Billy Rose
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Billy Rose (September 6, 1899 – February 10, 1966) was an American theatrical showman.
Born William Samuel Rosenberg to a Jewish family in New York City, he began his career as a stenographic clerk to Bernard Baruch of the War Industries Board during World War I. Later he became a lyricist. In this role, he is best known as the credited writer or co-writer of the lyrics to Me and My Shadow, Great Day (with Edward Eliscu), Does the Spearmint Lose Its Flavor on the Bedpost Overnight (with Marty Bloom), I Found a Million Dollar Baby (with Mort Dixon) and It's Only a Paper Moon (with E. Y. Harburg).
Most of Rose's lyrical credits were collaborations. Biographer Earl Conrad said, "Nobody clearly knew what he wrote or didn't write ... Publishers tend to credit him with writing the songs known to bear his name as a lyricist...But tales rumble on...that Billy could feed and toss in a remark and monkey around, but that others did most of the writing." Lyricists might have been willing to tolerate a Rose credit grab because Rose was very successful at promoting "his" songs.
He went on to become a Broadway producer, and a theatre/nightclub owner. June 1934 he opened The Billy Rose Music Hall at 52nd and Broadway in New York with the first Benny Goodman Orchestra. He produced "Jumbo," starring Jimmy Durante at the New York Hippodrome Theatre. For Fort Worth Frontier Days, he constructed the huge elaborate dinner theatre, "Casa Manana," featuring stripper Sally Rand and the world's largest revolving stage. He presented a show at the Great Lakes Exposition in Cleveland, Ohio in 1936.
Diminutive in stature, whenever he wanted to attend a show, Rose's practice was to book four tickets: one for himself, one for his female companion, and the other two for the two seats directly in front of the other seats; thus, Rose was ensured of an unobstructed view.
In 1938, he opened "Billy Rose's Diamond Horseshoe" nightclub in New York City in the basement of the Paramount Hotel off Times Square. It initially opened with a version of his Fort Worth show.
At the 1939 New York World's Fair, Billy Rose's Aquacade starred Olympian Eleanor Holm in what the fair program called "a brilliant girl show of spectacular size and content." He married Holm shortly thereafter, divorcing his first wife, comedian Fanny Brice. Future MGM star Esther Williams and future Tarzan Johnny Weissmuller were both Aquacade stars.
Following the Fair, Rose asked John Murray Anderson, who had staged the Aquacade, to recommend a choreographer for a new show at the Horseshoe. Anderson recommended Gene Kelly, then performing in William Saroyan's One for the Money. Rose objected that he wanted someone who could choreograph "tits and asses", not "soft-soap from a crazy Armenian." (Yudkoff, 2001).
But after seeing Kelly's performance, he gave Kelly the job, an important step in Kelly's career.
The Diamond Horseshoe operated under that name until 1951.
In 1943, he produced Carmen Jones with an all-black cast. An adaptation of Georges Bizet's opera Carmen, the story was transplanted to World War II America by lyricist and librettist Oscar Hammerstein II. It was an instant hit. The New York Telegraph called it "far and away the best show in New York," the New York Times said it was "beautifully done ... just call it wonderful." The New York Herald Tribune said that Oscar Hammerstein II "must be considered one of the greatest librettists of our day" and that Carmen Jones was "a masterly tour de force." It was made into a motion picture in 1954, for which Dorothy Dandridge received an Academy Award nomination.
Billy Rose founded the Billy Rose Sculpture Garden in Jerusalem.
Rose died in 1966 in New York City, aged 66. He is interred at Westchester Hills Cemetery in Hastings-on-Hudson, Westchester County, New York.
Contents |
[edit] Work on Broadway
- Charlot Revue (1925) - revue - featured co-lyricist for "A Cup of Coffee, a Sandwich and You" with Al Dubin, music by Joseph Meyer
- Padlocks of 1927 (1927) - revue - lyricist
- Harry Delmar's Revels (1927) - revue - co-lyricist
- Sweet and Low (1930) - revue - composer, lyricist, and producer
- Billy Rose's Crazy Quilt (1931) - revue - producer, librettist, and director
- The Great Magoo (1932) - play - producer
- Ziegfeld Follies of 1934 (1934) - revue - featured lyricist for "Soul Saving Sadie", "Suddenly", "Countess Dubinsky", and "Sarah, the Sunshine Girl"
- Jumbo (1935) - musical - producer
- Clash by Night (1941) - play - producer
- Carmen Jones (1943) - musical - producer
- Seven Lively Arts (1944) - revue - producer
- Concert Varieties (1945) - vaudeville - producer
- Interplay (1945) - ballet - producer
- The Immoralist (1954) - play - producer
- The Wall (1960) - play - co-producer
Posthumous Credits
- Ain't Misbehavin' (1978) - revue - featured lyricist for "I've Got a Feeling I'm Falling" from Applause
- Big Deal (1986) - musical - featured lyricist for "Me and My Shadow"
- Fosse (1999) - revue - featured lyricist for "Dancin' Dan (Me and My Shadow)"
From 1949 until 1955, Rose was the owner/operator of the Ziegfeld Theatre. During that time, the theater housed four musicals and five plays. From 1959 until his death in 1966, he was also the owner/operator of the Billy Rose Theater. During that time the theater housed four plays, one musical, one revue, three ballets, and twenty-nine concert performances. After his death, the theater retained its name, and remained in the ownership if his estate until 1978, when it was renamed. Today it is the Nederlander Theater, currently housing Rent.
[edit] References
- Yudkoff, Alvin (2001): Gene Kelly p. 65 Watson-Guptill, ISBN 0-8230-8819-7
[edit] External links
[edit] Bibliography
- Billy Rose, Manhattan Primitive, Earl Conrad; World Publishing Company, 1968
- Billy Rose Presents Casa Mañana, Jan Jones; TCU Press, 1999
