Musical saw

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Playing a musical saw

A musical saw, also called a singing saw, is the application of a hand saw as a musical instrument. The sound created is an ethereal tone, very similar to the theremin, or a clear woman's voice. The musical saw is classified as an idiophone under the Hornbostel-Sachs system of musical instrument classification.

The saw is generally played seated with the handle squeezed between the legs, and the far end held with one hand. It is generally played with the teeth facing the body, though some more timid players opt to face them away. Some sawyers choose to play standing, either with the handle between the knees and the blade sticking out in front of them, or with the handle under the chin (like a violin). To make a note, a sawyer first bends the blade into an S-curve. The parts of the blade which are curved are dampened from vibration, and do not sound. At the center of the S-curve a section of the blade remains relatively flat: this "sweet spot" can vibrate across the width of the blade, producing a distinct pitch (the wider the section of blade, the lower the sound). Sound can be created by drawing a bow across the back edge of the saw at the sweet spot, or by striking the sweet spot with a mallet. Harmonics can be heard by playing at varying distances on either side of the sweet spot. The sawyer controls the pitch by adjusting the S-curve, making the sweet spot travel up the blade (toward a thinner width) for a higher pitch, or toward the handle for a lower pitch. Sawyers can add vibrato by shaking one of their legs, or wobbling the hand that holds the tip of the blade. Once a sound is produced, it will sustain for quite a while, and can be carried through several notes of a phrase.

Standard wood-cutting saws are often used by professional sawyers, although special musical saws are also made. The blades of these musical saws are generally wider (for range) and longer (for finer control), do not have set or sharpened teeth, and may have grain running parallel to the back edge of the saw, instead of parallel to the teeth. Some saws are made with thinner metal to increase flexibility, while thicker musical saws have a richer tone, longer sustain, and stronger "harmonics." A typical saw is 5" wide at the handle end, 1" wide at the tip, and will produce about 2 octaves (regardless of length). A "bass" saw may be 6" at the handle and will have about 2 1/2 octaves. Two-person saws, or "misery whips," can also be played, though with much less virtuosity, and an octave or less of range. Most sawyers use cello or violin bows, using violin rosin, but improvised home-made bows, such as a wooden dowel, are not uncommon.

Musical saws have been produced for over a century. In the early 1900s there were at least ten companies in the United States alone manufacturing saws. These saws ranged from the familiar steel variety to gold-plated masterpieces worth hundreds of dollars. However, with the start of World War II the demand for metals made the manufacture of saws too expensive and many of these companies went out of business. In the year 2000 only three companies in the U.S. were making saws: Mussehl & Westphal, Charlie Blacklock, and MusicalSaw.com.

Two other important companies exist in the saw world: Sandvik, maker of the Stradivarius saw and a company in France which produces a toothless saw, "La Lame Sonore," with a range of three octaves.

An International Saw Competition is held every August in Felton, CA.

Marlene Dietrich, A famous performer on the musical saw who entertained troops during World War II.

Jack Robinson, A famous musical saw player in England during the first half of the 20th century. Robinson was born in 1897 in Blackpool, but then moved to Liverpool and Edge Lane in the 1920s. He died in 1943. During his career he played with Harry Wood’s Grand Band at The Palace in Douglas, Isle of Man and Bert Pearson’s Band at Reece’s Ballroom in Liverpool. Jack also performed solo in a concert for charities including the Seamen’s Orphanage, Liverpool, held on board the RMS Duchess of York. He was also a professional hairdresser. You can see his bow and saw at the Museum of Liverpool Life, Liverpool, UK.

Natalia Paruz, also known as the 'Saw Lady', plays the musical saw in movie soundtracks, TV commercials, with orchestras all over the world and in the New York City subway. She is the organizer of the saw players gatherings in NYC and in Israel.

Also, the main character on the movie Delicatessen plays a musical saw at several parts of the movie. Icelandic quartet Amiina plays a saw on stage, and indie-rock band The Black Heart Procession features the musical saw in many of their songs. Neutral Milk Hotel also have a singing saw played on In the Aeroplane Over the Sea. Christina Marrs of the group Asylum Street Spankers plays the musical saw in numerous pieces, including 'The Minor Waltz'. Sarah McLachlan is one of the few mainstream artists to use a musical saw, as a main instrument on the composition 'Last Dance', featured on her 1997 album Surfacing. She does however not play the saw herself. Modern Rock band KoRn utilized a musical saw in their 2007 "Unplugged" performance, particularly during "Coming Undone".

Filmmaker Terry Zwigoff plays the musical saw with R.Crumb's Cheap Suit Serenaders in addition to the cello, Stroh fiddle, and mandolin.

Charles Hindmarsh, also known as The Yorkshire Musical Saw Player is originally from Harrogate in the UK, but has played the musical saw throughout the UK in concerts and sessions as a soloist and with accompaniment from either piano or brass band. He performed as part of the "BBC music live" festival, in a skip outside Belfast City Hall for a "Catalyst Arts" Festival and is now actively involved in promoting the playing of this wonderful instrument which will include a workshop at the Broadstairs Folk Week Festival (August 2007).

David Weiss- What started out as a lark twenty-two years ago, David Weiss is now considered to be one of the world's foremost musical saw virtuosos. He has appeared on the Tonight show, Prairie Home Companion, at Disneyland, on television commercials, and movies (most recently in the Grammy Award winning "O Brother Where Art Thou?"). July 1985 marked his Hollywood Bowl debut on the musical saw in a work specially commissioned for him by the Philharmonic. Other performances took place at Lincoln Center's Alice Tully Hall, aboard the QE2 and other cruises, and as an added feature in most of his oboe recitals. His album "Virtuoso Saw" received international critical acclaim.

Robert Minden, a Canadian saw player who has been touring and recording for over 2 decades, learned from folk musician Thomas Jefferson Scribner on the streets of Santa Cruz California. Scribner referred to the forgotten voice of the saw as The Lost Sound". There is a statue honoring Scribner playing the saw in Santa Cruz. (see Lostsound.com for a picture of the statue)