "GNU Free Documentation License".

Legends

1: Kagami-no-ma (Room of mirror)
2: Hashigakari (Bridge)
3: Stage
4-7: Four pillers called Metsuke-Bashira, Shite-Bashira, Fue-Bashira, and Waki-Bashira, respectively.
8: Jiutai-za. Jiutai (Coros-like singers) are sitting here.
9: Musical instruments players are sitting here. From the left stage to right, Kue-za (player of transvers flutes called No-kan), Kotsuzumi-za (small drum), Ohtsuzumi-za (midium drum), and optionally, Taiko-za (large drum).
10: kohken-za (a prompter)
11: Kyogen-za (Kyogen-shi, a comic player, also appeared in some works)
12 : Kizahashi (Steps)
13: Shirazu (White sands)
14-16: Pine trees (the first, the second, and the third, respectively)
17: Gakuya (Backstage)
18: Makuguchi (Main entrance to the stage. Kagamino-ma and Hashigakari were boardered by a curtain called Agemaku. Agemaku is coloured in three or five colours. Actors and instrument players walk through this entrance.
19: Kirido-guchi. Entrance for Jiutai singers and Kohken prompter.
20: Kagami-ita. A drawing of verdant pine tree. Typically drawen in manner of Kano-school.

1:鏡の間。2:橋懸（はしがかり）。3:舞台。4-7:目付柱（めつけばしら）、シテ柱、笛柱、脇柱（大臣柱）。8:地謡座（じうたいざ）。9:ここに囃子方が座る。上手より笛座、小鼓座、大鼓（大革）座、太鼓（ないこともある）座。10:後見座。11:狂言座。12:階（きざはし）。13:白洲。14-16:一の松、二の松、三の松。17:楽屋。18:幕口には揚幕がある。19:切戸口。20:鏡板