Jerry Clinton

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Jerome Wright Clinton (Born in California) was a Ferdowsi scholar and Professor of Persian language and literature at Princeton University.

A graduate of Stanford University, Jerry received his MA in English and American literature at the University of Pennsylvania, spent two years in the Peace Corps in Iran, and received his Ph.D. at the University of Michigan in Persian and Arabic literature. He returned to Iran in 1970 where he did his dissertation research, completing his degree in 1972.

After teaching at the University of Minnesota and directing the Tehran Center of the American Institute of Iranian Studies, he was appointed professor of Persian at Princeton University in 1974. He taught there for twenty-eight years in the Department of Near Eastern Studies until his retirement in 2002.

His many articles on classical Persian literature remain landmark studies of individual works or generic characteristics. Chief among these are two essays on the Mada'en Qasida of Khaqani, Xaqani's Mada'en Qaside (I), (1976), and Xaqani's Mada'en Qaside (II), (1977), Esthetics by Implication: What Metaphors of Craft Tell us About the Unity of the Persian Qasida, (1979), and Madness and Cure in the 1001 Nights: the Tale of Shahriyar and Shahrizad, (1985).

Jerry Clinton was a scholar and translator of the Persian epic, The Shahnama (Book of Kings). His work on various aspects of that work have helped define the field of Shahnama studies for over two decades and his translations of episodes from it have been a staple of university classrooms. Most notably, his 1986 Tragedy of Sohrab and Rostam, was later published in The Norton Anthology of World Masterpieces.[1]

In 2002 his rendition of the episode of Esfandiyar, published under the title of In the Dragon's Claws, won the Lois Roth Persian Translation Prize. In recent years, Jerry's research was focused on the relation between text and illustration in illustrated manuscripts of The Book of Kings. Many of us may still remember his perceptive presentation in the Third Biennial Conference on Iranian Studies, provocatively titled, What Color Is the White Div?[2]