Press Gang

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This article is about the British television series Press Gang. For the old military practice of 'pressing' men into service, see Impressment.

Press Gang
Opening titles
Genre	Comedy-Drama
Creator(s)	Bill Moffat Steven Moffat
Starring	Julia Sawalha Dexter Fletcher Lee Ross Kelda Holmes Paul Reynolds Lucy Benjamin Gabrielle Anwar Mmoloki Chrystie Joanna Dukes Charlie Creed-Miles
Theme music composer	Peter Davis, John Mealing, John G. Perry
Country of origin	United Kingdom
No. of series	5
No. of episodes	43 (List of episodes)
Production
Producer(s)	Sandra C. Hastie
Executive producer(s)	Lewis Rudd
Camera setup	Single camera
Running time	25mins
Broadcast
Original channel	ITV
Original run	16 January 1989 – 21 May 1993
Links
IMDb profile
TV.com summary

Press Gang was a British children's television comedy-drama, which ran for forty-three episodes in five series from 1989 to 1993. It was produced by Richmond Film & Television for Central, and screened on the ITV network in its regular weekday afternoon children's strand, Children's ITV.^[1]

Aimed at older children and teenagers, the programme was based around the activities of a children's newspaper, the Junior Gazette, produced by pupils from the local comprehensive school. In later series it would be depicted as a commercial venture. The show interspersed comedic elements with the dramatic. As well as addressing interpersonal relationships (particularly in the Lynda-Spike story arc), the show tackled issues such as solvent abuse, child abuse and firearms control.^[2]

Written by ex-teacher Steven Moffat, over half of the episodes were directed by Bob Spiers, a noted British comedy director who had previously worked on classics such as Fawlty Towers. Critical reception was very positive, particularly for the quality of its writing, and has attracted a cult following with a wide age range.^[1]

Contents 1 Storyline 2 Production 2.1 Inception 2.2 Directors 2.3 Location 3 Characters 3.1 Main characters 3.2 Other recurring characters 4 Music and title sequences 5 Reaction 5.1 Critical reception 5.2 Awards 5.3 Repeat showings 5.4 Fan following 5.5 Proposed television movie 6 Merchandise 6.1 Novelisations 6.2 VHS release 6.3 DVD release 7 See also 8 References 9 External links

[edit] Storyline

Main article: List of Press Gang episodes

Famous journalist Matt Kerr (Clive Wood) arrives from Fleet Street to edit the local newspaper. He sets up a junior version of the paper, The Junior Gazette, to be produced by pupils from the local comprehensive school before and after school hours.^[3]

Some of the team are "star pupils". However, some members have reputations of delinquency. One such pupil, Spike Thompson (Dexter Fletcher) is forced to work on the paper rather than being expelled from school. He is immediately attracted to editor Lynda Day (Julia Sawalha), but they bicker, throwing one-liners at each other. Their relationship develops and they have an on-off relationship.^[4] They regularly discuss their feelings, especially in the concluding episodes of each series. In the final episode for the third series, "Holding On", Spike unwittingly expresses his strong feelings to Lynda whilst being taped. Jealous of his American girlfriend, Zoe, Lynda puts the cassette on her personal stereo, ruining their relationship. The on-screen chemistry between the two leads was reflected off-screen as they became an item for several years.^[5][6]

Although the Lynda and Spike story arc runs throughout the series, most episodes feature self-contained stories and sub-plots. Amongst lighter stories, such as one about Colin accidentally attending a funeral dressed as a pink rabbit, the show tackled many serious issues. The first series approached solvent abuse in "How To Make A Killing", and the NSPCC assisted in the production of the "Something Terrible" episodes about child abuse. The team were held hostage by a gun enthusiast in series three's "The Last Word", while the final episode approaches drug abuse.^[7] The issue led episodes served to develop the main characters, so that "Something Terrible" is more "about Colin's redemption [from selfish capitalist], rather than Cindy's abuse."^[8]

According to the British Film Institute, "Press Gang managed to be perhaps the funniest children's series ever made and at the same time the most painfully raw and emotionally honest. The tone could change effortlessly and sensitively from farce to tragedy in the space of an episode."^[9]

The show had a strong awareness of continuity. Some stories, incidents and minor characters are referred to throughout the series. Actors who played short-term characters in the first two series were invited back to reprise their roles in future episodes. David Jefford (Alex Crockett) was resurrected from 1989's "Monday - Tuesday" to appear in the final episode "There Are Crocodiles", while the same actress (Aisling Flitton) who played a wrong number in "Love & The Junior Gazette" was invited to reprise her character for the third season episode "Chance is a Fine Thing." "Attention to detail" such as this is, according to Paul Cornell, "one of the numerous ways that the series respects the intelligence of its viewers."^[10]

After the team leaves school, the paper gains financial independence and runs commercially. Assistant editor Kenny (Lee Ross), leaves at the end of series three to be replaced by Julie (Lucy Benjamin), who was the head of the graphics team in season one.

[edit] Production

[edit] Inception

Bill Moffat, a headmaster from Glasgow, had an idea for a children's television programme called The Norbridge Files.^[11] Producer Sandra Hastie liked the idea and showed it to Bill Ward, of Richmond Films and Television. When she requested a script, Moffat suggested that his 25-year old son, Steven, an English teacher, should write it. Hastie said that it was "the best ever first script" that she had read.^[12]

All 43 episodes were written by Steven Moffat. During production of series two, he was having an unhappy personal life after the break-up of his first marriage. His wife's new lover was represented in the episode "The Big Finish?" by the character Brian Magboy (Simon Schatzberger), a name inspired by Brian: Maggie's boy. Moffat brought in the character so that all sorts of unfortunate things would happen to him, such as having a typewriter dropped on his foot.^[13] This period in Moffat's life would also be reflected in his sitcom Joking Apart.^[14]

Central had confidence in the project, so rather than the show being shot at their studios in Nottingham as planned, they granted Richmond a £2 million budget. This enabled it to be shot on 16mm film, rather than the regular, less expensive videotape, and on location, making it very expensive compared to most children's television.^[15] These high production costs almost lead to its cancellation at the end of the second series, by which time Central executive Lewis Rudd was unable to commission programmes by himself.^[13]

[edit] Directors

Over half of the episodes were directed by Bob Spiers, a noted British comedy director who had previously worked on Fawlty Towers amongst many other programmes. He would work again with Moffat on his sitcom Joking Apart and Murder Most Horrid, and with Sawalha on Absolutely Fabulous. According to Moffat, Spiers was the "principle director" taking an interest in the other episodes and setting the visual style of the show. Spiers particularly used tracking shots, sometimes requiring more dialogue to be written to accommodate the length of the shot. The other directors would come in and "do a Spiers".^[5] All of the directors were encouraged to attend the others' shoots so that the visual style would be consistent.^[16]

The first two episodes were directed by Colin Nutley. However, he was unhappy with the final edit and requested that his name be removed from the credits.^[3][17] Lorne Magory directed many episodes, notably the two-part stories "How To Make A Killing" and "The Last Word." One of the founders of Richmond Films and Television, Bill Ward, directed three episodes,^[18][7] and Bren Simson directed some of series two.^[4] The show's cinematographer James Devis took the directorial reigns for "Windfall", the penultimate episode.^[19]

[edit] Location

Whilst the show's geographic location, or the dates of events, were never specifically mentioned, shooting was mostly done in Uxbridge, a suburb of London.^[8] The first series was filmed entirely on location, but with the demolition of the building used as the original newspaper office, interior shots were filmed in Pinewood Studios for the second series, and the exterior of the building wasn't seen beyond that series. Subsequent series were filmed at Lee International Studios at Shepperton (series three and four) and Twickenham Studios (series five).^[17]

[edit] Characters

[edit] Main characters

Lynda Day (Julia Sawalha) is the editor of the Junior Gazette. She is strong and opinionated, and is feared by many of her team. Moffat has said that the character was partly based on the show's "ball-breaking" producer, Sandra Hastie.^[5][20] Although she appears very tough, she occasionally exposes her feelings. She quits the paper at the end of "Monday-Tuesday", and in "Day Dreams" laments "Why do I get everything in my whole stupid life wrong?" Intimidated by socialising, she hiccups at the idea. She is so nervous at a cocktail party, in "At Last a Dragon", that she attempts to leave on several occasions.

The mixture of Lynda's sensitive side and her self-sufficient attitude is illustrated in the series' final episode "There Are Crocodiles." Reprimanding the ghost of Gary (Mark Sayers), who died from an overdose, she says:

Look, I'm sorry you're dead OK? I do care. But to be perfectly honest with you, I don't care a lot. You had a choice, you took the drugs, you died. Are you seriously claiming no one told you it was dangerous? ... I mean, have you had a look at the world lately? ... There's plenty of stuff going on that kills you and you don't get warned at all. So sticking your head in a crocodile you were told about is not calculated to get my sympathy.^[21]

Having the protagonist repent in hell is, according to Moffat, "always a novel way to end a teen-romance series."^[5] Whether or not Lynda dies is ambiguous.

James "Spike" Thomson (Dexter Fletcher) is an American delinquent, forced to work on the paper rather than being excluded from school. He is immediately attracted to Lynda, and he establishes himself as an important member of the reporting team having been responsible for getting their first lead story. He usually has a range of one-liners, though is often criticised, particularly by Lynda, for excessive joking. However, Spike often consciously uses humour to lighten the tone, such as in "Monday-Tuesday" when he tries to cheer up Lynda after she feels responsible for David's suicide.

The character was originally written as English, until producer Hastie felt that an American character would enhance the chance of overseas sales. This meant that English-born Fletcher had to act in an American accent for all five years. Moffat says that he isn't "sure [that] lumbering Dexter with that accent was a smart move."^[8] His accent, however, was so convincing that many are surprised to learn that Fletcher is English.^[22]

Kenny Phillips (Lee Ross) is one of Lynda's (few) long-term friends and is her assistant editor in the first three seasons. Kenny is much calmer than Lynda, though is still dominated by her. Despite this, he is one of the few people able to stand up to Lynda, in his own quiet way. Although he identifies himself as "sweet", he is unlucky in love: Jenny (Sadie Frost), the girlfriend he meets in "How to Make a Killing", dumps him because he is too understanding.^[23] His secret passion for writing music is revealed at the end of series two, which was influenced by Ross' interests.^[13] Colin organizes and markets a concert for him, and series two ends with Kenny performing "You Don't Feel For Me" (written by Ross himself).

Lee Ross was only able to commit to the first six episodes of the 12-episode series three and four filming block because he was expecting a film role.^[16] Thus, by series four, Kenny has left for Australia.

Colin Mathews (Paul Reynolds) is the Thatcherite in charge of the paper's finances and advertising. He usually has some money-making scheme or other going on, and can very much be summed up as a young Arthur Daley. He often wears loud shirts, and his various schemes have included marketing defective half-ping-pong balls (as 'pings'), exam revision kits and soda that leaves facial stains.

Julie Craig (Lucy Benjamin) is the head of the graphics team in season one. Moffat was impressed with Benjamin's performance, and expanded her character for the second series.^[17] However she had committed herself to roles in the LWT sitcom Close to Home and Jupiter Moon, so the character was replaced by Sam.^[15] The character returns in the opening episode of series four as researcher on the Saturday morning show Crazy Stuff. She arranges for Lynda and Spike to be reunited on live television, but the subsequent complaints about the violence (face slapping) results in Julie's firing.

After giving Lynda some home truths, Julie replaces Kenny as the assistant editor for the final two series. She is a flirt, and, according to Lynda, was the "official pin-up at the last prison riot."^[21]

Sarah Jackson (Kelda Holmes) is the paper's lead writer. Although she is intelligent she gets stressed, such as during her interview for editorship of the Junior Gazette. Her final episode, "Friendly Fire", shows the development of her friendship with Lynda, and how the latter saw her as a challenge when she first arrived to Norbridge High. Together they had established the underground school magazine: Damn Magazine. Her first attempt to leave the newspaper to attend a writing course at the local college is thwarted by Lynda,^[24] but she eventually leaves in series five to attend university (mirroring the reason for Holmes' departure).^[7]

Frazer "Frazz" Davis (Mmoloki Chrystie) is one of Spike's co-delinquents forced into working on the paper. Since he is not very bright, his main task is writing the horoscopes. Lynda had asked him to do an Astrology section, but he said he would rather do horoscopes instead!

[edit] Other recurring characters

Samantha (Sam) Black (Gabrielle Anwar) replaced Julie as the head of the graphics team. Sam is very fashion conscious and a flirt, and is surprised when an actor rejects her advances (in the second series episode Love And The Junior Gazette) in favour of Sarah.^[23]. She is rather vain and self-centered. Because of Lucy Benjamin's unavailability, many of the scripts were simply adapted to change Julie to Sam, and thus Sam was basically the character of Julie under a different name, especially in her earlier episodes.^[17] Anwar had auditioned for the role of Lynda. (Many actors who unsuccessfully auditioned for main characters were invited back later for guest roles.)^[15]

Toni "Tiddler" Tildesley (Joanna Dukes) is the junior member of the team, responsible for the junior section, Junior Junior Gazette. Always there with a clever quip, she is sometimes upset when the more interesting junior stories are given to the main writers, such as Sarah. However, she is strong willed and crafty when she needs to be, often coming up with sneaky ways to get her more involved with the paper and it's running. She gets on particularly well with Spike, and has a rather obvious crush on him.

Billy Homer (Andy Crowe) is a tetraplegic who is very competent with computer networks, sometimes hacking in to the school's database (which he had set up in a way that he could hack in to it). His storylines are some of the first representations of the Internet in British television. Billy first appears as a "mystery writer" contributor to the Junior Gazette, in the first series episode Interface, until Lynda tracks down who he really is, and persuades (or orders!) him to join the paper properly. Billy is always joking about his disability, it is his way of dealing with it (much like Spike jokes about things to hide his true feelings). Moffat felt that he was unable to sustain the character, and he appears only sporadically after the first series.^[15]

Danny McColl (Charlie Creed-Miles) is the paper's photographer. He was fairly prominent in the first few episodes, before he was moved into the background. Creed-Miles became disenchanted with the minor role and left after the first series.^[15]

There are a range of background characters who rarely have speaking parts, but appear throughout the series to give some consistency to the newsroom setting. Sophie Newton appears as Kate Roberts in twelve episodes between series two and four, although her name is not always specified.^[17] Michelle Gayle was also a non-speaking recurring member of the news team. Rosie Marcel and Claire Hearnden appear throughout the second series as Sophie and Laura, Colin's mischievous young helpers.

The main adults are firm but fair deputy headmaster Bill Sullivan (Nick Stringer), maverick editor Matt Kerr (Clive Wood) and experienced Gazette reporter Chrissie Stewart (Angela Bruce).

[edit] Music and title sequences

The theme music was composed by Peter Davis, John Mealing and John G. Perry.^[17] The opening titles show the main characters striking a pose, with the name of the respective actor in a typewriter style typeface. Moffat says that if the credits look "cheesy" now, they also did back in 1989.^[5] They were re-recorded for series three, in the same style, to address the actors' ages and alterations to the set.

Many of the closing titles in the first two series were accompanied by dialogue from two characters. Episodes that ended on a particularly sombre tone, such as "Monday-Tuesday" and "Yesterday's News", used only appropriately sombre music to accompany the end credits. After an emphatic climax, "At Last a Dragon" used an enhanced version of the main theme with more extravagant use of electric guitar. Moffat felt that the voiceovers worked well in the first season, but that they were not as good in the second. He was also "extremely angry" that Drop the Dead Donkey had adopted the style. They were dropped after the second series.^[16] The cast were also "grumpy" with having to turn up to a recording studio to record them.^[25]

[edit] Reaction

[edit] Critical reception

Critical reaction was good, being particularly praised for the high quality and sophistication of the writing.^[20][26] The first episode was highly rated by The Daily Telegraph, The Guardian and the Times Educational Supplement.^[15] In his emphatic review, Paul Cornell writes that:

Press Gang has proved to be a series that can transport you back to how you felt as a teenager, sharper that the world but with as much angst as acute wit... Never again can a show get away with talking down to children or writing sloppily for them. Press Gang, possibly the best show in the world.^[27]

Time Out said that "this is quality entertainment: the kids are sharp, the scripts are clever and the jokes are good."^[28] Others have also commented upon how "the show is renowned... for doing something kid television at the time didn't do (and, arguably, still doesn't): it refused to treat its audience like children."^[29]

According to Moffat, "Press Gang had gone over very, very well in the industry and I was being touted and romanced all the time." Press Gang's complicated plots would become a hallmark of Moffat's work, such as Joking Apart and Coupling.^[30]

[edit] Awards

The series received a Royal Television Society award and a BAFTA in 1991 for "Best Children's Programme (Entertainment/Drama)".^[9] It was also nominated for two Writers' Guild of Great Britain awards, one Prix Jeunesse^[31] and the 1992 BAFTA for "Best Children's Programme (Fiction)". Julia Sawalha won the Royal Television Society Television Award for "Best Actor - Female" in 1993.^[32]

[edit] Repeat showings

The show gained an adult audience when repeated at Sunday tea-time on Channel 4.^[27] This crossover is reflected in the BBC's review for one of the DVDs when they say that "Press Gang is one of the best series ever made for kids. Or adults."^[33]

Nickelodeon showed nearly all of the episodes in a weekday slot in 1997. The final three episodes of the third series, however, were not repeated on the children's channel because of their content: "The Last Word" double episode with the gun siege, and "Holding On" with the repetition of the phrase "divorce the bitch". On the first transmission of the latter on 11 June 1991, continuity announcer Tommy Boyd warned viewers that it contained stronger than usual language.

[edit] Fan following

Press Gang has attracted a cult following. A fanzine, Breakfast at Czars, was produced in the 1990s. Edited by Stephen O'Brien, it contained a range of interviews with the cast and crew (notably with producer Hastie), theatre reviews and fanfiction. The first edition was included as a PDF file on the series two DVD, while the next three were on the series five disc.

Two conventions were held in the mid 1990s in Liverpool. The events, in aid of the NSPCC, were each titled "Both Sides of the Paper" and were attended by Steven Moffat, Sandra Hastie, Dexter Fletcher, Paul Reynolds, Kelda Holmes and Nick Stringer. There were screenings of extended rough cuts of "A Quarter to Midnight" and "There Are Crocodiles", along with auctions of wardrobe and props.^[17]

The Press Gang Programme Guide, edited by Jim Sangster, was published by Leomac Publishing in 1995.^[34] Sangster, O'Brien and Adrian Petford^[17] collaborated with Network DVD on the extra features for the DVD releases.

An e-mail discussion list has been operational since February 1997.^[35]

[edit] Proposed television movie

Several times, a television movie called "Deadline" was planned, set a few years after the series and aimed at a more adult audience. At one stage in 1992, series 4 was intended to be the last, and the movie was proposed as a follow up. However, making of the film fell through when a fifth series was commissioned instead. The idea of the follow up film was several times reconsidered during the 1990s, but every time fell through for various reasons.^[36]

[edit] Merchandise

There have been several products released, specifically four novelisations, a video and the complete collection on DVD.

[edit] Novelisations

Four novelisations were written by Bill Moffat and published by Hippo Books/Scholastic in 1989 and 1990 based on the first two seasons. First Edition was based on the first three episodes, with PRESS GANG 2 - Public Exposure covering "Interface" and "How to Make a Killing." The third book, Checkmate, covered "Breakfast at Czar's", "Picking Up the Pieces" and "Going Back to Jasper Street", and reveals that Julie left the graphics department to go to art college. The fourth and final book, The Date, is a novelisation of "Money, Love and Birdseed", "Love and the Junior Gazette" and "At Last a Dragon".^[36] Each book featured an eight-page photographic insert.^[15]

[edit] VHS release

Only one volume was released on VHS in 1990 by Central Video, featuring the first four episodes: "Page One", "Photo Finish", "One Easy Lesson" and "Deadline".^[36]

[edit] DVD release

The complete series of Press Gang is available on DVD (Region 2, UK) from Network DVD. The series has also been released in Australia (Region 4). The second series DVD features an audio commentary by Julia Sawalha and Steven Moffat, in which the actress claims to remember very little about the show.^[8] Shooting scripts and extracts from Jim Sangster's programme guides are included in PDF format from series two onwards.^[37]

[edit] See also

• List of Press Gang episodes

[edit] References

[edit] External links

• Unofficial site - Programme guide; mailing list; FAQ