Technodon

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Yellow Magic Orchestra chronology
Technodon

Studio album by Yellow Magic Orchestra
Released	1993
Genre	Electropop
Label	Toshiba EMI
Producer(s)	~~YMO~~
After Service (1984)	Technodon (1993)	Technodon Live (1993)

Technodon was the eighth studio album by Yellow Magic Orchestra (1993).

The last original album of present of YMO that accomplished the revival of the miracle for ten years from the deployment in 1983. It was released as YMO (Nottowaiemuor . It was actually × on the character of YMO) because the group name of YMO was not able to be used on the right at this time of the re-formation. Is the recording eight in December, 1992?Eight in the studio of Victor Aoyama in February until January 31, 1993?It was done in the New York skyline studio until March 1. When the directionality of the album was not clear after the recording was begun, it did and some atmosphere of Africa dares to have been removed in the second as for the bur and the world music color to which Hosono and Sakamoto were devoting oneself at that time. Moreover, it encountered contrary to surroundings and it was not achieved though Hosono swept away the techno color to show that YMO was a musician of the ability sect, and enumerated one idea named caused by Hosono's base and Takahashi's drums and Sakamoto's Hammond organs at first. After all, it is not, and an ambient color is the overall strong finish in the elegance of the techno pop of the glory period. Surroundings abandon the hard opposition because of the copyright though there was an intention that samples the sound source of Doremuz cam Tulu that sold at that time and uses it, too. Sakamoto raged very much by this matter. The opinion is pooled by three people and the title of the album is decided ("Techno Don" hits on from the pronunciation "Techno road" that Sakamoto proposed). As a meaning

The techno bowl (..techno.. height) or which interpretation is included Don of techno (boss of the techno field) dinosaur of techno (living fossil of the techno field). Takahashi decided Kyocjun. Corresponding seems to have hesitated in the 8th and 9th place. It is feature of this album that the tone of the drum percussion is even 1 and there are a lot of tunes that change one after another, and is "This is YMO. " according to Sakamoto. At first, Hosono came to do and only for part to be used after all as a result of the discussion of the bur and Sakamoto when the drum machine used in the entire album sent salaam and it thought only about TR-808.

A lot of voices such as "It was heavy, and it was sad" and "It is difficult" were raised from a lot of light listeners who put on the market and had been imaging "Techno pop YMO = Raiden = bright" at first as already stated. However, the activity period is YMO that always ran after state-of-the-art in the age. This album was revalued gradually in later years.

However, the resale is expected like the abolition board though it was put on the market again by the lineup of the Toshiba EMI Lima star version in 1999 because it came off from the lineup in the Sony board in 2003.

Leaving ended CD1 seeing in the result in which making the squirrel though this the re-formation was assumed for the intention "The fire of fumigated YMO was completely put out" to have existed.