The Birds (play)

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The Birds
Sketch of Aristophanes
Written by	Aristophanes
Chorus	Birds
Characters	Euelpides Pisthetaerus Epops Trochilus Phoenicopterus Heralds Priest Poet Prophet Meton Commissioner Dealer in Decrees Iris Parricide Cinesias Informer Prometheus Poseidon Triballus Heracles Slaves of Pisthetaerus Messengers

The Birds (Ornithes) is a comedy written by the Ancient Greek playwright Aristophanes in 414 BC, and performed that year for the Festival of Dionysus.

[edit] Background

Unlike most of Aristophanes' plays, The Birds does not attack any specific person or event. However, it is likely inspired by the Athenian invasion of the Greek colonies in Sicily in 415 BC. The Sicilian colonies supported Sparta in the Peloponnesian War, and Alcibiades, the main supporter of the invasion, had been ordered to return to Athens to be placed on trial for sacrilege; instead of returning, Alcibiades had defected to Sparta. However, these events are not specifically or overtly parodied in the play. At the time the play was staged, in 414, the outcome of the expedition was far from certain, and hopes for victory were high. Critics have tried in vain for some time to see praise or condemnation of the enterprise implied in the play, but no consensus has ever been reached

[edit] Plot

Pisthetairos and Euelpides, frustrated with life in wartime Athens, search for Tereus, a king who had been changed into a hoopoe, in the realm of the birds in the sky. The play begins as they reach the sky; how they get there is not important. After meeting a descendant of Tereus, they convince the birds to help them create Nephelokokkygia (or Nephelococcygia, "Cloudcuckooland"). Pisthetairos and Euelpides are given feathers and wings by the birds, and Pisthetairos quickly takes over the new city as a demagogue and tyrant.

Pisthetairos has the birds build an enormous wall (600 feet high), and expels every annoying visitor who arrives in the city. Among the various visitors are a poet, singing ancient praises of the newly created city, a lawyer selling all the latest legal documents, and the goddess Iris who flies through the city not knowing that the walls are supposed to stop her. Prometheus also arrives to inform Pisthetairos that the city has become the focus of humanity's worship and sacrifices, which are no longer being received by the gods. A delegation from the gods, led by Poseidon and Heracles, comes to negotiate for the sacrifices, and they eventually allow Pisthetairos to marry Zeus' maid Basileia, who is the true force behind Zeus' control of Heaven. The play ends as Pisthetairos realizes he is the new ruler of the gods, and the audience is called upon to celebrate the new tyrant of the universe.

Pisthetairos is at first an ordinary man with whom the audience can sympathize in his quest for a utopia. However, Cloudcuckooland transforms from an egalitarian state to a dictatorship as Pisthetairos acquires a fancy for tyranny.

The parabasis of the play, in which the chorus of birds talks directly to the audience, takes place after the exit of the lawyer. It involves a discussion of the importance of birds to the universe and the alleged travesties performed on them by humans, including keeping them in cages as pets and cooking them as food. The chorus then promises not to defecate on the audience if they give the play first prize. The parabasis is unique among the plays of Aristophanes, in that the chorus does not "break character" to address the audience, but remains in character as birds throughout.