Giovanni Battista Viotti

From Wikipedia, the free encyclopedia

Giovanni Battista Viotti (May 12, 1755 - March 3, 1824) was an Italian violinist whose virtuosity outshone his work as a composer, and a director of French and Italian opera companies in Paris and London.

[edit] Biography

Viotti was born at Fontanetto Po (current province of Vercelli, Piedmont), at the time part of the Savoia Kingdom of Sardinia.

For his musical talent, he was taken into the household of principe Alfonso dal Pozzo della Cisterna in Turin, where he received a musical education that prepared him to be a pupil of Gaetano Pugnani. He served at the Savoia court in Turin, 1775-80, then toured as a soloist, at first with Pugnani, before going to Paris alone, where he made his début at the Concert Spirituel, 17 March 1782. He was an instant sensation and served for a time at Versailles before founding a new opera house, the Théâtre de Monsieur in 1788, under the patronage of the comte d'Artois, the king's brother; there he mounted operas of his friend Luigi Cherubini among less lights. When the French Revolution took a radical turn and, though his opera house was renamed the Théâtre Feydeau, former royal connections became a dangerous liability, he moved in 1792 to London, making his début at Johann Peter Salomon's Hanover Square Concert, 7 February 1793. In London he went from success to success, as a featured violinist for Salomon's concert series, 1793-1794, as musical director of the new Opera Concerts in 1795, as a star in the benefit concerts for Haydn, 1794 and 1795, and as acting manager of Italian opera at the King's Theatre, 1794-1795 then as leader and director of the orchestra, 1797;. He was invited to perform in the houses of the London bon ton, including for the Prince of Wales.

Then he was ordered to leave the country, under suspicion of Jacobin sympathies. He later returned to Paris and London, but gave up giving concerts to run a wine business. In 1813 he was one of the founders of the Philharmonic Society of London. His wine business failed however, and he returned to Paris to work as director of the Académie Royale de Musique, from 1819 to 1821. He died on a visit to friends in London.

In spite of his few direct pupils, Viotti was a very influential violinist. The teacher of both Pierre Rode and Pierre Baillot and an important influence on Rodolphe Kreutzer, all of whom became notable teachers themselves, he is considered the founding father of the 19th century French violin school. He also taught August Duranowski, who was an influence on Niccolò Paganini.

Viotti owned a Stradivarius violin that would eventually become known as the Viotti Strad. It is rumored that Viotti received the violin as a love token from Catherine the Great. He is also thought to have commissioned the construction of at least one fake copy of this violin. The 'Viotti ex-Bruce', renamed in honour of its previous owner, was purchased by the Royal Academy of Music in September 2005. Funding was provided by HM Government in lieu of Inheritance Tax, the National Art Collections Fund, the National Heritage Memorial Fund and many private donors. The instrument will be displayed in the York Gate Collections, the Academy's free museum and research centre. The 'Viotti ex-Bruce' will be heard as well as seen: the instrument will be played sparingly, under very controlled circumstances, at research events and occasional performances elsewhere.

Viotti's most notable compositions are his twenty-nine violin concertos, which were an influence on Ludwig van Beethoven. One in particular, No. 22 in A minor (1792), is still very frequently performed--especially by advanced student players. His music generally features the violin prominently: most of his string quartets largely ignore the balanced texture pioneered by Haydn, giving a "solo" role to the first violin and as such may be considered Quatuors Brillants. However, his Tre Quartetti Concertanti, G.112, 113 and 114 (after Giazotto who has catalogued Viotti's works), composed in 1815 and published in Paris in 1817, are true concertante works offering extensive solos for each instrument and not just the first violin. Viotti often wrote chamber music for more traditional combinations such as two violins and cello. The Opp.18 and 19 are perhaps the best known of these and are still in print today. He also wrote sonatas, songs, and other works.

[edit] G. B. Viotti Competition

Viotti is commemorated annually in Viotti_International_Music_Competition in Vercelli, near his birthplace.[1]

[edit] External links

• Sound-bites of String Quartet in B Flat Major, G.113
• Alessandro Di Profio, 2003. La Révolution des Bouffons: L’opéra italien au Théâtre de Monsieur 1789–1792 (Paris:CNRS Éditions)
• Royal College of Music: Viotti Mss collection Includes a manuscript autobiography written in 1798, on which some of the statements in this article are based.