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Bernard Stiegler

From Wikipedia, the free encyclopedia

Bernard Stiegler in the film The Ister, 2004.
Bernard Stiegler in the film The Ister, 2004.

Bernard Stiegler (born April 1, 1952) is a French philosopher.

Contents

[edit] Influences and themes

Stiegler's work is influenced by, among others, André Leroi-Gourhan, Gilbert Simondon, Friedrich Nietzsche, Paul Valéry, Edmund Husserl, Martin Heidegger, and Jacques Derrida.

Key themes are technology, time, individuation, consumerism, consumer capitalism, technological convergence, digitization, Americanization, and the future of politics and human society.

[edit] Incarceration

Between 1978 and 1983 Stiegler was incarcerated for armed robbery, first at the Saint-Michel prison in Toulouse, and then at the Muret detention centre. It was during this period that he became interested in philosophy. His transformation in prison is recounted in his book, Passer à l’acte (2003).

[edit] Career

Stiegler defended his thesis at the École des Hautes Études en Sciences Sociales in 1992. He has been a Director at the Collège international de philosophie, and Professor at the Université de Compiègne. He has held the positions of Director General at the Institut National de l'Audiovisuel (INA), and Director General at IRCAM.

On January 1, 2006 he commenced as Director of the Department of Cultural Development at the Centre Georges-Pompidou.

[edit] Politics

Stiegler has founded a political group, Ars Industrialis, the manifesto of which calls for an "industrial politics of spirit."

[edit] Cinema

Stiegler features prominently in the film The Ister (2004).

[edit] Bibliography

[edit] Books in French

Published

Forthcoming

  • La société de l'information: Vers la guerre des esprits.
  • Produire, consommer, souffrir : Manifeste pour un nouvel âge industriel.
  • L'avenir du désir.

[edit] Online texts

[edit] Other translations

  • (1993) "Questioning Technology and Time," Tekhnema 1: 31–44.
  • (1996) "Persephone, Oedipus, Epimetheus," Tekhnema 3: 69-112.
  • (1998) "The Time of Cinema. On the 'New World' and 'Cultural Exception'," Tekhnema 4: 62–114.
  • (1998) Technics and Time, 1: The Fault of Epimetheus (Stanford: Stanford University Press). ISBN 0-8047-3041-9
  • (2001) "Derrida and Technology: Fidelity at the Limits of Deconstruction and the Prosthesis of Faith," in Tom Cohen (ed.), Jacques Derrida and the Humanities (Cambridge & New York: Cambridge University Press). ISBN 0-5216-2565-3
  • (2001) "New Industrial Temporal Objects", in Rae Earnshaw, Richard Guedj, Andries van Dam, & John Vince (eds.), Frontiers of Human-Centred Computing, Online Communities and Virtual Environments (London: Springer-Verlag). ISBN 1-85233-238-7
  • (2002) Echographies of Television: Filmed Interviews (Cambridge: Polity Press), with Jacques Derrida. Including Stiegler, "The Discrete Image." ISBN 0-7456-2036-1
  • (2002) "Transcendental Imagination in a Thousand Points," New Formations 46: 7–22.
  • (2003) "Technics of Decision: An Interview," Angelaki 8: 151–67.
  • (2006) "Philosophising By Accident," Public 33: 98–107, an extract from Passer à l'acte.

[edit] Secondary literature

[edit] See also

In other languages
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