Fats Domino
From Wikipedia, the free encyclopedia
Fats Domino | ||
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Fats Domino in concert in France, 1992
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Background information | ||
Birth name | Antoine Dominique Domino | |
Also known as | Fats | |
Born | February 26, 1928![]() |
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Genre(s) | R&B, Rock and Roll | |
Occupation(s) | Singer, Songwriter | |
Instrument(s) | Piano | |
Years active | 1949-1999 | |
Label(s) | Imperial, ABC, Mercury, Broadmoor, Reprise, Sonet, Warner Bros. Records, Toot Toot | |
Website | [1] |
Antoine Dominique "Fats" Domino (born February 26, 1928 in New Orleans, Louisiana), is a classic R&B and rock and roll singer, songwriter and pianist. He was the best-selling African-American singer of the 1950s and early 1960s. Domino is also a pianist with an individualistic bluesy style showing stride and boogie-woogie influences. His congenial personality and rich accent have added to his appeal.
Contents |
[edit] Biography
Domino first attracted national attention with "The Fat Man" (1949, Imperial Records), credited by some as being the first rock and roll record, featuring a rolling piano and Domino doing wah-wah vocalizing over a fat back beat. The record, a reworking of "Junker's Blues" by Champion Jack Dupree, was a massive hit, selling over a million copies and peaking at #2 on the Billboard R&B Charts. It has been estimated that Domino has sold in excess of 110 million records.
Domino then released a series of hit songs with producer and co-writer Dave Bartholomew, saxophonist Alvin "Red" Tyler and drummer Earl Palmer. Other notable and long-standing musicians in Domino's band were saxophonists Reggie Houston, Lee Allen, and Fred Kemp who was also Domino's trusted bandleader. Domino finally crossed into the pop mainstream with "Ain't That a Shame" (1955) which hit the Top Ten, though Pat Boone characteristically hit #1 with a milder cover of the song that received wider radio airplay in a segregated era. Domino would eventually release 37 Top 40 singles, including "Whole Lotta Loving", "Blue Monday".
His 1956 uptempo version of the old song "Blueberry Hill", reached #2 in the Top 40, was #1 on the R&B charts for 11 weeks, and was his biggest hit. The song had earlier been recorded by Gene Autry, and Louis Armstrong among many others.
Fats appeared in two films released in 1956: Shake, Rattle & Rock![1] and The Girl Can't Help It.[2] On 18 December 1957, Domino's hit "The Big Beat" was featured on Dick Clark's American Bandstand. Domino was a huge star in Jamaica and can be considered a father of reggae music along with Louis Jordan. The well known "upbeat" style of guitar in reggae can be directly traced to his piano playing. "The Big Beat" was also played at #4 in Rhythm & Blues' Top 10 Hits on the CD. This CD was copied on December 10, 2006.
Domino continued to have a steady series of hits for Imperial through early 1962, including the 1960 "Walkin' to New Orleans written by Bobby Charles. Twenty-two of his Imperial singles were double-sided hits -- that is, both the A-side and the B-side of the single charted (i.e., 44 songs). After he moved to ABC-Paramount in 1963, however, Domino's chart career was drastically curtailed. He managed one top 40 hit for ABC (1963's "Red Sails In The Sunset"), but by the end of 1964 the British Invasion had changed the tastes of the record-buying public, and Domino's chart run was over.
Despite the lack of chart success, Domino continued to record steadily until about 1970, and sporadically after that. He also continued as a popular live act for several decades. He was furthermore acknowledged as an important influence on the music of the sixties and seventies by some of the top artists of that era; Beatles song "Lady Madonna" was reportedly written by Paul McCartney in an emulation of Domino's style. Domino did manage to return to the "Hot 100" charts one last time in 1968. Ironically, it was with a cover of The Beatles' "Lady Madonna", which appeared at exactly #100 for two consecutive weeks.
In the 1980s, Domino decided he would no longer leave New Orleans, having a comfortable income from royalties and a dislike for touring, and claiming he could not get any food that he liked anyplace else. His induction into the Rock and Roll Hall of Fame and an invitation to perform at the White House failed to get Domino to make an exception to this policy. He lived in a mansion in a predominantly working-class Lower 9th Ward neighborhood, where he was a familiar sight in his bright pink Cadillac. He makes yearly appearances at the New Orleans Jazz & Heritage Festival and other local events. Domino was awarded the Grammy Lifetime Achievement Award in 1987. In 2004, Rolling Stone Magazine ranked him #25 on their list of the 100 Greatest Artists of All Time.[3]
When Hurricane Katrina was approaching New Orleans in August 2005, Domino chose to stay at home with his family, due to his wife's poor health. His house, located in New Orleans’ Lower 9th Ward, was in an area that was heavily flooded. He was thought to be dead, with someone spray-painting a message on his home, "RIP Fats. You will be missed," which was shown in news photos. On September 1, Domino's agent Al Embry announced that he had not heard from the musician since before the hurricane had struck.
Later that day, CNN reported that Domino was rescued by a United States Coast Guard helicopter. His daughter, gospel singer Karen Domino White, identified him from a photo shown on CNN. The Domino family was then taken to a Baton Rouge shelter, after which they were picked up by JaMarcus Russell, the starting quarterback of the Louisiana State University football team, and Fats' granddaughter's boyfriend. He let the Dominos stay in his apartment. The Washington Post reported that that on Friday, September 2, the Dominos had left Russell's apartment after sleeping three nights on the couch. "We've lost everything," Domino said, according to the Post story.[4]
By January 2006, work to gut and repair Domino's Lower 9th Ward home and office had begun.
Domino was the first artist to be announced as scheduled to perform at the 2006 Jazz & Heritage Festival, although he was too ill to perform and was only able to offer the audience an on-stage greeting. Domino also released an album Alive and Kickin' in early 2006 to benefit the Tipitina Foundation, which supports indigent local musicians. The title song was recorded after Katrina, but most of the cuts were from unreleased sessions in the 1990s.
![Statue of Fats Domino in the French Quarter of New Orleans](../../../upload/shared/thumb/8/88/FatsDominoStatue.jpg/250px-FatsDominoStatue.jpg)
[edit] Business
His career has been produced and managed since the 1980s by multimedia entertainment purveyor and music producer Robert G. Vernon. During Vernon's tenure, Domino's earnings have increased 500%.
Since 1995, Vernon and Domino have been partners (with many other companies, such as Dick Clark Productions) in the Bobkat Music Trust. Bobkat Music is an entertainment group that manages the careers (some posthumous) of Fats Domino, Randy Pringle (writer), and others.
[edit] Trivia
- In 1999, National Public Radio included Ain't That A Shame in the "NPR 100," in which NPR's music editors sought to compile the one hundred most important American musical works of the 20th century.
- A play on his name is the name of the gospel music group Fetz Domino, which means in mixed German and Latin "Groove for the Lord". Domino was so well known in the 1950s-60s that the American humor magazine Mad, ran a cartoon spread that included fictitious artists with similar name variations, such as "Pudgy Parcheesi". 50s blues singer Skinny Dynamo had a brief career.
- In the popular 1970s sitcom "Happy Days", set in the 1950s, lead character Richie Cunningham, played by Ron Howard, would often sing "I found my thrill..." (the first line of Domino's "Blueberry Hill") in reference to pretty girls he dated or wanted to date.
- Domino had 66 U.S. Hot 100 chart hits. (James Brown had 99.)
- The fictional girl band in the television series Rock Follies threatened to revolt if they had to sing "Blueberry Hill" one more time.
- Domino has always had strong links to The Beatles, who recorded a version of "When the Saints Go Marching In" in Germany, two years after Fats' version on Imperial Records. When they auditioned for Decca, one of their songs was another standard in Domino's repertory: "The Sheik of Araby".
- In his song, "I Want to Walk You Home", Domino used the words "I want to hold your hand" which may have inspired Lennon and McCartney when writing their song of the same title. In 1968, the Beatles modelled their song, "Lady Madonna", on Fats Domino's style, combining it with a nod to Humphrey Lyttelton's 1956 hit "Bad Penny Blues", a record which Joe Meek had engineered. They also played some hits of the 1950s and early 1960s, including Domino's "Kansas City", during the Get Back album sessions.
- Domino returned the compliment in 1970 by covering not only "Lady Madonna", but two other Beatles songs, for his Reprise LP Fats is Back. Since then, both John Lennon and Paul McCartney have recorded Fats Domino songs.
[edit] Singles discography
Nationally charted hits shown in bold. (Virtually all of Domino's singles of the 1950s and 60s charted regionally in the US south, especially in New Orleans.)
A-Side | B-Side | Year | Label + Cat. No. | Chart Positions | ||
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US Hot 100 | US R&B | UK | ||||
Detroit City Blues | The Fat Man | 1950 | (Imperial 5058) | #2 | ||
Boogie-Woogie Baby | Little Bee | 1950 | (Imperial 5065) | |||
Hide Away Blues | She's My Baby | 1950 | (Imperial 5077) | |||
Hey La Bas Boogie | Brand New Baby | 1950 | (Imperial 5085) | |||
Every Night About This Time | Korea Blues | 1950 | (Imperial 5099) | #5 | ||
Tired Of Crying | What's The Matter Baby | 1951 | (Imperial 5114) | |||
Don't You Lie To Me | Sometimes I Wonder | 1951 | (Imperial 5123) | |||
Right From Wrong | No, No Baby | 1951 | (Imperial 5138) | |||
Rockin' Chair | Careless Love | 1951 | (Imperial 5145) | #9 | ||
I'll Be Gone | You Know I Miss You | 1952 | (Imperial 5167) | |||
Goin' Home | Reeling And Rocking | 1952 | (Imperial 5180) | #1 | ||
Poor Poor Me | Trust In Me | 1952 | (Imperial 5197) | #10 | ||
How Long | Dreaming | 1952 | Imperial 5209) | #9 | ||
Nobody Loves Me | Cheatin' | 1953 | (Imperial 5220) | |||
Going To The River | Mardi Gras In New Orleans | 1953 | (Imperial 5231) | #2 | ||
Please Don't Leave Me | The Girl I Love | 1953 | (Imperial 5240) | #3 | ||
Rose Mary | You Said You Loved Me | 1953 | (Imperial 5251) | #10 | ||
Something's Wrong | Don't Leave Me This Way | 1953 | (Imperial 5262) | #6 | ||
You Done Me Wrong | Little School Girl | 1954 | (Imperial 5272) | #10 | ||
Where Did You Stay | Baby Please | 1954 | (Imperial 5283) | |||
You Can Pack Your Suitcase | I Lived My Life | 1954 | (Imperial 5301) | |||
Love Me | Don't You Hear Me Calling You | 1954 | (Imperial 5313) | |||
I Know | Thinking of You | 1954 | (Imperial 5323) | #14 | ||
Don't You Know | Helping Hand | 1955 | (Imperial 5340) | #7 | ||
Ain't That a Shame | La La | 1955 | (Imperial 5348) | #10 | #1 | #23 |
All By Myself | Troubles Of My Own | 1955 | (Imperial 5357) | #1 | ||
Poor Me | 1955 | (Imperial 5369) | #1 | |||
I Can't Go On | 1955 | " | #6 | |||
Bo Weevil | 1956 | (Imperial 5375) | #35 | #5 | ||
Don't Blame It On Me | 1956 | " | #9 | |||
I'm In Love Again | 1956 | (Imperial 5386) | #3 | #1 | #12 | |
My Blue Heaven | 1956 | " | #19 | #5 | ||
When My Dreamboat Comes Home | 1956 | (Imperial 5396) | #14 | #2 | ||
So Long | 1956 | " | #44 | #5 | ||
Blueberry Hill | 1956 | (Imperial 5407) | #2 | #1 | #6 | |
Honey Chile | 1956 | " | #2 | #29 | ||
Blue Monday | 1956 | (Imperial 5417) | #5 | #1 | #23 | |
What's The Reason I'm Not Pleasing You | 1956 | " | #50 | #12 | ||
I'm Walkin' | I'm In The Mood For Love | 1957 | (Imperial 5428) | #4 | #1 | #19 |
The Rooster Song | My Happiness//As Time Goes By//Hey La Bas (4 song EP) | 1957 | (Imperial 147) | #13 | ||
Valley Of Tears | 1957 | (Imperial 5442) | #8 | #2 | #25 | |
It's You I Love | 1957 | " | #6 | #2 | ||
What Will I Tell My Heart | 1957 | (Imperial 5454) | #64 | #12 | ||
When I See You | 1957 | " | #29 | #14 | ||
Wait And See | 1957 | (Imperial 5467) | #23 | #7 | ||
I Still Love You | 1957 | " | #79 | |||
The Big Beat | 1957 | (Imperial 5477) | #26 | #15 | #20 | |
I Want You To Know | 1957 | " | #32 | |||
Yes My Darling | Don't You Know I Love You | 1958 | (Imperial 5492) | #55 | #10 | |
Sick And Tired | 1958 | (Imperial 5515) | #22 | #14 | #26 | |
No, No | 1958 | " | #55 | #14 | ||
Little Mary | Prisoner's Song | 1958 | (Imperial 5526) | #48 | #4 | |
Young School Girl | It Must Be Love | 1958 | (Imperial 5537) | #92 | #15 | |
Whole Lotta Loving | 1958 | (Imperial 5553) | #6 | #2 | ||
Coquette | 1958 | " | #92 | #26 | ||
Telling Lies | 1959 | (Imperial 5569) | #50 | #13 | ||
When The Saints Go Marching In | 1959 | " | #50 | |||
I'm Ready | 1959 | (Imperial 5585) | #16 | #7 | ||
Margie | 1959 | " | #51 | #18 | ||
I Want To Walk You Home | 1959 | (Imperial 5606) | #8 | #1 | #14 | |
I'm Gonna Be A Wheel Someday | 1959 | " | #17 | #22 | ||
Be My Guest | 1959 | (Imperial 5629) | #8 | #2 | #11 | |
I've Been Around | 1959 | " | #33 | #19 | ||
If You Need Me | 1960 | (Imperial 5645) | #98 | |||
Country Boy | 1960 | " | #25 | #19 | ||
Before I Grow Too Old | 1960 | (Imperial 5660) | #84 | |||
Tell Me That You Love Me | 1960 | " | #51 | |||
Walking to New Orleans | 1960 | (Imperial 5675) | #6 | #2 | #19 | |
Don't Come Knockin' | 1960 | " | #21 | #28 | ||
Three Nights A Week | 1960 | (Imperial 5687) | #15 | #8 | #45 | |
Put Your Arms Around Me Honey | 1960 | " | #58 | |||
My Girl Josephine | 1960 | (Imperial 5704) | #14 | #7 | #32 | |
Natural Born Lover | 1960 | " | #38 | #28 | ||
Ain't That Just Like A Woman | 1961 | (Imperial 5723) | #33 | #19 | ||
What A Price | 1961 | " | #22 | #7 | ||
Shu Rah | 1961 | (Imperial 5734) | #32 | |||
Fell In Love On Monday | 1961 | " | #32 | |||
It Keeps Rainin' | I Just Cry | 1961 | (Imperial 5753) | #23 | #18 | #49 |
Let The Four Winds Blow | Good Hearted Man | 1961 | (Imperial 5764) | #15 | #2 | |
What A Party | 1961 | (Imperial 5779) | #22 | #43 | ||
Rockin' Bicycle | 1961 | " | #83 | |||
I Hear You Knocking | 1961 | (Imperial 5796) | #67 | |||
Jambalaya (On The Bayou) | 1961 | " | #30 | #41 | ||
You Win Again | 1962 | (Imperial 5816) | #22 | |||
Ida Jane | 1962 | " | #90 | |||
My Real Name | My Heart Is Bleeding | 1962 | (Imperial 5833) | #59 | #22 | |
Dance With Mr. Domino | 1962 | (Imperial 5863) | #98 | |||
Nothing New (Same Old Thing) | 1962 | " | #77 | |||
Did You Ever See A Dream Walking | 1962 | (Imperial 5875) | #79 | |||
Stop The Clock | 1962 | " | #103 | |||
Won't You Come On Back | Hands Across The Table | 1962 | (Imperial 5895) | |||
Hum Diddy Doo | Those Eyes | 1963 | (Imperial 5909) | #124 | ||
You Always Hurt The One You Love | Trouble Blues | 1963 | (Imperial 5937) | #102 | ||
True Confession | Isle Of Capri | 1963 | (Imperial 5959) | |||
One Night | I Can't Go On This Way | 1963 | (Imperial 5980) | |||
There Goes (My Heart Again) | 1963 | (ABC 10444) | #59 | |||
Can't Go On Without You | 1963 | " | #123 | |||
When I'm Walking (Let Me Walk) | 1963 | (ABC 10475) | #114 | |||
I've Got A Right To Cry | 1963 | " | #128 | |||
Red Sails In The Sunset | Song For Rosemary | 1963 | (ABC 10484) | #35 | #24 | #34 |
I Can't Give You Anything But Love | Goin' Home | 1963 | (Imperial 66005) | #114 | ||
Who Cares | 1963 | (ABC 10512) | #63 | #27 | ||
Just A Lonely Man | 1963 | " | #108 | |||
Your Cheatin' Heart | When I Was Young | 1964 | (Imperial 66016) | #112 | ||
Lazy Lady | 1964 | (ABC 10531) | #86 | #34 | ||
I Don't Want To Set The World On Fire | 1964 | " | #122 | |||
If You Don't Know What Love Is | Something You Got Baby | 1964 | (ABC 10545) | |||
Mary, Oh Mary | Packin' Up | 1964 | (ABC 10567) | #127 | ||
Sally Was A Good Old Girl | For You | 1964 | (ABC 10584) | #99 | ||
Kansas City | Heartbreak Hill | 1964 | (ABC 10596) | #99 | ||
Why Don't You Do Right | Wigs | 1965 | (ABC 10631) | |||
Let Me Call You Sweetheart | Goodnight Sweetheart | 1965 | (ABC 10644) | |||
I Done Got Over It | I Left My Heart In San Francisco | 1965 | (Mercury 72463) | |||
What's That You Got? | It's Never Too Late | 1965 | (Mercury 72485) | |||
The Lady In Black | Working My Way Up Steady | 1967 | (Broadmoor 104) | |||
Big Mouth | Wait 'Til It Happens To You | 1967 | (Broadmoor 105) | |||
One For The Highway | Honest Papas Love Their Mamas Better | 1968 | (Reprise 0696) | |||
Lady Madonna | One For The Highway | 1968 | (Reprise 0763) | #100 | ||
Lovely Rita | Wait 'Till It Happens To You | 1968 | (Reprise 0775) | |||
Everybody's Got Something to Hide Except Me and My Monkey | So Swell When You're Well | 1969 | (Reprise 0843) | |||
Make Me Belong To You | Have You Seen My Baby | 1970 | (Reprise 0891) | |||
New Orleans Ain't The Same | Sweet Patootie | 1970 | (Reprise 0944) | |||
Sleeping On The Job | After Hours | 1978 | (Sonet 2168 -UK) | |||
Whiskey Heaven | -- | 1980 | (Warner Bros. Records 49610) | |||
My Toot Toot (Country) | My Toot Toot (Rock) | 1985 | (Toot Toot 001) |
[edit] Notes
- ^ Shake, Rattle & Rock!. IMDB. Retrieved on November 1, 2006.
- ^ The Girl Can't Help It. IMDB. Retrieved on November 1, 2006.
- ^ The Immortals: The First Fifty. Rolling Stone Issue 946. Rolling Stone.
- ^ Saslow, Eli (September 2 2005). Music Legend 'Fats' Domino Coping With Katrina. washingtonpost.com. Retrieved on November 1, 2006.
[edit] Further reading
- Blue Monday: Fats Domino and the Lost Dawn of Rock 'N' Roll by Rick Coleman, Da Capo, 2006. 10-ISBN 0-306-81491-9
[edit] External links
Wikimedia Commons has media related to: |
- Fats Domino on Rock & Roll Hall of Fame site
- Domino's manager Bob Vernon's official website
- Fats Domino discography (music city)
- Vernon and Domino's Bobkat Music Trust
- http://www.history-of-rock.com/domino.htm
- http://www.bsnpubs.com/imperial/imperiala.html
- http://www.geocities.com/shakin_stacks/fatsdomino.txt
Categories: Articles lacking sources from December 2006 | All articles lacking sources | Articles lacking in-text citations | Articles lacking page references | American rhythm and blues musicians | American male singers | American pianists | American songwriters | Blues Hall of Fame inductees | United States National Medal of Arts recipients | Rock and Roll Hall of Fame inductees | Songwriters Hall of Fame inductees | Hollywood Walk of Fame | African American musicians | Louisiana Creoles | Musicians of New Orleans | Grammy Lifetime Achievement Award winners | 1928 births | Living people